FROM THE PUBLISHER

The text of this Norton Critical Edition is that of the corrected edition scrupulously prepared by Noel Polk, whose textual note precedes the text. David Minter's annotations are designed to assist the reader with obscure words and allusions.

"Backgrounds" begins with the appendix Faulkner wrote in 1945 and sometimes referred to as another telling of The Sound and the Fury and includes a selection of Faulkner's letters, excerpts from two Faulkner interviews, a memoir by Faulkner's friend Ben Wasson, and both versions of Faulkner's 1933 introduction to the novel.

"Cultural and Historical Contexts" presents four different perspectives on the place of the American South in history. Taken together, these works—by C. Vann Woodward, Richard H. King, Carolyn Porter, and Robert Penn Warren—provide the reader with valuable contexts for understanding the novel.

"Criticism" includes seventeen essays on The Sound and the Fury that collectively trace changes in the way we have viewed this novel over the last four decades.

The critics are Jean-Paul Sartre, Irving Howe, Ralph Ellison, Olga W. Vickery, Cleanth Brooks, Michael Millgate, John T. Irwin, Myra Jehlen, Donald M. Kartiganer, David Minter, Warwick Wadlington, John T. Matthews, Thadious M. Davis, Wesley Morris and Barbara Alverson Morris, Minrose C. Gwin, Andre Bleikasten, and Philip M. Weinstein.

A revised Selected Bibliography is also included.

SYNOPSIS

The Sound and the Fury is made up of undifferentiated streams of consciousness that ultimately turn out to be the inner voices of a family's siblings. Its construction is so masterful that the last sentence refers the reader back to the first one, as any perfect work of art might do.

Sound has the earmarks of a modern psychological study, although the book was published in 1929. It is a dramatic and harrowing tale of the Compson family's pathology—primarily in the form of incest and incestuous thoughts.

WHAT PEOPLE ARE SAYING

For all his concern with the South, Faulkner was actually seeking out the nature of man. Thus we must return to him for that continuity of moral purpose which made for the greatness of our classics.  — Ralph Ellison

Faulkner￯﾿ﾽ belongs to the full-dressed post-Flaubert group of Conrad, Joyce, and Proust.  — Edmund Wilson