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   Book Info

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Books of Blood: Volumes One to Three  
Author: Clive Barker
ISBN: 0425165582
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review


"Everybody is a book of blood; wherever we're opened, we're red." For those who only know Clive Barker through his long multigenre novels, this one-volume edition of the Books of Blood is a welcome chance to acquire the 16 remarkable horror short stories with which he kicked off his career. For those who already know these tales, the poignant introduction is a window on the creator's mind. Reflecting back after 14 years, Barker writes:

I look at these pieces and I don't think the man who wrote them is alive in me anymore.... We are all our own graveyards I believe; we squat amongst the tombs of the people we were. If we're healthy, every day is a celebration, a Day of the Dead, in which we give thanks for the lives that we lived; and if we are neurotic we brood and mourn and wish that the past was still present.

Reading these stories over, I feel a little of both. Some of the simple energies that made these words flow through my pen--that made the phrases felicitous and the ideas sing--have gone. I lost their maker a long time ago.

These enthusiastic tales are not ashamed of visceral horror, of blood splashing freely across the page: "The Midnight Meat Train," a grisly subway tale that surprises you with one twist after another; "The Yattering and Jack," about a hilarious demon who possesses a Christmas turkey; "In the Hills, the Cities," an unusual example of an original horror premise; "Dread," a harrowing non-supernatural tale about being forced to realize your worst nightmare; "Jacqueline Ess: Her Will and Testament," about a woman who kills men with her mind. Some of the tales are more successful than others, but all are distinguished by strikingly beautiful images of evil and destruction. No horror library is complete without them. --Fiona Webster

From Library Journal
Barker launched his best-selling career in 1984 with the Books of Blood trilogy, which are published together here as a single volume. In addition to the numerous short stories contained in the Books, this edition also sports a new introduction by the author. Bloody good fun.Copyright 1998 Reed Business Information, Inc.

Book Description
With the 1984 publication of Books of Blood, Clive Barker became an overnight literary sensation. He was hailed by Stephen King as "the future of horror," and won both the British and World Fantasy Awards. Now, with his numerous bestsellers, graphic novels, and hit movies like the Hellraiser films, Clive Barker has become an industry unto himself. But it all started here, with this tour de force collection that rivals the dark masterpieces of Edgar Allan Poe. Read him. And rediscover the true meaning of fear.




Books of Blood: Volumes One to Three

FROM OUR EDITORS

With surgical precision, these stories will remove your rational defenses against terror. "What Barker does...makes the rest of us look like we've been asleep for the past ten years."--Stephen King.

FROM THE PUBLISHER

With the 1984 publication of Books of Blood, Clive Barker became an overnight literary sensation. He was hailed by Stephen King as "the future of horror," and won both the British and World Fantasy Awards. Now, with his numerous bestsellers, graphic novels, and hit movies like the Hellraiser films, Clive Barker has become an industry unto himself. But it all started here, with this tour de force collection that rivals the dark masterpieces of Edgar Allan Poe. Read him. And rediscover the true meaning of fear.

FROM THE CRITICS

Publishers Weekly

Published last year in Britain as three paperback originals, these short narratives garnered impressive reviews. This edition, Barker's first hardcover appearance in America, gathers together 16 stories in one volume as the author originally intended and contains eerily effective illustrations by fantasy artists J. K. Potter and Harry O. Morris. The tales are of varying quality and will please mostly readers who like their horror bloody and graphic. An occasional reliance on hokey set-ups and deus ex machinas, and the frequent shifting of intention in mid-story are jarring qualities, however. Further, a pervasive misanthropy colors the narratives and makes them unpleasant in a way the author probably didn't intend. The best entry, ``Human Remains,'' about a male hustler and his doppelganger, isthe only one in which the author actually seems to like his protagonist.Also good are the almost dreamlike``New Murders in the Rue Morgue,'' ``Scape-goats,'' about an island that is an altar to the drowned, and ``Son of Celluloid,'' which generates a full complement of chills. Ramsey Campbell has contributed a lavishly praiseful introduction. November 15

     



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