Book Description
Julian of Norwich is among the most intriguing religious visionaries in Christian history. Carefully edited for the undergraduate reader, this Norton Critical Edition includes an informed introduction, focusing on Julian's theology and preparing students to understand the complex, controversial themes of the text, particularly Julian's solution to the problem of evil in Revelation XIII and XIV. Paragraph divisions have been organized to emphasize the thematic units of each chapter, and the sentences have been punctuated for clarity. The text included is a Middle English edition, based on the Paris manuscript (15801650) of the long text, with language akin to Chaucer's and therefore more accessible than other Middle English editions. "Contexts" includes contemporary texts that help students better understand Julian's originality, including selections from works by Margery Kempe, Augustine, Aelred of Rievaulx, and Walter Hilton. "Criticism" brings together interpretations that address the themes and style of the Showings by Sandra McEntire, Lynn Staley, B. A. Windeatt, and David Aers, among others. A Selected Bibliography is also included. About the Series: No other series of classic texts equals the caliber of the Norton Critical Editions. Each volume combines the most authoritative text available with the comprehensive pedagogical apparatus necessary to appreciate the work fully. Careful editing, first-rate translation, and thorough explanatory annotations allow each text to meet the highest literary standards while remaining accessible to students. Each edition is printed on acid-free paper and every text in the series remains in print. Norton Critical Editions are the choice for excellence in scholarship for students at more than 2,000 universities worldwide.
Showings of Julian of Norwich FROM THE PUBLISHER
Julian of Norwich is among the most intriguing religious visionaries in Christian history. Carefully edited for the undergraduate reader, this Norton Critical Edition includes an informed introduction, focusing on Julian's theology and preparing students to understand the complex, controversial themes of the text, particularly Julian's solution to the problem of evil in Revelation XIII and XIV. Paragraph divisions have been organized to emphasize the thematic units of each chapter, and the sentences have been punctuated for clarity.
The text included is a Middle English edition, based on the Paris manuscript (1580-1650) of the long text, with language akin to Chaucer's and therefore more accessible than other Middle English editions.
"Contexts" includes contemporary texts that help students better understand Julian's originality, including selections from works by Margery Kempe, Augustine, Aelred of Rievaulx, and Walter Hilton.
"Criticism" brings together interpretations that address the themes and style of the Showings by Sandra McEntire, Lynn Staley, B. A. Windeatt, and David Aers, among others.
SYNOPSIS
Julian of Norwich is considered the first English woman identified as an author. In this collection of her "showings," mystical revelations that are the foundation of her theology, Baker (English, U. of North Carolina, Greensboro) guides undergraduate readers through the complexities of the texts with essays from such as St. Augustine, Margery Kempe, and Aelred of Rievaulx, as well as criticism from such scholars as Caroline Walker Bynum and Lynn Staley Johnson. She includes notes on the language of the Paris manuscript from which this translation came and a glossary. Annotation ©2004 Book News, Inc., Portland, OR