A Woman's Liberation seems to promise explicitly feminist stories, but with one exception, that is not what you get. In sociopolitical terms, there isn't much in A Woman's Liberation that would discomfort the white, suburban, American middle class, and that's something that will discomfort many feminists.

The collection may be mainstream in its feminism and, usually, its sociocultural assumptions, but that does not mean the stories are comforting--quite the opposite. In "Inertia," Hugo, Nebula, and Sturgeon Award winner Nancy Kress takes a disturbing look at a concentration camp for disease sufferers in a repressive, decaying America. In the Nebula and Hugo Award winner "Even the Queen," Connie Willis deftly dissects mother-daughter relationships and satirically skewers a naive, doctrinaire feminist; this story represents an impressive but little-noted feminist accomplishment: Mrs. Willis placed a story blatantly about menstruation in Asimov's SF. Multi-award-winner Pat Murphy's "Rachel in Love" is guaranteed to disturb readers: when a young woman, Rachel, dies in an accident, her mind is downloaded into a chimpanzee's body, creating a mixed human-ape consciousness, and Rachel is torn between love for a man and love for a chimpanzee. The title story, Ursula K. Le Guin's impressive novella "A Woman's Liberation," is the book's most overtly feminist work; a multilayered, perceptive examination of politics (of several sorts) and freedom, it follows a woman's journey from slavery to liberty across two planets.

The anthology's subtitle, A Choice of Futures by and About Women, describes the contents perfectly: stories written by women about strong, intelligent female lead characters, set in the present and the future, on Earth and on distant planets. A Woman's Liberation is a superior collection of modern SF stories accompanied by an insightful introduction. --Cynthia Ward

From Publishers Weekly
This anthology, which reprints 10 award-winning stories by and about women, brings little new to the table, but it does assemble excellent work by sci-fi luminaries, originally published in Analog and Asimov's (for which Williams is executive editor). Its failure to provide historical context, however, renders the stories somewhat flat. The pieces range widely: Vonda N. McIntyre's "Of Mist, and Grass, and Sand" and Katherine MacLean's postapocalyptic "The Kidnapping of Baroness 5" present worlds where scientific study uses animals for healing humans or for gathering genetic material. The human condition is deftly described in both Connie Willis's "Even the Queen," a hilarious story about menstruation, and Ursula K. Le Guin's poignant "A Woman's Liberation," a first-person journey through the eyes of a former slave who discovers that freedom comes at a price. Many stories explore the world via metaphors of illness or plague: Nancy Kress's "Inertia" describes a quarantined plague community given hope that the plague might be cured; Anne McCaffrey's dated "The Ship Who Mourned" chronicles a sentient ship's trip to a plague world; and in Octavia Butler's harrowing but hopeful "Speech Sounds," a plague has caused people to forget how to speak or read, leading to chaos. Many SF fans will have read at least some of these stories already. Maybe the familiarity of the stories in this anthology signals women's entrenchment in the genre. Copyright 2001 Cahners Business Information, Inc.

From Booklist
Coeditor Willis says this anthology reflects the liberating qualities of a genre based on "what if." Although speculative fiction is often regarded as a boy's club, even in its early years women, such as C. L. Moore and Zenna Henderson, were selling stories in major sf markets. Willis points out that women writing speculative fiction are freed from being mere "women writers" to write about a mind-boggling array of themes, and that variety saves the book from the women's issues ghetto. Its contents range from postapocalyptic and space-travel tales and from Sarah Zettel's "Fools Errand," about rogue AI let loose in the banks, to Willis' "Even the Queen," which depicts a future in which menstruation is optional. These stories have all been previously published, many have won major awards, and two were expanded into novels. They span some 30 years of speculative fiction, from Anne McCaffrey's "The Ship Who Mourned" (1966) to the 1995 title story by Ursula K. Le Guin. Regina Schroeder
Copyright © American Library Association. All rights reserved

Book Description
From the archives of Analog Science Fiction and Fact and Asimov's Science Fiction magazines comes this thought-provoking anthology of stories by a group of acclaimed, bestselling female writers who have changed the nature of visionary fiction. These 10 classic stories, each featuring well-developed, strong, female characters, have garnered numerous literary awards and span every style and theme in speculative fiction. With an introduction by Connie Willis, this powerful collection includes gems from Anne McCaffrey, Connie Willis, Octavia E. Butler, and Ursula K. LeGuin, among others.

FROM THE PUBLISHER

From the archives of Analog Science Fiction and Fact and Asimov's Science Fiction magazines comes this thought-provoking anthology of stories by a group of acclaimed, bestselling female writers who have changed the nature of visionary fiction. These 10 classic stories, each featuring well-developed, strong, female characters, have garnered numerous literary awards and span every style and theme in speculative fiction. With an introduction by Connie Willis, this powerful collection includes gems from Anne McCaffrey, Connie Willis, Octavia E. Butler, and Ursula K. LeGuin, among others.

FROM THE CRITICS

Publishers Weekly

This anthology, which reprints 10 award-winning stories by and about women, brings little new to the table, but it does assemble excellent work by sci-fi luminaries, originally published in Analog and Asimov's (for which Williams is executive editor). Its failure to provide historical context, however, renders the stories somewhat flat. The pieces range widely: Vonda N. McIntyre's "Of Mist, and Grass, and Sand" and Katherine MacLean's postapocalyptic "The Kidnapping of Baroness 5" present worlds where scientific study uses animals for healing humans or for gathering genetic material. The human condition is deftly described in both Connie Willis's "Even the Queen," a hilarious story about menstruation, and Ursula K. Le Guin's poignant "A Woman's Liberation," a first-person journey through the eyes of a former slave who discovers that freedom comes at a price. Many stories explore the world via metaphors of illness or plague: Nancy Kress's "Inertia" describes a quarantined plague community given hope that the plague might be cured; Anne McCaffrey's dated "The Ship Who Mourned" chronicles a sentient ship's trip to a plague world; and in Octavia Butler's harrowing but hopeful "Speech Sounds," a plague has caused people to forget how to speak or read, leading to chaos. Many SF fans will have read at least some of these stories already. Maybe the familiarity of the stories in this anthology signals women's entrenchment in the genre. (Oct. 1) FYI: Willis was the subject of a recent PW Interview (May 21). Copyright 2001 Cahners Business Information.

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