Roots: The Saga of an American Family ANNOTATION
This "bold . . . extraordinary . . . blockbuster . . ." (Newsweek) begins with a birth in 1750, in an African village; it ends seven generations later at the Arkansas funeral of a black professor whose children are a teacher, a Navy architect, an assistant director of the U.S. Information Agency, and an author. The author is Alex Haley.
FROM THE PUBLISHER
This "bold...extraordinary...blockbuster..." (Newsweek magazine) begins with a birth in an African village in 1750, and ends two centuries later at a funeral in Arkansas. And in that time span, an unforgettable cast of men, women, and children come to life, many of them based on the people from Alex Haley's own family tree.
When Alex Haley was a boy growing up in Tennessee, his grandmother used to tell him stories about their family, stories that went way back to a man she called "the African" who was taken aboard a slave ship bound for Colonial America. As an adult, Alex Haley spent twelve years searching for documentation that might authenticate what his grandmother had told him. In an astonishing feat of genealogical detective work, he discovered the name of "the African"Kunta Kinte, as well as the exact location of the village in West Africa from where he was abducted in 1767.
While Haley created certain unknown details of his family history, ROOTS is definitely based on the facts of his ancestry, and the six generations of peopleslaves and freedmen, farmers and lawyers, an architect, teacherand one acclaimed authordescended from Kunte Kinte. But with this book, Haley did more than recapture the history of his own family. He popularized genealogy for people of all races and colors; and in so doing, wrote one of the most important and beloved books of all time, a true Modern Classic.
FROM THE CRITICS
Sacred Life
Roots is the fictionalized account of Alex Haley's family history and an epic narrative of the African American experience. For many African Americans, the novel and the history-making television miniseries it begot were pivotal in their understanding and appreciation of their origins. The story traces Haley's family history from the imagined birth of his ancestor Kant Kin in an African village in 1750 to the death, seven generations later, of his father in Arkansas. Based on fifteen years of research by Haley, the novel is a combination of fact and fiction—it is often referred to as faction—that puts a human face on the suffering of black people through the ordeal of the Middle Passage, slavery, and Jim Grow. Its combination of compelling, affectionate storytelling and informative history has had a revolutionary effect on the way Americans—black and white—think about the history of a people.
The story, like that of Olaudah Equiano, begins in an idyllic African world destroyed by Europeans. Haley's description of Kinte's journey to America in the hold of a slave ship is harrowing and indelibly memorable. Kinte is enslaved in America but is still proud, refusing to forsake his African name or heritage. He passes on stories of Africa to his daughter, Kizzy, who bears a child, Chicken George. George is a successful cockfighter whose father is also his master—a common situation in the time of slavery but one that is treated with unusual sensitivity here. George passes the stories of his grandfather on to his children, including Tom, who marries a part-Indian woman named Irene. Tom and Irene have eight children, one of whom is Haley's grandmother.
She passes the family stories to her daughter, who passes them on to Haley. Haley, in turn, tells the story, from Kunta Kinte to Chicken George, to his own grandmother, to his children.
Haley has been accused of plagiarism and his book has been criticized for historical inaccuracies, but the novel holds up as a powerful representation of the full African American saga. Haley tells the story of his family—and, by extension, the story of all black people whose family histories are lost in the mists of time—with an immense amount of respect and tenderness. Amidst the undeniable misery of slavery and Jim Crow, he always reveals the outstanding characteristics that sustained his family—spirited resistance, cunning survival instincts, and a will to remember and pass on. James Baldwin captured the book's appeal when he wrote, "Alex Haley's taking us back through time to the village of his ancestors is an act of faith and courage, but this book is also an act of love, and it is this which makes it haunting."
Charles McGrath
....Roots is a study of continuities, of consequences, of how a people perpetuate themselves, how each generation helps to doom, or helps to liberate, the coming one. -- The New York Times Books of the Century