From Publishers Weekly
Farmer Bailey thinks he's hit a deer while driving his truck, but in the middle of the road lies a man, an enigmatic stranger. He goes home with Farmer Bailey, his memory apparently gone. Weeks pass at the Bailey farm; the stranger seems happy to be around them, and helps with the harvest. Oddly, while trees to the north of the farm turn red and gold with the arrival of fall, Bailey's land seems to be in a state of perpetual summer. One day, the stranger sees geese flying south and knows that he, too, must leave. Not long after that, the leaves at the farm change color and the air turns cool. And every year since, summer lasts a week longer at the Bailey farm than anywhere else. Van Allsburg's story is strangely melancholy, and his straightforward writng is uncannily dry, in contrast to the vivid green and golden landscapes of his paintings. The mood and suspense in this book make it compellinga chance to see the artist take a slight incident and create a truly mysterious event. (All agesCopyright 1986 Reed Business Information, Inc.
From School Library Journal
Grade 2-4The Stranger is a down-homey modern myth about the phenomenon of Indian Summer, but the opening owes less to the folktale than to The Twilight Zone. Farmer Bailey, rapt on an end-of-summer day in his 1940s pickup, suddenly hits something: the next page shows a young man's body, dramatically foreshortened and stretched out at eye-level in the evening shadows. The terror-stricken victim quickly recovers but has lost both speech and memory. Invited to stay with the farmer, his wife, and little girl, he spends idyllic days with them while autumn's advance is unaccountably delayed. The text scatters clues to the stranger's identity (Jack Frost); but the moment of recognition is cleverly given over to the electrifying illustration alone. Characteristically, the bold simplifications of Van Allsburg's warm pastels look back to American regionalist paintings of the 1930s and '40sespecially to Thomas Hart Benton and Grant Wood. The story is too low-keyed for most children, although several compositions provide suspense with their unorthodox points-of-view, out-of-frame action, and play with effects of light. Here the interweaving of fantasy and reality is more complex than in Van Allsburg's earlier books, and the effects more subtle; but the surface pleasures of color and form are still enticing. Patricia Dooley, formerly at Drexel University, Phila .Copyright 1986 Reed Business Information, Inc.
Review
"The author-illustrator has woven a thread of fantasy in and around his realistic illustrations to give the reader, once again, a story that stays in the imagination."
Review
"The author-illustrator has woven a thread of fantasy in and around his realistic illustrations to give the reader, once again, a story that stays in the imagination."
Book Description
The enigmatic origins of the stranger that Farmer Bailey hits with his truck and brings home to recuperate seem to have a mysterious relation to the weather. Could he be Jack Frost?
Card catalog description
The enigmatic origins of the stranger Farmer Bailey hits with his truck and brings home to recuperate seem to have a mysterious relation to the changing season.
The Stranger ANNOTATION
The enigmatic origins of the stranger Farmer Bailey hits with his truck and brings home to recuperate seem to have a mysterious relation to the changing season.
FROM THE PUBLISHER
The enigmatic origins of the stranger that Farmer Bailey hits with his truck and brings home to recuperate seem to have a mysterious relation to the weather. Could he be Jack Frost?
FROM THE CRITICS
Publishers Weekly
Farmer Bailey thinks he's hit a deer while driving his truck, but in the middle of the road lies a man, an enigmatic stranger. He goes home with Farmer Bailey, his memory apparently gone. Weeks pass at the Bailey farm; the stranger seems happy to be around them, and helps with the harvest. Oddly, while trees to the north of the farm turn red and gold with the arrival of fall, Bailey's land seems to be in a state of perpetual summer. One day, the stranger sees geese flying south and knows that he, too, must leave. Not long after that, the leaves at the farm change color and the air turns cool. And every year since, summer lasts a week longer at the Bailey farm than anywhere else. Van Allsburg's story is strangely melancholy, and his straightforward writng is uncannily dry, in contrast to the vivid green and golden landscapes of his paintings. The mood and suspense in this book make it compellinga chance to see the artist take a slight incident and create a truly mysterious event. (All ages
School Library Journal
Gr 2-4The Stranger is a down-homey modern myth about the phenomenon of Indian Summer, but the opening owes less to the folktale than to The Twilight Zone. Farmer Bailey, rapt on an end-of-summer day in his 1940s pickup, suddenly hits something: the next page shows a young man's body, dramatically foreshortened and stretched out at eye-level in the evening shadows. The terror-stricken victim quickly recovers but has lost both speech and memory. Invited to stay with the farmer, his wife, and little girl, he spends idyllic days with them while autumn's advance is unaccountably delayed. The text scatters clues to the stranger's identity (Jack Frost); but the moment of recognition is cleverly given over to the electrifying illustration alone. Characteristically, the bold simplifications of Van Allsburg's warm pastels look back to American regionalist paintings of the 1930s and '40sespecially to Thomas Hart Benton and Grant Wood. The story is too low-keyed for most children, although several compositions provide suspense with their unorthodox points-of-view, out-of-frame action, and play with effects of light. Here the interweaving of fantasy and reality is more complex than in Van Allsburg's earlier books, and the effects more subtle; but the surface pleasures of color and form are still enticing. Patricia Dooley, formerly at Drexel University, Phila .
Art & Photography
Book Info
