From School Library Journal
YA Leon Trout, the ghost of a decapitated shipbuilder, narrates the humorous, ironic and sometimes carping decline of the human race, as seen through the eyes and minds of the survivors of a doomed cruise to the Galapagos Islands. Vonnegut's cast of unlikely Adams and Eves setting out in a Noah's ark includes Mary Hepburn, an American biology teacher and recent widow; Zenji Hiroguchi, a Japanese computer genius (who does not make it to the ship, although his language-translating and quotation-spouting computer does); his wife, Hisako, carrying radiated genes from the atomic bombs; James Wait, who has made a fortune marrying elderly women; and Captain Aolph von Kleist. Also included: six orphaned girls of the Kana-bono cannibal tribe, who will become the founding mothers of the fisherfolk after bacteria render all other women infertile. Serious fans of Vonnegut's wry and ribald prose will welcome this tale of the devolution of superbrained humans into gentle swimmers with small brains, but others may find this Darwinian survival tale too packed with ecological and sociological details that trap the story line in a series of literary devices, albeit very clever ones. Mary T. Gerrity, Queen Anne School, Upper Marlboro, Md.Copyright 1986 Reed Business Information, Inc.


From Library Journal
For many Vonnegut fans, Galapagos will be a disappointment. The story is set ``one million years ago, back in 1986 A.D.'' and concerns the maiden voyage of the Bahia de Darwin to the Galapa gos Islands. The narrator is a ghost, and the main characters are those involved with the cruise. As the narrative devel ops, we learn that people have evolved from having ``big brains'' that always get them in trouble, to creatures with flippersbut they keep getting eaten by sharks. The narration jumps back and forth between past and future, so that there is no real sense of what life is like in the ``present'' of the story, and it is difficult to grasp what these new hu mans are really like. Vonnegut's usual stylistic devices just don't work here. Buy for demand. Susan Avallone, ``Library Journal''Copyright 1985 Reed Business Information, Inc.


Review
"Vonnegut is a postmodern Mark Twain...  Galapagos is a madcap genealogical  adventure." -- The New York Times Book  Review

"Beautiful.... Provocative,  arresting reading." -- USA Today


From the Publisher
Galapagos takes the reader back one million years, to A.D. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galapagos Islands are about to become the progenitors of a brave new, and totally different human race. Here, America's master satirist looks at our world and shows us all that is sadly, madly awry -- and all that is worth saving.

"Vonnegut is a postmodern Mark Twain... Galapagos is a madcap genealogical adventure." -- The New York Times Book Review

. "Beautiful.... Provocative, arresting reading." -- USA Today

FROM THE PUBLISHER

Galapagos takes the reader back one million years, to A.D. 1986. A simple vacation cruise suddenly becomes an evolutionary journey. Thanks to an apocalypse, a small group of survivors stranded on the Galapagos Islands are about to become the progenitors of a brave new, and totally different human race. Here, America's master satirist looks at our world and shows us all that is sadly, madly awry — and all that is worth saving.

FROM THE CRITICS

Library Journal

For many Vonnegut fans, Galapagos will be a disappointment. The story is set ``one million years ago, back in 1986 A.D.'' and concerns the maiden voyage of the Bahia de Darwin to the Galapa gos Islands. The narrator is a ghost, and the main characters are those involved with the cruise. As the narrative devel ops, we learn that people have evolved from having ``big brains'' that always get them in trouble, to creatures with flippersbut they keep getting eaten by sharks. The narration jumps back and forth between past and future, so that there is no real sense of what life is like in the ``present'' of the story, and it is difficult to grasp what these new hu mans are really like. Vonnegut's usual stylistic devices just don't work here. Buy for demand. Susan Avallone, ``Library Journal''

School Library Journal