From AudioFile
Shaun MacLaughlin's direction of this Wilde play strives for an effective dramatic reading, rather than a fully realized radio-drama production with sound effects and atmospheric music.The production uses a narrator (Michael Drew) to read the stage directions. Such directorial emphasis calls attention to Wilde's brilliant dialogue and the strong performances. In THE IMPORTANCE OF BEING EARNEST, one of the most celebrated of all stage comedies, a faster pace helps Greg Wise and Richard Pearce sound young and carefree as they concoct witty deceptions to pursue their sweethearts. Wilde's comic attack on the shams of superficial earnestness in late-Victorian society finds rich expression in Miriam Margolyes's comically formidable Lady Bracknell. She plays the role slightly less broadly than Edith Evans did in the old Angel recording, and her performance keeps with MacLaughlin's subtle approach to Wilde's comedy of manners. G.H. (c)AudioFile, Portland, Maine

Book Description
The Importance of Being Earnest shows a full measure of Oscar Wilde's legendary wit, and embodies more than any of his other plays, his decency and warmth. This edition contains substantial excerpts from the original four-act version which was never produed, as well as the full test of the final three-act version, selections from Wilde's correspondence, and commentary by George Bernard Shaw, Max Beerbohm, St. John Hankin, and James Agate.

The Merriam-Webster Encyclopedia of Literature
(in full The Importance of Being Earnest: A Trivial Comedy for Serious People) Play in three acts by Oscar Wilde, performed in 1895 and published in 1899. A satire of Victorian social hypocrisy, the witty play is considered Wilde's greatest dramatic achievement. Jack Worthing is a fashionable young man who lives in the country with his ward Cecily Cardew. He has invented a rakish brother named Ernest whose supposed exploits give Jack an excuse to travel to London periodically. Jack is in love with Gwendolen Fairfax, the cousin of his friend Algernon Moncrieff. Gwendolen, who thinks Jack's name is Ernest, returns his love, but her mother, Lady Bracknell, objects to their marriage because Jack is an orphan who was found in a handbag at Victoria Station. Jack discovers that Algernon has been impersonating Ernest in order to woo Cecily, who has always been in love with the imaginary Ernest. Ultimately it is revealed that Jack is really Lady Bracknell's nephew, that his real name is Ernest, and that Algernon is actually his brother. The play ends with both couples happily united.

About the Author
Born in 1856, Oscar Wilde was a noted essayist, playwright, fairy tale writer and poet, as well as an early leader of the Aesthetic Movement. His plays include: An Ideal Husband, Salome, A Woman of No Importance, and Lady Windermere's Fan. Among his best known stories are The Picture of Dorian Gray(CPN 1095) and The Canterville Ghost(SWC 2051).

FROM THE PUBLISHER

About the Author

Oscar Wilde was born in Dublin in 1854. He graduated from Oxford University in 1878 with a reputation as a brilliant scholar and quickly dazzled London society with his wit and his flamboyant dress. His first literary successes came in the 1880s with his lecture tour of America and the publication of his fairy tales. These were followed by five highly polished plays and The Picture of Dorian Gray, all completed during the first half of the 1890s. After losing a slander suit over accusations of his homosexual behavior, Wilde was prosecuted and spent two years in prison. Following his release in 1897, estranged from his wife and children, Wilde moved to Paris, where he died in 1900.

SYNOPSIS

Oscar Wilde￯﾿ﾽs genius was such that he created masterpieces in every literary form he attempted, whether it be plays, fiction, essays, or poetry.

Among his plays, The Importance of Being Earnest￯﾿ﾽthe last he wrote￯﾿ﾽis certainly the most celebrated. H. G. Wells and George Bernard Shaw thought it one of the funniest plays ever written, and it has continued to amuse theatergoers the world over for more than a century. The play pokes fun at the aristocracy, the literary world, and British manners and customs, while calling into question the very notion of ￯﾿ﾽidentity.￯﾿ﾽ The characters￯﾿ﾽ plans are constantly sent topsy-turvy by unexpected turns of events. Along the way, Wilde￯﾿ﾽs wit-sharpened dialogue skewers nearly everyone, throwing into high relief the strains of class pretension, social ambition, and romantic gamesmanship.

Readers who have enjoyed Oscar Wilde￯﾿ﾽs barbed prose will find his pointed dramatic dialogue equally enticing.

FROM THE CRITICS

AudioFile

Shaun MacLaughlin's direction of this Wilde play strives for an effective dramatic reading, rather than a fully realized radio-drama production with sound effects and atmospheric music.The production uses a narrator (Michael Drew) to read the stage directions. Such directorial emphasis calls attention to Wilde's brilliant dialogue and the strong performances. In THE IMPORTANCE OF BEING EARNEST, one of the most celebrated of all stage comedies, a faster pace helps Greg Wise and Richard Pearce sound young and carefree as they concoct witty deceptions to pursue their sweethearts. Wilde's comic attack on the shams of superficial earnestness in late-Victorian society finds rich expression in Miriam Margolyes's comically formidable Lady Bracknell. She plays the role slightly less broadly than Edith Evans did in the old Angel recording, and her performance keeps with MacLaughlin's subtle approach to Wilde's comedy of manners. G.H. ￯﾿ﾽ AudioFile 2001, Portland, Maine

AudioFile - Glenn Hopp