Oprah Book Club® Selection, April 1997: Members of the Church of Fire and Brimstone and God's Almighty Baptizing Wind spend their days and nights serving the Lord and waiting for the Rapture--that moment just before the Second Coming of Christ when the saved will be lifted bodily to heaven and the damned will be left behind to face the thousand years of tribulation on earth. The tribulation, according to Grandpa Herman, founder of Fire and Brimstone, will be an ugly time: "He said that we'd run out of food. That big bugs would chase us around and sting us with their tails . . . He said we'd turn on the faucet in the bathroom and find only blood running out . . . He said evil multitudes would come unto us and cut off our limbs, and that we wouldn't die . . . And then he'd say, 'But you don't have to be left behind. You can go straight to Heaven with all of God's special children if you'll only open your hearts to Jesus . . .'" Such talk of damnation weighs heavy on the mind of Ninah Huff, the 15-year-old narrator of Sheri Reynolds's second novel, The Rapture of Canaan. To distract her from sinful thoughts about her prayer partner James, Ninah puts pecan shells in her shoes and nettles in her bed. But concentrating on the Passion of Jesus cannot, in the end, deter Ninah and James from their passion for each other, and the consequences prove both tragic and transforming for the entire community. The Rapture of Canaan is a book about miracles, and in writing it, Reynolds has performed something of a miracle herself. Although the church's beliefs and practices may seem extreme (sleeping in an open grave, mortifying the flesh with barbed wire), its members are complex and profoundly sympathetic as they wrestle with the contradictions of Fire and Brimstone's theology, the temptations of the outside world, and the frailties of the human heart.
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From Publishers Weekly
In this gritty portrait of a young girl who battles repression in a rural Southern religious community, Reynolds (Bitterroot Landing) once again showcases a compelling narrative voice that's simultaneously harsh and lyrical. The narrator is Ninah Huff, granddaughter of Herman Langston, the founder of a Pentecostal sect in rural South Carolina. Herman is a strict disciplinarian, to say the least: he forces one congregant found guilty of drinking to sleep in an open grave. Because of the Pentecostal group's rigid attitudes, Ninah and her peers are frequently scorned and mocked at school. But her real problems start when she becomes pregnant by her prayer partner. Ninah's subsequent rebellion and the tragic aftermath of her tryst threaten to tear the community apart, particularly when the despotic Herman interprets an ordinary, curable birth defect in her infant son, Canaan, as a sign that she has given birth to the new messiah. While many of the issues Reynolds deals with are coming-of-age staples-teen rebellion; the standoff between adolescent expression and religious repression; the morality of the individual vs. the morality of the group-her gift for characterization ultimately transcends the material as Ninah's strength and resilience enable her to move beyond benighted religiosity toward a true and lasting faith. Literary Guild featured alternate selection. Copyright 1995 Reed Business Information, Inc.
From Library Journal
For Ninah Huff, being different from most people has meant being saved. Growing up in her grandfather's penitential religious commune in the rural South, Ninah is surrounded by love and the assurance of sanctity, though she sometimes wonders if she is truly holy. At 14, she begins to have serious doubts. Are all outsiders really damned? Are long, somber dresses and never-cut hair really necessary? Most of all, how sanctified are the feelings sparking between Ninah and James, her prayer partner in the Church of Fire and Brimstone and God's Almighty Baptizing Wind? With Ninah's pregnancy, questions of faith and sin take on real urgency, leading to tragedy and even a miracle. Ninah relates her story in prose both poetic and page turning; Reynolds lives up to the praise garnered by her first novel, Bitterroot Landing (LJ 11/15/94).Starr E. Smith, Marymount Univ. Lib., Arlington, Va.Copyright 1995 Reed Business Information, Inc.
The New York Times Book Review
Ms. Reynolds's poetic gifts are uncommonly powerful. In The Rapture of Canaan, she tells a truly rapturous love story and presents two unforgettable characters: the teenage heroine and her skeptical but stalwart grandmother, from whom she learns about the acceptance of loss, the pragmatism that must underlie any abiding love, and the place in every heart where God resides, waiting to reveal himself.
From AudioFile
A pubescent girl tells of her unwed pregnancy and its aftermath among the denizens of a small, rural, fundamentalist community lead by her martinet grandfather. Reynolds's deceptively simple, lyrical prose convinces you that you are hearing the thoughts of a very bright girl. Impersonating the narrating character, Hayden is triumphant, seemingly as genuine and artless as her character. Her personality wins the listener over immediately; she fully inhabits her role and keeps you riveted throughout. She and Grammy-winning director Charles Potter skirt the mawkishness of some passages, unfortunately also toning down some of the drama and misreading the emotional subtext of other scenes. But these gaffes are minor. Guitar music (uncredited) is used sparsely with supreme taste for regional flavor and emotional thrust. Y.R. An AUDIOFILE Earphones Award winner (c)AudioFile, Portland, Maine
From Booklist
For 14-year-old Ninah Huff, growing up in the extended family community of the Church of Fire and Brimstone and God's Almighty Baptizing Wind has meant working on the communal tobacco farm, receiving harsh punishments for unintended acts, being different from schoolmates, and enjoying a few simple pleasures. Foremost among the pleasures have been the company and stories of Nanna, whose husband, Grandpa Herman, founded the church after surviving wartime combat and unilaterally controlled its finances, doctrines, and daily life. Then comes a pleasures surpassing all others in the person of 15-year-old James. Designated prayer partners, Ninah and James share rebellious ideas, tentative touches, and more (after beseeching Jesus to speak to each of them through the other), leaving Ninah pregnant and touching off events that shake the community and its faith. Reynolds' second assured coming-of-age novel (after Bitterroot Landing, 1995) is also a devastating portrayal of organized religion as illogical, intolerant, and cruel but still unable to extinguish the spark of the human spirit. Michele Leber
Rapture of Canaan ANNOTATION
This "assured, devastating" novel (Booklist), the story of a teenage girl growing up in an isolated religious community and daring to indulge a forbidden love, is "gracefully written" and "a worthy successor" to Sheri Reynolds' bestselling debut. From the author of Bitterroot Landing. A choice of the LG.
FROM THE PUBLISHER
At the Church of Fire and Brimstone and Gods Almighty Baptizing Wind, Grandpa Herman makes the rules for everyone, and everyone obeys, or else. Try as she might, Ninah can't resist her prayer partner, James, and finds herself pregnant. She fears the wrath of Grandpa Herman, the congregation and God Himself. But the events that follow show Ninah that God's ways are more mysterious than even Grandpa Herman understands.
FROM THE CRITICS
Publishers Weekly
In this gritty portrait of a young girl who battles repression in a rural Southern religious community, Reynolds (Bitterroot Landing) once again showcases a compelling narrative voice that's simultaneously harsh and lyrical. The narrator is Ninah Huff, granddaughter of Herman Langston, the founder of a Pentecostal sect in rural South Carolina. Herman is a strict disciplinarian, to say the least: he forces one congregant found guilty of drinking to sleep in an open grave. Because of the Pentecostal group's rigid attitudes, Ninah and her peers are frequently scorned and mocked at school. But her real problems start when she becomes pregnant by her prayer partner. Ninah's subsequent rebellion and the tragic aftermath of her tryst threaten to tear the community apart, particularly when the despotic Herman interprets an ordinary, curable birth defect in her infant son, Canaan, as a sign that she has given birth to the new messiah. While many of the issues Reynolds deals with are coming-of-age staples-teen rebellion; the standoff between adolescent expression and religious repression; the morality of the individual vs. the morality of the group-her gift for characterization ultimately transcends the material as Ninah's strength and resilience enable her to move beyond benighted religiosity toward a true and lasting faith. Literary Guild featured alternate selection.
Library Journal
For Ninah Huff, being different from most people has meant being saved. Growing up in her grandfather's penitential religious commune in the rural South, Ninah is surrounded by love and the assurance of sanctity, though she sometimes wonders if she is truly holy. At 14, she begins to have serious doubts. Are all outsiders really damned? Are long, somber dresses and never-cut hair really necessary? Most of all, how sanctified are the feelings sparking between Ninah and James, her prayer partner in the Church of Fire and Brimstone and God's Almighty Baptizing Wind? With Ninah's pregnancy, questions of faith and sin take on real urgency, leading to tragedy and even a miracle. Ninah relates her story in prose both poetic and page turning; Reynolds lives up to the praise garnered by her first novel, Bitterroot Landing (LJ 11/15/94).-Starr E. Smith, Marymount Univ. Lib., Arlington, Va.
AudioFile - Preston Wilson
Fifteen-year-old Ninah Huff is the teller of this heavy-handed story of rebellion against religious obsession. Living in a religious community of deluded believers, Ninah tries to find what Godᄑs message is for her. But the trouble with first-person points of view in a novel such as this is that the narrator must be both creator (as writer) and created (as character), which makes for challenging oral interpretation. Bresnahan has difficulty maintaining a steady Deep South feel in both of these roles. The narration is in standard English while all the characters speak parodies of Southern American dialect. In addition, Bresnahanᄑs delivery suffers from a monotonous and choppy rhythm which adds unnecessarily to the implausibility of the story. Granted that this hyperbolic rant against the excesses of religious fanaticism would be hard for any oral interpreter to bring to credible life, it must be said that Bresnahan, who has previously done wonderful interpretations, nailed this one to the cross. P.W. ᄑAudioFile, Portland, Maine