Book Description
This important new introductory textbook by a prime mover in the emergent field of Performance Studies is a defining moment for the discipline. It provides a lively and accessible overview of the full range of performance for undergraduates at all levels and beginning graduate students in performance studies, theatre, performing arts and cultural studies.
About the Author
Richard Schechner is currently University Professor and Professor of Performance Studies at the Tisch School of the Arts, New York University.
Performance Studies: An Introduction FROM THE PUBLISHER
This important new introductory textbook by a prime mover in the emergent field of Performance Studies is a defining moment for the discipline. It provides a lively and accessible overview of the full range of performance for undergraduates at all levels and beginning graduate students in performance studies, theatre, performing arts and cultural studies. It includes discussion of the performing arts and popular entertainments, rituals, play and games as well as the performances of every day life. Supporting examples and ideas are drawn from the performing arts, anthropology, post-structuralism, ritual theory, ethology, philosophy and aesthetics. The text has been fully developed with input from leading teachers and trialled with students. This important new introductory textbook has been fully developed with input from leading teachers and trialled with students.
FROM THE CRITICS
Herbert Blau
This fecund and useful volume sets up lively possibilities for exploring the entire spectrum of behaviors, restored or otherwise that Schechner as scholar, editor, and practitioner, has been sorting out for years with an enterprising spirit that now defines performance studies.
Guillermo Gomez-Pena
Richard Schechner's work is crucial to exploring the tricky and sometimes dangerous territories of performance. Not only is he responsible for continually expanding the boundaries of the field but also for demystifying esoteric issues. His work reaches wide constituencies. Through his writings, I always discover new ways of looking at performance, and through performance at the world at large. His thoughts always renew my desire to change the world.
Phillip Zarrilli
An appropriately broad-ranging, challenging, and provocative introduction, equally important for practicing artists as for students and scholars of the performing arts.
Sun Huizhu
This isn't merely the musings of a theatre director who never stops innovating. It is a global thinker's striking, historic way of understanding human nature from a surprisingly practical perspective, which can be adapted in countless areas at numerous levels.
Takahashi Yuichiro
Exactly what I have longed for. It provides linkages between concepts, gives historical perspective, and explains theoretical ideas in a language accessible to undergraduate students. It will be required reading.