From Publishers Weekly
From the start, Patterson's Women's Murder Club series (1st to Die; Second Chance) has felt like high-concept TV with a smart edge, featuring an appealing and reliable cast of four female crime busters (a cop, a prosecutor, a medical examiner, a reporter) who race along byzantine plot lines humming with blood and sex, romance and heartbreak. But Patterson is an author who will detonate readers' presumptions for the sake of story, and in the series' third installment, the prolific author, working with frequent collaborator Gross (The Jester, etc.), defies expectations in a shocking way. Readers will love him for it. San Francisco Homicide lieutenant Lindsay Boxer, who narrates most of the action, is jogging with assistant DA Jill Barnhardt when Lindsay notices two things: first, bruises on Jill's shoulder; then the explosion of a nearby townhouse, into which Lindsay rushes to save a child. With the juxtaposition of these two plotlines, Patterson jumpstarts this enjoyably convoluted tale. The townhouse, home to a greedy CEO and his family, was destroyed by members of a terrorist group calling itself "August Spies"; Lindsay's chase after the group, which commits further killings, brings her into close proximity to what promises to be a new series regular, Joe Molinari, deputy director of the Office of Homeland Security. Love blooms for Lindsay but, meanwhile, love has curdled at Jill's house, where Jill's husband is abusing her. Then comes the big surprise, and the story's remainder plays out at high emotion and warp speed. There's a calculated feel to all that happens, but clever manipulation of an audience serves Patterson as well as it served Hitchcock: his fans will only clamor for more. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


From AudioFile
Running with her dog on a quiet Sunday morning, Homicide Detective Lindsey Boxer witnesses the explosion that starts a week of terrorism in San Francisco. Carolyn McCormick's performance strikes the right balance of professionalism and horror in Boxer's first-person account. McCormick portrays the detective as both detached investigator and sensitive woman, those qualities fighting for dominance in each area of her life. Other characters also receive careful attention, with a light touch of regional accent here and there to polish their personalities. Occasional muted sound effects and musical interludes enhance the performance. R.P.L. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine

FROM THE PUBLISHER

"Detective Lindsay Boxer is jogging along a beautiful San Francisco street when a fiery explosion rips through the neighborhood. A town house owned by an Internet millionaire is immediately engulfed in flames, and when Lindsay plunges inside to search for survivors, she finds three people dead. An infant who lived in the house cannot be found - and a mysterious message at the scene leaves Lindsay and the San Francisco Police Department completely baffled." "Then a prominent businessman is found murdered under bizarre circumstances, with another mysterious message left behind by the killer. Lindsay asks her friends Claire Washburn of the medical examiner's office, Assistant D.A. Jill Bernhardt, and Chronicle reporter Cindy Thomas to help her figure out who is committing these murders - and why they are intent on killing someone every three days." "Even more terrifying, the killer has targeted one of the four friends who call themselves the Women's Murder Club. Which one will it be?" While the investigation rages furiously, Lindsay works very closely with a federal officer assigned to the case. At the same time, she learns that one member of the Women's Murder Club is hiding a secret so dangerous and unbelievable that it could destroy them all.

FROM THE CRITICS

Publishers Weekly

From the start, Patterson's Women's Murder Club series (1st to Die; Second Chance) has felt like high-concept TV with a smart edge, featuring an appealing and reliable cast of four female crime busters (a cop, a prosecutor, a medical examiner, a reporter) who race along byzantine plot lines humming with blood and sex, romance and heartbreak. But Patterson is an author who will detonate readers' presumptions for the sake of story, and in the series' third installment, the prolific author, working with frequent collaborator Gross (The Jester, etc.), defies expectations in a shocking way. Readers will love him for it. San Francisco Homicide lieutenant Lindsay Boxer, who narrates most of the action, is jogging with assistant DA Jill Barnhardt when Lindsay notices two things: first, bruises on Jill's shoulder; then the explosion of a nearby townhouse, into which Lindsay rushes to save a child. With the juxtaposition of these two plotlines, Patterson jumpstarts this enjoyably convoluted tale. The townhouse, home to a greedy CEO and his family, was destroyed by members of a terrorist group calling itself "August Spies"; Lindsay's chase after the group, which commits further killings, brings her into close proximity to what promises to be a new series regular, Joe Molinari, deputy director of the Office of Homeland Security. Love blooms for Lindsay but, meanwhile, love has curdled at Jill's house, where Jill's husband is abusing her. Then comes the big surprise, and the story's remainder plays out at high emotion and warp speed. There's a calculated feel to all that happens, but clever manipulation of an audience serves Patterson as well as it served Hitchcock: his fans will only clamor for more. (One-day laydown Mar. 1) Copyright 2004 Reed Business Information.

Library Journal

Lindsay Boxer is up against a terrorist organization, a group calling itself August Spies, that claims to represent the people of the undeveloped nations of the world. Using bombs and ricin, they want the "haves" to acknowledge their crimes against the "have nots." An explosion that kills three and a ricin attack on an economist mark the beginning of the group's war on the establishment. The FBI and Department of Homeland Security join the investigation as the date for the international G8 meeting nears. Lindsay works closely with the deputy director of the DHS and with her Women's Murder Club members. As usual, she senses an underlying motivation for the violence and follows her instincts, connecting the dots as she goes along. Patterson and Gross follow their formula: create a violent story filled with the issues that plague today's world. Read by Carolyn McCormick, this audiobook is recommended for thriller fans. Joanna M. Burkhardt, Coll. of Continuing Education Lib., Univ. of Rhode Island, Providence Copyright 2004 Reed Business Information.

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