One couldn't select a more delightful and exciting premise for a children's book than the tale of a young boy lying awake on Christmas Eve only to have Santa Claus sweep by and take him on a trip with other children to the North Pole. And one couldn't ask for a more talented artist and writer to tell the story than Chris Van Allsburg. Allsburg, a sculptor who entered the genre nonchalantly when he created a children's book as a diversion from his sculpting, won the 1986 Caldecott Medal for this book, one of several award winners he's produced. The Polar Express rings with vitality and wonder.
Amazon.com Audiobook Review
The Polar Express book and CD gift set is a charming collage of enchanting sounds, lyrical words, and climatic storytelling. Read by Academy Award-winning actor William Hurt, author Chris Van Allsburg's children's classic--a winner of the Caldecott Medal--is accompanied by a handsome melody and the sweet sounds of sleigh bells, train whistles, and spirited cheers from hundreds of Santa's elves. The composition stirs the listener's imagination, bringing to life the magic of Christmas. Coupled with a hardcover book (and a special gift from Santa's sleigh), listeners can read along and gaze at luminescent drawings page after page. The Polar Express touches the imagination of those "who truly believe." (Running time: 11 minutes, one cassette) --Cate Bick
From School Library Journal
Grade 1-3 Given a talented and aggressive imagination, even the challenge of as cliche-worn a subject as Santa Claus can be met effectively. Van Allsburg's Polar Express is an old-fashioned steam train that takes children to the North Pole on Christmas Eve to meet the red-suited gentleman and to see him off on his annual sleigh ride. This is a personal retelling of the adult storyteller's adventures as a youngster on that train. The telling is straight, thoughtfully clean-cut and all the more mysterious for its naive directness; the message is only a bit less direct: belief keeps us young at heart. The full-page images are theatrically lit. Colors are muted, edges of forms are fuzzy, scenes are set sparsely, leaving the details to the imagination. The light comes only from windows of buildings and the train or from a moon that's never depicted. Shadows create darkling spaces and model the naturalistic figures of children, wolves, trees, old-fashioned furniture and buildings. Santa Claus and his reindeer seem like so many of the icons bought by parents to decorate yards and rooftops: static, posed with stereotypic gestures. These are scenes from a memory of long ago, a dreamy reconstruction of a symbolic experience, a pleasant remembrance rebuilt to fufill a current wish: if only you believe, you too will hear the ringing of the silver bell that Santa gave him and taste rich hot chocolate in your ride through the wolf-infested forests of reality. Van Allsburg's express train is one in which many of us wish to believe. Kenneth Marantz, Art Education Department, Ohio State University, ColumbusCopyright 2002 Reed Business Information, Inc.
The New York Times Book Review, Noel Perrin
. . . the pictures may be the best he's done. There is nothing cute here, rather there is something I would have to call majestic.
From AudioFile
This production of the Caldecott winner enchants from the first notes of the magically mysterious music that introduces and supports the story of a boy's trip to meet Santa Claus. Narrator Liam Neeson's warm, deep voice encourages listeners young and old to dream along with the lucky boy aboard the Polar Express. Neeson's pacing is also exquisite--just slow enough for children reading along with the accompanying book, yet never too slow. The packaging of this production deserves special mention--a large-format hardcover book, easy-to-play tape, and Polar Express medal all wrapped up in a color slipcase. This is the perfect present for the child on your list. A.C.S. © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine
Newsweek
The sumptuous pastel effects-train lights seen through falling snow and a vertiginous overhead view, from Santa's sleigh, of his popular city-make this one of Van Allsburg's most treasured visions.
Review
"One couldn't select a more delightful and exciting premise for a children's book than the tale of a young boy lying awake on Christmas Eve only to have Santa Claus sweep by and take him on a trip with other children to the North Pole. And one couldn't ask for a more talented artist and writer to tell the story than Chris Van Allsburg. Van Allsburg, a sculptor who entered the genre nonchalantly when he created a children's book as a diversion from his sculpting, won the 1986 Caldecott Medal for this book, one of several award winners he's produced. The Polar Express rings with vitality and wonder."
Review
"One couldn't select a more delightful and exciting premise for a children's book than the tale of a young boy lying awake on Christmas Eve only to have Santa Claus sweep by and take him on a trip with other children to the North Pole. And one couldn't ask for a more talented artist and writer to tell the story than Chris Van Allsburg. Van Allsburg, a sculptor who entered the genre nonchalantly when he created a children's book as a diversion from his sculpting, won the 1986 Caldecott Medal for this book, one of several award winners he's produced. The Polar Express rings with vitality and wonder."
Book Description
A magical train ride on Christmas Eve takes a boy to the North Pole to receive a special gift from Santa.
Card catalog description
A magical train ride on Christmas Eve takes a boy to the North Pole to receive a special gift from Santa Claus.
The Polar Express FROM THE PUBLISHER
Late one Christmas Eve after the town has gone to sleep, the boy boards the mysterious train that waits for him: The Polar Express bound for the North Pole. When he arrives, Santa offers the boy any gift he desires. The boy modestly asks for one bell from the harness of a reindeer. The gift is granted. On the way home the bell is lost. On christmas morning the boy finds the bell under the tree. The mother of the boy admires the bell, but laments that it is brokenfor you see, only believers can hear the sound of the bell.
FROM THE CRITICS
Publishers Weekly
Several treasured titles make a comeback as reissues. In preparation for the November release of the book-based film starring Tom Hanks, Houghton has reshot the artwork for the 1986 Caldecott Medal- winning The Polar Express by Chris Van Allsburg, sprucing up this perennial holiday favorite. Copyright 2004 Reed Business Information.
School Library Journal
Gr 1-3 Given a talented and aggressive imagination, even the challenge of as cliche-worn a subject as Santa Claus can be met effectively. Van Allsburg's Polar Express is an old-fashioned steam train that takes children to the North Pole on Christmas Eve to meet the red-suited gentleman and to see him off on his annual sleigh ride. This is a personal retelling of the adult storyteller's adventures as a youngster on that train. The telling is straight, thoughtfully clean-cut and all the more mysterious for its naive directness; the message is only a bit less direct: belief keeps us young at heart. The full-page images are theatrically lit. Colors are muted, edges of forms are fuzzy, scenes are set sparsely, leaving the details to the imagination. The light comes only from windows of buildings and the train or from a moon that's never depicted. Shadows create darkling spaces and model the naturalistic figures of children, wolves, trees, old-fashioned furniture and buildings. Santa Claus and his reindeer seem like so many of the icons bought by parents to decorate yards and rooftops: static, posed with stereotypic gestures. These are scenes from a memory of long ago, a dreamy reconstruction of a symbolic experience, a pleasant remembrance rebuilt to fufill a current wish: if only you believe, you too will hear the ringing of the silver bell that Santa gave him and taste rich hot chocolate in your ride through the wolf-infested forests of reality. Van Allsburg's express train is one in which many of us wish to believe. Kenneth Marantz, Art Education Department, Ohio State University, Columbus