Book Description
Contents: The Difficult Birth-An Image of Utterance in Beckett, "Paul Lawley; Less equals More-Developing Ambiguity in the Drafts of "Come and Go," "Rosemary Pountney; Seeing is Perceiving-Beckett's Later Plays and the Theory of Audience Response," "Karen L. Laughlin; Mutations of the Soliloquy, "Not I" to "Rockaby," "Andrew Kennedy; Anonymity and Individuation-The Interrelation of Two Linguistic Functions in "Not I" and "Rockaby," "Lois Oppenheim; Walking and Rocking, Ritual Acts in "Footfalls" and "Rockaby," "Mary A. Doll; Beckett's Other Trilogy-"Not I," "Footfalls" and "Rockaby," "R. Thomas Stone; Perspective in "Rockaby," "Jane Alison Hale; Know Happiness-Irony in "Ill Seen Ill Said," "Monique Nagem; Reading "That Time," "Antoni Libera; The Speech Act in Beckett's "Ohio Impromptu," "Kathleen O'Gorman; "Make Sense Who May," A Study of "Catastrophe" and "What Where," "Annamaria Sportelli; "Catastrophe" and Dramatic Setting," "Hersh Zeifman; A Political Perspective on "Catastrophe," "Robert Sandarg; The Quad Pieces-A Screen for the Unseeable," "Phyllis Carey". Irish Literary Studies Series No. 30.

FROM THE PUBLISHER