Even though the excellent thrillers by John Lescroart--The 13th Juror, A Certain Justice, Dead Irish, and Hard Evidence are out in paperback--usually feature stirring courtroom scenes, where they really shine is out in the real world. His latest is no exception, as Mark Dooher, a high-profile attorney with links to the Catholic hierarchy of San Francisco, is charged with the brutal murder of the wife he had come to hate. Did Dooher do her? Lt. Abe Glitsky, whose own beloved wife is dying of cancer, is sure of it, but defense attorneys Wes Farrell and Christina Carrera--for different but equally hidden reasons--are certain he's being framed. You'll enjoy the tension and appreciate the intricate plotting.
From Library Journal
Mark Dooher has a successful legal career, a long-lasting marriage, charm, good looks, and money; but when he meets young, beautiful law student Christina Carrera, he wants her, too. The author of A Certain Justice (LJ 7/95) has Mark manage, through a series of devious manipulations, to rid Christina of her fiance, get her a job at his firm, and make her fall in love with him. But there is the troublesome matter of his wife, whom he cannot divorce because of his important professional relationship with the city's archbishop. Then his wife turns up conveniently murdered, and the resulting trial could turn out to be Mark's greatest challenge yet. This original, well-crafted page-turner is blockbuster material. Highly recommended.-?Melissa Kuzma Rokicki, NYPLCopyright 1997 Reed Business Information, Inc.
From AudioFile
Mark Dooher, managing partner of a San Francisco law firm, falls hard for Christina, the beautiful girlfriend of one of the firm's associates. The relationship cannot develop as his position as counsel for the local archdiocese would be hurt if he were to divorce. Suddenly Christina's fiancŽ is out of the picture, and Dooher's wife is murdered. Tucci's resonant voice adds dimension to an abridgment that seems choppy, jumping forward in time without graceful transitions and leaving the listener wondering what's been left out. The melodramatic music that begins the first side of each tape adds nothing except the ability to determine which side of the tape one is beginning with. D.T.H. (c)AudioFile, Portland, Maine
From Booklist
Lescroart hit it big when he turned from his delightful but little-known Dismas Hardy series to flashier courtroom dramas. His strength in either venue comes from full-bodied characters and an emphasis on the hows and whys of murder. Here we know from the outset that the murderer is top-dog attorney Mark Dooher, who first kills a rival lawyer and later adds his wife to his list of victims. Dooher's best friend, Wes Farrell, is an attorney who's never achieved Mark's status, but he loves his friend and defends him fiercely when Mark is nabbed for the murders by a diligent cop who won't let go even after the accused is acquitted. Lescroart effectively dramatizes the many moral dilemmas that emerge in this case, not the least of which is posed by the role of the Catholic Church. Less successful are some of the courtroom details, especially the presence of a prosecutor no D.A. would ever let try such a high-profile case. Quibbles aside, this is a sharp, satisfying thriller. Ilene Cooper
From Kirkus Reviews
Murder stalks a go-getting San Francisco lawyer who just wants to be left alone so he can have it all. From the moment Mark Dooher first catches sight of law student Christina Carrera, he's convinced that he's got to have her. There are obstacles, of course: His old friend and colleague Wes Farrell disapproves; Christina's boyfriend works for Mark's own firm; and neither Mark's wife Sheila nor his principal employer, the Archdiocese of San Francisco, would care for the idea if Mark ever brought it up. Instead, he finagles Christina into the firm and promotes her boyfriend to oblivion in L.A., pooh-poohs Wes's objections, and keeps Sheila and the Archbishop in the dark. Everything goes fine until a pesky lawyer who's threatened to attach the Archbishop's name to a scandalous lawsuit gets stabbed to death shortly after turning down the hefty settlement Mark had been authorized to offer, and Sgt. Abe Glitsky fastens on Mark as the killer. Despite Glitsky's certainty, there's no physical evidence linking Mark to the murder, and the weight of the Archdiocese is able to keep the case from going to trial. Glitsky does arrest Mark two months later, however, when Sheila dies in an apparent robbery attempt. The sides are clear-cut: Christina, who joins Wes at the defense table at Mark's request, is absolutely certain Mark couldn't have done it; Glitsky is equally certain that he did (but then he's maddened with grief over the agonizing death of his wife). It'll all come out in court, right? Not exactly--because as the title indicates, the usually reliable Lescroart (A Certain Justice, 1995, etc.) wants to explore the dissonance between legal and actual guilt. The exploration, though, is surprisingly ham-handed and overextended, mainly because the author himself can't quite decide how guilty to make his protagonist look, and the richly promising gallery of characters has nothing to do but wait for a shrilly melodramatic finale. ($125,000 ad/promo; author tour) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.
Review
No one is above the law.
"A great thriller: breakneck pacing, electrifying courtroom scenes, and a cast of richly crafted characters."
"A well-paced legal thriller...one of the best in this flourishing genre to come along in a while."
"Begin [Guilt] over a weekend...if you start during the work week, you will be up very very late, and your pleasure will be tainted with, well, guilt."
Review
No one is above the law.
"A great thriller: breakneck pacing, electrifying courtroom scenes, and a cast of richly crafted characters."
"A well-paced legal thriller...one of the best in this flourishing genre to come along in a while."
"Begin [Guilt] over a weekend...if you start during the work week, you will be up very very late, and your pleasure will be tainted with, well, guilt."
Book Description
Mark Dooher is a prosperous San Francisco attorney and a prominent Catholic, the last person anyone would suspect of a brutal crime. But Dooher, a paragon of success and a master of all he touches, is about to be indicted for murder.Charged with savagely killing his own wife, Dooher is fighting for his reputation and his life in a high-profile case that is drawing dozens of lives into its wake--from former spouses to former friends, from a beautiful, naive young attorney to a defense lawyer whose own salvation depends on getting his client off.Now, as the trial builds to a crescendo, as evidence is sifted and witnesses discredited, as a good cop tries to pick up the pieces of his shattered life and a D.A. risks her career, the truth about Mark Dooher is about to explode. For in a trial that will change the lives of everyone it touches, there is one thing that no one knows--until it is much too late....
From the Publisher
No one is above the law."A great thriller: breakneck pacing, electrifying courtroom scenes, and a cast of richly crafted characters."
"A well-paced legal thriller...one of the best in this flourishing genre to come along in a while."
"Begin [Guilt] over a weekend...if you start during the work week, you will be up very very late, and your pleasure will be tainted with, well, guilt."
From the Author
If you read John Grisham and Scott Turow, you'll devour John Lescroart. "Lescroart" looks like a mouthful to pronounce. In fact, the last name of the New York Times bestselling author of The 13th Juror and Guilt rolls off the tongue easily. It's Less' kwah. Try it. Less'-Kwah. A decidedly French name for a red-headed Californian of three-fourths Irish heritage. What makes Lescroart's 10 novels stand out from other legal thrillers is his cultivated skill at entertaining. The Davis, California author may have abandoned his guitar-playing/singing career when he turned 30. But he employs at the computer keyboard the same audience-grabbing skills he learned on the stage. Pick up a Lescroart book--escape into the San Francisco world of Dismas Hardy and Abe Glitsky--and you'll know why John consistently earns starred reviews from Publishers Weekly.
From the Inside Flap
Mark Dooher is a prosperous San Francisco attorney and a prominent Catholic, the last person anyone would suspect of a brutal crime. But Dooher, a paragon of success and a master of all he touches, is about to be indicted for murder.
Charged with savagely killing his own wife, Dooher is fighting for his reputation and his life in a high-profile case that is drawing dozens of lives into its wake--from former spouses to former friends, from a beautiful, naive young attorney to a defense lawyer whose own salvation depends on getting his client off.
Now, as the trial builds to a crescendo, as evidence is sifted and witnesses discredited, as a good cop tries to pick up the pieces of his shattered life and a D.A. risks her career, the truth about Mark Dooher is about to explode. For in a trial that will change the lives of everyone it touches, there is one thing that no one knows--until it is much too late....
About the Author
John Lescroart is the author of ten novels, including The 13th Juror, Dead Irish, The Vig, A Certain Justice, and The Mercy Rule. He lives with his family in California.
Excerpt. © Reprinted by permission. All rights reserved.
Mark Dooher couldn't take his eyes off the young woman who had just entered the dining room at Fior d'Italia and was being seated, facing them, at a table ten feet away.
His companion for lunch was, like Dooher, an attorney. His name was Wes Farrell and he generally practiced in a different stratum--lower--than Dooher did. The two men had been best friends since they were kids. Farrell glanced up from his calamari, his baleful eyes glinting with humor, trying to be subtle as he took in the goddess across the room. "Too young," he said.
"My foot, Wes."
"All parts of you, not just your foot. Besides which," Farrell went on, "you're married."
"I am married."
Farrell nodded. "Keep repeating it. It's good for you. I, on the other hand, am getting divorced."
"I can never get divorced. Sheila would never divorce me."
"You could divorce her if you wanted to...
"Impossible." Then, amending: "Not that I'd ever want to, of course, but impossible."
"Why?"
Dooher went back to his pasta for a moment. "Because, my son, even in our jaded age, when ninety percent of your income derives from your work as counsel to the Archdiocese of San Francisco, when you are in fact a prominent player in the Roman Catholic community, as I am, a divorce would play some havoc with your business. Across the board. Not just the Church itself, but all the ancillary..."
Farrell broke off a bite-sized piece of Italian bread and dipped it into the little dish of extra virgin olive oil that rested between them. "I doubt it. People get divorced all the time. Your best friend, for example, is getting divorced right now. Have I mentioned that?"
"Lydia's divorcing you, Wes. You're not divorcing her. It's different. God," he said, "look at her."
Farrell glanced up again. "She looks good."
"Good?" Dooher feasted for another moment on the vision. "That woman is so far beyond 'good' that the light from 'good' is going to take a year to get to her."
"At which time, you'll be a year older and forever out of her reach. Pass the butter."
"Butter will kill you, you know."
Farrell nodded. "Either that or something else. This calamari milleottocentoottantasei, for example."
"Or pronouncing it."
A handsome young man in a business suit--every male customer in the restaurant wore a business suit--was approaching the woman's table. He pulled a chair out across from her, smiling, saying something. She was looking up at him, her expression cool, reserved. Farrell noted it, and something else.
"Don't look now," he said, "but isn't the guy sitting down with her--doesn't he work for you?"
Wes Farrell was on his schlumpy way up toward Columbus and the North Beach walk-up out of which he ran his law business. Dooher lingered in the doorway at Fior d'Italia, then turned and went back inside to the bar, where he ordered a Pellegrino.
He sipped the bottled water and considered his reflection in the bar's mirror. He still looked good. He had his hair--the light brown streaked with blond, camouflaging the hint of gray that was only just beginning to appear around the temples. The skin of his face was as unlined as it had been at thirty.
Now, at forty-six, he knew he looked ten years younger, which was enough--any more youth would be bad for business. His body carried a hundred and eighty pounds on a six-foot frame. Today he wore a tailored Italian double-breasted suit in a refined shade of green that picked up the flecks in his eyes.
From where he sat at the bar, he could watch her in profile. She had loosened up somewhat, but Wes had been right--there was a tension in the way she sat, in her body language. The man with her was Joe Avery--again, Wes had nailed it--a sixth-year associate at McCabe & Roth, the firm Dooher managed. (McCabe and Roth both had been forced to retire during the downsizing of the past two years. Now, in spite of the name, it was Dooher's firm, beginning to show profit again.)
He drank his Italian water, looked at himself in the mirror over the bar. What was he doing here?
He couldn't allow himself to leave. This was something he thought he'd outgrown long ago--such an overwhelming physical attraction.
Oh sure, when he'd been younger...in college a couple of times...even the first few years of the marriage, the occasional dalliance, stepping out, somebody coming on to him, usually on a business trip or one of the firm retreats.
But that had stopped after the one crisis, Sheila getting wind of what was going on with one of them. She wasn't going to have it. Infidelity wasn't going to be part of their lives. Dooher had better decide whether he wanted to sleep around or keep the kids.
A hundred times since, he wished he'd let Sheila go, taking the kids with her.
But in truth, back then, fifteen years ago, he was already unable to risk a divorce, already working with some of the charities, the Archdiocese itself. There was big money there, clean work. And Sheila would have scotched it if things had gotten ugly.
He knew she would have. As she would today.
So he'd simply put his hormones out of his mind, put all of his effort into real life--work, the wife, the kids, the house. He would be satisfied with the ten-fifteen-twenty days of vacation, the new car.
Everyone else seemed to survive in that secure between-the-lines adult existence. It wasn't so bad.
Except Mark Dooher hated it. He never got over hating it. He had never had to play by the same rules as everyone else. He was simply better at everything, smarter, more charismatic.
He deserved more. He deserved better.
That couldn't be all there was. Do your job, live the routine, get old, die. That couldn't be it. Not for him.
He couldn't get the woman off his mind.
Well, he would just have to do it, that was all. He'd call up his fabled discipline and simply will her out of his consciousness. There was nothing to be done with her anyway. Dooher didn't trust the dynamic of lust, that hormonal rush and then the long regret. Well, he wasn't about to get involved with all that.
It was better just to stop thinking about her. Or at least not get confused, keep it in the realm of fantasy. It wasn't as if he knew anything about her, as if there could be real attraction.
In fact, if that turned out to be the case, it would be far more complicated. Then what? Leave Sheila...?
No, it was better not to pursue it at all. He was just in one of his funks, believing that the opportunity that would give his life new meaning was passing him by.
He knew better. In reality, everything disappointed. Nothing turned out as you hoped.
He'd just suck it up and put her out of his mind, do nothing about the fantasy. He didn't even want to take one step, because who knew where that could lead? He'd forget all about her. He wasn't going to do anything.
It was stupid to consider.
Joe Avery looked up from the clutter of paper littering his desk, a legal brief that was already anything but brief. "Sir?"
Dooher, the friendliest boss on the planet, was in the doorway, one hand extended up to the sill, the other on his belt, coat open, sincere smile. "A Mardi Gras party. Feast before fast. Unless you've got other plans..."
"Well, I..."
"You'll enjoy it. Sheila and I do it every year. Just casual, no costumes, masks, taking to the streets afterwards, none of that. And pretty good food if you like Cajun. Anyway, eight o'clock, if you're free..."
Avery was young and gung-ho and hadn't spoken to Dooher more than a hundred times in his six years with the firm, had never spent any time with him socially. His mouth hung open in surprise at the invitation, but he was nodding, already planning to be there, wondering what was happening.
Dooher was going on. "If you've got other plans, don't worry about it, but you've paid your dues around here--you're up for shareholder this year if I'm not mistaken?"
Avery nodded. "Next, actually."
Dooher waved that off. "Well, we'll see. But come on up. Bring your girlfriend, you got one. Or not. Your call. Just let us know."
Then Dooher was gone.
Guilt FROM THE PUBLISHER
Mark Dooher is the last person anyone would suspect of a savage, bloody murder - the most hate-filled crime one veteran detective had ever come across. But Dooher, a prosperous attorney and prominent Catholic, is the first man San Francisco detective Abe Glitsky suspects. Soon Dooher is standing in the sights of the great, flawed machine called the criminal justice system. And Mark Dooher, a paragon of success and a master of all he touches, is about to be indicted for murder. As the Dooher trial begins, dozens of lives are drawn into the drama, from the men and women who knew Mark Dooher best to those whose fates are now entwined with his. For Wes Farrell, an attorney struggling with his own sense of failure, the defense of Mark Dooher will mean a chance at self-respect. For beautiful, aspiring attorney Christina Carrera, the case leads to a dangerous liaison with Dooher, who has wanted more than anything to have this woman by his side and in his bed. And for Abe Glitsky, whose wife is dying of cancer, the trial is a nightmare of DNA evidence, shaky witnesses, and long odds: Dooher, the unofficial consigliere of the Archbishop of San Francisco, has the Catholic Church on his side. As the trial builds to a crescendo, as evidence is sifted and witnesses discredited, as Farrell rises to heights he never knew he could reach and Abe Glitsky grieves, a woman emerges from Mark Dooher's past. Her story will change the role of nearly every player in this trial, and ignite a chain reaction of truth and violence that will alter lives forever.
FROM THE CRITICS
Publishers Weekly
Perhaps it's because he's one of the few writers of legal thrillers who isn't a lawyer that Lescroart has brought so much more to this novel and its predecessors (A Certain Justice, etc.) than simply courtroom dazzlethough the legal infighting here is first-rate. Mark Dooher, head of a high-powered San Francisco law firm, pushing 50 and tired of his alcoholic wife, is smitten with beautiful law student Christina Carrera. He begins a subtle campaign to woo her, revealing himself to readers ("the little compliments, the kindnesses") as manipulative, but believably so. When Dooher's wife is murdered in an apparent burglary, SFPD detective Abe Glitsky finds enough odd clues to press for a murder charge against Dooher. With Dooher's best friend, Wes Farrell, leading the defense (with Christina as second chair), the cold-blooded attorney takes on the police, the court and various hostile witnesses. What raises the dramamarred only by a perfunctory endingto an unusually sophisticated level is not just the crackling legal action but also infusions of the melting-pot tensions of San Francisco, old-fashioned church politics (including a priest suffering a nervous breakdown after a murderer's confession) and strong secondary characters (a feisty rape counselor, a canny archbishop, a smart and ambitious Vietnamese detective). Guilt pervades the plot: Glitsky's over his wife's slow death from cancer; Farrell's over a less-than-stellar law career; Christina's over an old abortion. Only Dooher can say, "I don't feel any guilt", though he'll be joined by the many thriller fans who won't feel a twinge about spending a few hours with this robust and intelligent entertainment. BOMC selection
Library Journal
Mark Dooher has a successful legal career, a long-lasting marriage, charm, good looks, and money; but when he meets young, beautiful law student Christina Carrera, he wants her, too. The author of A Certain Justice (LJ 7/95) has Mark manage, through a series of devious manipulations, to rid Christina of her fianc, get her a job at his firm, and make her fall in love with him. But there is the troublesome matter of his wife, whom he cannot divorce because of his important professional relationship with the city's archbishop. Then his wife turns up conveniently murdered, and the resulting trial could turn out to be Mark's greatest challenge yet. This original, well-crafted page-turner is blockbuster material. Highly recommended. Melissa Kuzma Rokicki, NYPL
AudioFile - Diana T. Herald
Mark Dooher, managing partner of a San Francisco law firm, falls hard for Christina, the beautiful girlfriend of one of the firmﾽs associates. The relationship cannot develop as his position as counsel for the local archdiocese would be hurt if he were to divorce. Suddenly Christinaﾽs fiancﾽ is out of the picture, and Dooherﾽs wife is murdered. Tucciﾽs resonant voice adds dimension to an abridgment that seems choppy, jumping forward in time without graceful transitions and leaving the listener wondering whatﾽs been left out. The melodramatic music that begins the first side of each tape adds nothing except the ability to determine which side of the tape one is beginning with. D.T.H. ﾽAudioFile, Portland, Maine
Kirkus Reviews
Murder stalks a go-getting San Francisco lawyer who just wants to be left alone so he can have it all. From the moment Mark Dooher first catches sight of law student Christina Carrera, he's convinced that he's got to have her. There are obstacles, of course: His old friend and colleague Wes Farrell disapproves; Christina's boyfriend works for Mark's own firm; and neither Mark's wife Sheila nor his principal employer, the Archdiocese of San Francisco, would care for the idea if Mark ever brought it up. Instead, he finagles Christina into the firm and promotes her boyfriend to oblivion in L.A., pooh-poohs Wes' objections, and keeps Sheila and the Archbishop in the dark. Everything goes fine until a pesky lawyer who's threatened to attach the Archbishop's name to a scandalous lawsuit gets stabbed to death shortly after turning down the hefty settlement Mark had been authorized to offer, and Sgt. Abe Glitsky fastens on Mark as the killer. Despite Glitsky's certainty, there's no physical evidence linking Mark to the murder, and the weight of the Archdiocese is able to keep the case from going to trial. Glitsky does arrest Mark two months later, however, when Sheila dies in an apparent robbery attempt. The sides are clear-cut: Christina, who joins Wes at the defense table at Mark's request, is absolutely certain Mark couldn't have done it; Glitsky is equally certain that he did (but then he's maddened with grief over the agonizing death of his wife). It'll all come out in court, right? Not exactly—because as the title indicates, the usually reliable Lescroart (A Certain Justice, 1995, etc.) wants to explore the dissonance between legal and actual guilt. The exploration,though, is surprisingly ham-handed and overextended, mainly because the author himself can't quite decide how guilty to make his protagonist look, and the richly promising gallery of characters has nothing to do but wait for a shrilly melodramatic finale.
Art & Photography
Book Info
