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   Book Info

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Mies van der Rohe  
Author: Jean-Louis Cohen
ISBN: 0419203303
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review


Architecture Today
"Outstanding."


Book Description
The career and built works of this enigmatic and fascinating architect are carefully charted from his early work on housing design and high-rise offices in Berlin to his later and most famous work in Chicago, Detroit, Montreal and New York. Original illustrations from the architect's archives complement the excellent text. Spon's ARCHITECTURE COLLECTION presents the work of historic and contemporary masters of architecture in clear well-illustrated text, accessible to non-specialists. This appealing series of monographs, now available in English, is launched by books on two great historic figures of the century, Frank Lloyd Wright and Mies van der Rohe and two award-winning contemporary architects, Sir Norman Foster and Alvaro Siza.


Language Notes
Text: English (translation)
Original Language: French




Mies van der Rohe

FROM THE PUBLISHER

This book examines the life and work of one of the great architects of our time, Mies van der Rohe. Beginning and ending in Berlin, from the pre-1914 houses for the intelligentsia to the final masterpiece of 1968, the Neue Nationalgalerie, this essay records the stages of a distinguished career from the Bauhaus to Chicago, Detroit, Montreal and to New York, with the famous Seagram Building, confirming Mies van der Rohe as the equal of Frank Lloyd Wright and Le Corbusier. Jean-Louis Cohen brings out the paradoxes in this elegant, remote, refined and mysterious personality: the man who built the monument to Rosa Luxembourg and who flirted with the Nazi regime; the architect who affirmed, in one of his famous aphorisms, that 'less is more' and yet does not hesitate to use the most sophisticated materials for his buildings. This study shows how Mies 'designed, in his initial types, and in their development, categories of buildings as symbolic of the capitalist way of production as of the Florentine palaces of Quattrocento society'.

     



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