It's deceptively simple: two bright young couples meet during the Depression and form an instant and lifelong friendship. "How do you make a book that anyone will read out of lives as quiet as these?" Larry Morgan, a successful novelist and the narrator of the story, poses that question many years after he and his wife, Sally, have befriended the vibrant, wealthy, and often troubled Sid and Charity Lang. "Where is the high life, the conspicuous waste, the violence, the kinky sex, the death wish?" It's not here. What is here is just as fascinating, just as compelling, as touching, and as tragic.

Crossing to Safety is about loyalty and survival in its most everyday form--the need to create bonds and the urge to tear them apart. Thirty-four years after their first meeting, when Larry and Sally are called back to the Langs' summer home in Vermont, it's as if for a final showdown. How has this friendship defined them? What is its legacy? Stegner offer answers in those small, perfectly rendered moments that make up lives "as quiet as these"--and as familiar as our own. --Sara Nickerson


From Publishers Weekly
Adding to a distinguished body of work that already has earned him a Pulitzer Prize and the National Book Awardand on the 50th anniversary of the publication of his first novelStegner's new book is an eloquent, wise and immensely moving narrative. It is a meditation on the idealism and spirit of youth, when the world is full of promise, and on the blows and compromises life inevitably inflicts. Two couples meet during the Depression years in Madison, Wis., and become devoted friends despite vast differences in upbringing and social status. Hard work, hope and the will to succeed as a writer motivate the penurious narrator Larry Morgan and his wife Sally as he begins a term teaching at the university. Equally excited by their opportunities are Sid Lang, another junior man in the English department, and his wife Charity. They are fortune's children, favored with intelligence, breeding and money. Taken into the Langs' nourishing and generous embrace, the Morgans have many reasons for gratitude over the years, especially when Sally is afflicted with polio and the Langs provide financial as well as moral support. During visits at the Langs' summer home on Battell Pond in Vermont and later sharing a year in Florence, the couples feel that they are "four in Eden." Yet the Morgans observe the stresses in their friends' marriage as headstrong, insufferably well-organized Charity tries to bully the passive Sid into a more aggressive mold. Charity is one of the most vivid characters in fiction; if she is arrogant, she is also kindhearted, enthusiastic, stalwart and bravean ardent liver of life. Her incandescent personality is both the dominant force and the source of strain in the enduring friendship Stegner conveys with brilliant artistry. He is also superb at expressing a sense of place, and his intelligent voice makes cogent observations on American society in the decades of his setting. But most importantly, he speaks to us of universal questions, reflecting on "the miserable failure of the law of nature to conform to the dream of man." In doing so, he has created a believable human drama the dimensions of which reach out beyond the story's end and resonate in the reader's heart. BOMC and QPBC alternates; Franklin Library Signed First Edition Society selection. Copyright 1987 Reed Business Information, Inc.


From Library Journal
Stegner published his first novel 50 years ago. Since then he has won both a Pulitzer Prize (for Angle of Repose, 1971) and the National Book Award (for The Spectator Bird, 1976). His latest effort, an exploration into the mysteries of friendship, deserves similar accolades. With a quiet but strong hand, he traces the bond that develops between Charity and Sid Lang and Sally and Larry Morgan from their first meeting in 1937 through their eventual separation to their final get-together in 1972 when Charity is dying of cancer and is determined "to do it right," no matter what anyone else thinks. It seems only appropriate that Charity bring them together since she has been the driving force behind the relationship. As we discover now, her bull-headedness has had its price. This is a wonderfully rich, warm, and affecting book. Highly recommended. David W. Henderson, Eckerd Coll. Lib., St. Petersburg, Fla.Copyright 1987 Reed Business Information, Inc.


Review
“A superb book. . . . Nothing in these lives is lost or wasted, suffering becomes an enriching benediction, and life itself a luminous experience.”—Doris Grumbach


Review
?A superb book. . . . Nothing in these lives is lost or wasted, suffering becomes an enriching benediction, and life itself a luminous experience.??Doris Grumbach


Book Description
Called a “magnificently crafted story . . . brimming with wisdom” by Howard Frank Mosher in The Washington Post Book World, Crossing to Safety has, since its publication in 1987, established itself as one of the greatest and most cherished American novels of the twentieth century. Tracing the lives, loves, and aspirations of two couples who move between Vermont and Wisconsin, it is a work of quiet majesty, deep compassion, and powerful insight into the alchemy of friendship and marriage.


From the Inside Flap
Called a “magnificently crafted story . . . brimming with wisdom” by Howard Frank Mosher in The Washington Post Book World, Crossing to Safety has, since its publication in 1987, established itself as one of the greatest and most cherished American novels of the twentieth century. Tracing the lives, loves, and aspirations of two couples who move between Vermont and Wisconsin, it is a work of quiet majesty, deep compassion, and powerful insight into the alchemy of friendship and marriage.


From the Back Cover
“A superb book. . . . Nothing in these lives is lost or wasted, suffering becomes an enriching benediction, and life itself a luminous experience.”—Doris Grumbach


About the Author
Terry Tempest Williams is the author of Refuge: An Unnat-ural History of Family and Place; An Unspoken Hunger; Leap; and Red: Passion and Patience in the Desert. A recipient of a Guggenheim Fellowship and a Lannan Literary Fellowship in creative nonfiction, she lives in the redrock desert of southern Utah.

T. H. Watkins (1936–2000) was the first Wallace Stegner Distinguished Professor of Western American Studies at Montana State University, and the author of twenty-eight books.


Excerpt. © Reprinted by permission. All rights reserved.
Chapter 1

Floating upward through a confusion of dreams and memory, curving like a trout through the rings of previous risings, I surface. My eyes open. I am awake.

Cataract sufferers must see like this when the bandages are removed after the operation: every detail as sharp as if seen for the first time, yet familiar too, known from before the time of blindness, the remembered and the seen coalescing as in a stereoscope.

It is obviously very early. The light is no more than dusk that leaks past the edges of the blinds. But I see, or remember, or both, the uncurtained windows, the bare rafters, the board walls with nothing on them except a calendar that I think was here the last time we were, eight years ago.

What used to be aggressively spartan is shabby now. Nothing has been refreshed or added since Charity and Sid turned the compound over to the children. I should feel as if I were waking up in some Ma-and-Pa motel in hard-times country, but I don’t. I have spent too many good days and nights in this cottage to be depressed by it.

There is even, as my eyes make better use of the dusk and I lift my head off the pillow to look around, something marvelously reassuring about the room, a warmth even in the gloom. Associations, probably, but also color. The unfinished pine of the walls and ceilings has mellowed, over the years, to a rich honey color, as if stained by the warmth of the people who built it into a shelter for their friends. I take it as an omen; and though I remind myself why we are here, I can’t shake the sense of loved familiarity into which I just awoke.

The air is as familiar as the room. Standard summer-cottage taint of mice, plus a faint, not-unpleasant remembrance of skunks under the house, but around and through those a keenness as of seven thousand feet. Illusion, of course. What smells like altitude is latitude. Canada is only a dozen miles north, and the ice sheet that left its tracks all over this region has not gone for good, but only withdrawn. Something in the air, even in August, says it will be back.

In fact, if you could forget mortality, and that used to be easier here than in most places, you could really believe that time is circular, and not linear and progressive as our culture is bent on proving. Seen in geological perspective, we are fossils in the making, to be buried and eventually exposed again for the puzzlement of creatures of later eras. Seen in either geological or biological terms, we don’t warrant attention as individuals. One of us doesn’t differ that much from another, each generation repeats its parents, the works we build to outlast us are not much more enduring than anthills, and much less so than coral reefs. Here everything returns upon itself, repeats and renews itself, and present can hardly be told from past.

Sally is still sleeping. I slide out of bed and go barefooted across the cold wooden floor. The calendar, as I pass it, insists that it is not the one I remember. It says, accurately, that it is 1972, and that the month is August.

The door creaks as I ease it open. Keen air, gray light, gray lake below, gray sky through the hemlocks whose tops reach well above the porch. More than once, in summers past, Sid and I cut down some of those weedlike trees to let more light into the guest cottage. All we did was destroy some individuals, we never discouraged the species. The hemlocks like this steep shore. Like other species, they hang on to their territory.

I come back in and get my clothes off a chair, the same clothes I wore from New Mexico, and dress. Sally sleeps on, used up by the long flight and the five-hour drive up from Boston. Too hard a day for her, but she wouldn’t hear of breaking the trip. Having been summoned, she would come.

For a minute I stand listening to her breathing, wondering if I dare go out and leave her. But she is deeply asleep, and should stay that way for a while. No one is going to be coming around at this hour. This early piece of the morning is mine. Tiptoeing, I go out onto the porch and stand exposed to what, for all my senses can tell me, might as well be 1938 as 1972.

No one is up in the Lang compound. No lights through the trees, no smell of kindling smoke on the air. I go out the spongy woods path past the woodshed and into the road, and there I meet the sky, faintly brightening in the east, and the morning star as steady as a lamp. Down under the hemlocks I thought it overcast, but out here I see the bowl of the sky pale and spotless.

My feet take me up the road to the gate, and through it. Just inside the gate the road forks. I ignore the Ridge House road and choose instead the narrow dirt road that climbs around the hill to the right. John Wightman, whose cottage sits at the end of it, died fifteen years ago. He will not be up to protest my walking in his ruts. It is a road I have walked hundreds of times, a lovely lost tunnel through the trees, busy this morning with birds and little shy rustling things, my favorite road anywhere.

Dew has soaked everything. I could wash my hands in the ferns, and when I pick a leaf off a maple branch I get a shower on my head and shoulders. Through the hardwoods along the foot of the hill, through the belt of cedars where the ground is swampy with springs, through the spruce and balsam of the steep pitch, I go alertly, feasting my eyes. I see coon tracks, an adult and two young, in the mud, and maturing grasses bent like croquet wickets with wet, and spotted orange Amanitas, at this season flattened or even concave and holding water, and miniature forests of club moss and ground pine and ground cedar. There are brown caves of shelter, mouse and hare country, under the wide skirts of spruce.

My feet are wet. Off in the woods I hear a Peabody bird tentatively try out a song he seems to have half forgotten. I look to the left, up the slope of the hill, to see if I can catch a glimpse of Ridge House, but see only trees.

Then I come out on the shoulder of the hill, and there is the whole sky, immense and full of light that has drowned the stars. Its edges are piled with hills. Over Stannard Mountain the air is hot gold, and as I watch, the sun surges up over the crest and stares me down.

We didn’t come back to Battell Pond this time for pleasure. We came out of affection and family solidarity, as adopted members of the clan, and because we were asked for and expected. But I can’t feel somber now, any more than I could when I awoke in the shabby old guest cottage. Quite the reverse. I wonder if I have ever felt more alive, more competent in my mind and more at ease with myself and my world, than I feel for a few minutes on the shoulder of that known hill while I watch the sun climb powerfully and confidently and see below me the unchanged village, the lake like a pool of mercury, the varying greens of hayfields and meadows and sugarbush and black spruce woods, all of it lifting and warming as the stretched shadows shorten.

There it was, there it is, the place where during the best time of our lives friendship had its home and happiness its headquarters.

When I come in I find Sally sitting up, the blind closest to the bed—the one she can reach—raised to let a streak of sun into the room. She is drinking a cup of coffee from the thermos and eating a banana from the fruit basket that Hallie left when she put us to bed last night.

“Not breakfast,” Hallie said. “Just hazari. We’ll come and get you for brunch, but we won’t come too early. You’ll be tired and off your clock. So sleep in, and we’ll come and get you about ten. After brunch we’ll go up and see Mom, and later in the afternoon she’s planned a picnic on Folsom Hill.”

“A picnic?” Sally said. “Is she well enough to go on a picnic? If she’s doing it for us, she shouldn’t.”

“That’s the way she’s arranged it,” Hallie said. “She said you’d be tired, and to let you rest, and if she says you’ll be tired, you might as well be tired. If she plans a picnic, you’d better want a picnic. No, she’ll be all right. She saves her strength for the things that matter to her. She wants it like old times.”

I let up the other two blinds and lighten the dim room. “Where’d you go?” Sally asks.

“Up the old Wightman road.”

I pour myself coffee and sit down in the wicker chair that I remember as part of the furniture of the Ark. From the bed Sally watches me. “How was it?”

“Beautiful. Quiet. Good earthy smells. It hasn’t changed.”

“I wish I could have been along.”

“I’ll take you up later in the car.”

“No, we’ll be going up to the picnic, that’s enough.” She sips her coffee, watching me over the rim of the cup. “Isn’t it typical? At death’s door, and she wants it like old times, and orders everybody to make it that way. And worries about us being tired. Ah, she’s going to leave a hole! There’s been a hole, ever since we. . . . Did you feel any absences?”

“No absences. Presences.”

“I’m glad. I can’t imagine this place without them in it. Both of them.”

Long-continued disability makes some people saintly, some self-pitying, some bitter. It has only clarified Sally and made her more herself. Even when she was young and well she could appear so calm and withdrawn from human heat and hurt that she fooled people. Sid Lang, who is by no means unperceptive, and who was surely a little in love with her at one time, used to call her Proserpine, and tease her with lines from Swinburne:

Pale, beyond porch and portal

Crowned with calm leaves, she stands

Who gathers all things mortal

With cold immortal hands. Her cold immortal hands got to be a joke among us. But long before then, back during the years when her mother was having to stash her like a parcel in any convenient place, that was when she learned quiet, the way fawns are supposed to lie unmoving, camouflaged and scentless, where their mothers leave them. Some hand, very early, brushed her forehead serene as stone; she seems as tranquil within as without. But I have known her a long time. The refining of her face by age and illness that has given a fragile elegance to her temples and cheekbones has concentrated her in her eyes.

Now her eyes give the lie to her passive, acceptant face. They are smoky and troubled. She fixes them on her hands, which she folds, unfolds, refolds, and speaks to. “I dreamed about her. I woke up dreaming about her.”

“That’s natural enough.”

“We were having some kind of fight. She wanted me to do something, and I was resisting her, and she was furious. So was I. Isn’t that a miserable way to . . .” She pauses, and then, as if I have contradicted her, bursts out, “They’re the only family we ever had. Our lives would have been totally different and a lot harder without them. We’d never have known this place, or the people who have meant the most to us. Your career would have been different—you might have been stuck in some cow college. Except for Charity, I wouldn’t be alive. I wouldn’t have wanted to be.”

“I know.”

I am sitting with my back to the window. On the bed table is a tumbler of water that I set there for Sally last night. The sun, coming in flat, knocks a prismatic oval out of the tumbler and lays it on the ceiling. I reach out my foot and kick the table. The rainbow image quivers. I lift a hand and block the beam of sun from the glass. The rainbow goes out.

Sally has been watching me, frowning. “What are you telling me? It’s all over? Accept? I get tired of accepting. I’m tired of hearing that the Lord shapes the back to the burden. Who said that?”

“I don’t know. I didn’t.”

“Maybe it’s true, but I don’t need any more shaping. I wake up here where everything reminds me of them, and I’m dreaming we’re quarreling, and I think how I let myself judge her, and how long it’s been, and I just want to weep and mourn.”

Rebuking herself, she makes a disgusted face. We look at each other uncomfortably. I say, because she seems to need some expression of distress from me, “I’ll tell you one place I felt absences. Last night. I knew Charity wouldn’t be out with a flashlight cheering our arrival, but I expected Sid. I suppose he’s needed up there. But I felt how serious it is, my heart went down, when only Hallie and Moe appeared as a proxy welcoming committee. This morning I forgot again, it felt as it used to.”

“I wish she didn’t have this idea we’ll be too tired to come up this morning. Isn’t it like her? I guess noon will have to do. Will you get me up? I need to go.”

I get her into her braces and lift her under the arms and set her on her feet and hand her her canes. With her forearms thrust into them she lurches off to the bathroom. I follow, and when she stands in front of the toilet and stoops to unlock her knees, I ease her down on the seat and leave her. After a while she knocks on the wall and I go in and lift her up. She locks her iron knees again and stands to wash at the washbowl, stained by minerals in the spring water. After a few minutes she comes out, her hair combed and the sleep washed from her face. By the bed she stoops once more to unlock her knees, and sits down suddenly on the rumpled covers. I lift her legs and straighten her out and put the pillows behind her.

“How do you feel? Okay?”

“Maybe Charity is right. I do feel tired.”

“Why don’t you sleep some more? Want the braces off?”

“Leave them on. It’s less nuisance for you if I have to call you.”

“It’s no nuisance to me.”

“Oh,” she says, “it has to be. It has to be!” Her eyes close. Then she is smiling again. “How about peeling us an orange?”

I peel us an orange and pour the last coffee from the thermos. Braced against the headboard with her legs making a thin straight line under the blankets, she shapes her face into one of its game, sassy looks as if to say, What fun!

“I like this hazari idea,” she says. “Don’t you? It’s like Italy, when we woke up early and you made tea. Or the Taj Mahal Hotel in Bombay. Remember hazari there? Only there too it was fruit and tea, not fruit and coffee. All we need is a big ceiling fan, the kind Lang broke by throwing a pillow at it.”

I look around at the bare walls, bare studs, bare rafters, and naked green blinds. Every element of the compound, even the Big House, is much the same. Charity imposed austerity evenhandedly on herself, her family, and her guests. “Well,” I have to say, “not quite the Taj Mahal.”

“Better.”

“If you say so.”

She drops to her lap the half-clenched hand with the half orange in it—the hand that will never quite unclench because while she was in the iron lung all of us, even Charity who thought of everything, were so concerned that she go on breathing that we forgot to work on her hand. It stayed clenched there for too long. Now for a moment her controlled serenity, her acceptance and resignation, her stout and stoical front, dissolve away again. The woman who looks out at me is emotional and overtired.

FROM OUR EDITORS

Two couples form a lifelong bond, sharing loyalties, tragedies, & conflicts. Remarkable for its wit, insight, & luminous writing, this novel of family friendship from the author of Angle of Repose is "A superb book..."-- The New York Times Book Review.

ANNOTATION

In an intimate portrait of two marriages, Pulitzer Prize winning novelist Stegner captures the pleasure and pain of lifelong friendship.

FROM THE PUBLISHER

Called a "magnificently crafted story...brimming with wisdom" by Howard Frank Mosher in The Washington Post Book World, Crossing to Safety has, since its publication in 1987, established itself as one of the greatest and most cherished American novels of the twentieth century. Tracing the lives, loves, and aspirations of two couples who move between Vermont and Wisconsin, it is a work of quiet majesty, deep compassion, and powerful insight into the alchemy of friendship and marriage.

FROM THE CRITICS

Publishers Weekly

Adding to a distinguished body of work that already has earned him a Pulitzer Prize and the National Book Awardand on the 50th anniversary of the publication of his first novelStegner's new book is an eloquent, wise and immensely moving narrative. It is a meditation on the idealism and spirit of youth, when the world is full of promise, and on the blows and compromises life inevitably inflicts. Two couples meet during the Depression years in Madison, Wis., and become devoted friends despite vast differences in upbringing and social status. Hard work, hope and the will to succeed as a writer motivate the penurious narrator Larry Morgan and his wife Sally as he begins a term teaching at the university. Equally excited by their opportunities are Sid Lang, another junior man in the English department, and his wife Charity. They are fortune's children, favored with intelligence, breeding and money. Taken into the Langs' nourishing and generous embrace, the Morgans have many reasons for gratitude over the years, especially when Sally is afflicted with polio and the Langs provide financial as well as moral support. During visits at the Langs' summer home on Battell Pond in Vermont and later sharing a year in Florence, the couples feel that they are ``four in Eden.'' Yet the Morgans observe the stresses in their friends' marriage as headstrong, insufferably well-organized Charity tries to bully the passive Sid into a more aggressive mold. Charity is one of the most vivid characters in fiction; if she is arrogant, she is also kindhearted, enthusiastic, stalwart and bravean ardent liver of life. Her incandescent personality is both the dominant force and the source of strain in the enduring friendship Stegner conveys with brilliant artistry. He is also superb at expressing a sense of place, and his intelligent voice makes cogent observations on American society in the decades of his setting. But most importantly, he speaks to us of universal questions, reflecting on ``the miserable failure of the law of nature to conform to the dream of man.'' In doing so, he has created a believable human drama the dimensions of which reach out beyond the story's end and resonate in the reader's heart. BOMC and QPBC alternates; Franklin Library Signed First Edition Society selection. (September 21)

Library Journal