An evil creature called Tak uses the imagination of an autistic boy to shift a residential street in small-town Ohio into a world so bizarre and brutal that only a child could think it up. It's as two-dimensional and gaudy as a kid's comic book, but for this reviewer, The Regulators is a gripping adventure tale about what happens when a mind fixated on TV (especially old Westerns and a cartoon called MotoKops 2200) runs amok. As Michael Collins writes in Necrofile, "[Stephen] King offers his readers a glimpse of the true evil of popular culture ... which has no design or intent, only an empty need to sustain itself. King is, I think, about the canniest observer of what America is, and that he generally writes horror ought to give us pause from time to time."

From Publishers Weekly
Why revive the Bachman byline more than a decade after Stephen King was found lurking behind it? Not for thematic reasons. This devilishly entertaining yarn of occult mayhem married to mordant social commentary is pure King and resembles little the four nonsupernatural (if science-fictional) pre-Thinner Bachmans. The theme is the horror of TV, played out through the terrors visited upon quiet Poplar Street in the postcard-perfect suburban town of Wentworth, Ohio, when a discorporeal psychic vampire settles inside an autistic boy obsessed with TV westerns and kiddie action shows and brings screen images to demented, lethal life. The long opening scene, in which characters and vehicles from the TV show Motokops 2200 (think Power Rangers) sweep down the street, spewing death by firearm, is a paragon of action-horror. The story rarely flags after that, evoking powerful tension and, at times, emotion. The premise owes a big unacknowledged debt to the classic Twilight Zone episode "It's a Good Life"; echoes of earlier Kings resound often as well?the psychic boy (The Shining), a writer-hero (Misery, The Dark Half), etc. But King makes hay in this story in which anything can happen, and does, including the warping of space-time and the savage deaths of much of his large cast. The narrative itself warps fantastically, from prose set in classic typeface to handwritten journals to drawings to typewritten playscript and so on. So why the Bachman byline? Probably for fear that yet another new King in 1996 in addition to six volumes of The Green Mile and Viking's forthcoming Desperation might glut the market. Maybe, maybe not. But one thing is certain: call him Bachman or call him King, the bard of Bangor is going to hit the charts hard and vast with this white-knuckler knockout. Main selection of the Literary Guild, Doubleday Book Club, Mystery Guild and Science Fiction Book Club. Copyright 1996 Reed Business Information, Inc.

From Library Journal
Stephen King dusts off his nom de plume for this tale of the supernatural.Copyright 1996 Reed Business Information, Inc.

Salon, John Mello
These are massive books that have the grandiose arc of early King epics . . . as well as high body counts and plenty of atmospherics along the lines of popped eyeballs and exploding heads.

From AudioFile
Do NOT listen to this book alone at night, at least not beyond the first half-hour of tape. After that pleasant, scene-setting portrait of summer in suburbia, The Regulators turns terrifying, and the horror doesn't let up until the very last sentence. Kate Nelligan resists the temptation to dramatize the many characters in this complex story, and her unemotional telling contributes even more to the terror of the tale. Nelligan's detached, professional narration is well supplemented by chilling special effects at the beginnings and ends of some chapters. These effects, including music mutations; storm sounds; and chilling, almost-animal cries, elevate the book to a near-movie experience. R.P.L. Winner of AUDIOFILE's Earphones Award (c)AudioFile, Portland, Maine

From Booklist
It is a summer afternoon on Poplar Street in Wentworth, Ohio, and the 14-year-old who delivers the local shopper is biking his route. A weird-looking red van waits, motor running, at one end of the block. When the vehicle coasts down the street, the "fun" begins. Its windows roll down to let shotgun barrels protrude. The boy is blasted off his bike, the first of many victims of a wave of assaults by a strange company of cartoonish, futuristic shock troopers and western-movie cowboys. What's more, telephones, electricity, and wristwatches are dead all up and down the block; nobody from the next street over in either direction seems to notice the gunfire and burning buildings; and when some of the besieged neighbors try to get to an adjacent street, they discover their surroundings transformed from suburbia to a western desert landscape resembling a child's drawing. What in hell is going on? Actually, as the "documentary" interstices between chapters gradually illuminate, something from close to hell, if you identify hell with the earth's molten interior, is what's going on in this variation upon the old Twilight Zone episode in which a little boy with psychokinetic powers terrorizes his family. Stephen King revives his alter ego Bachman, who "died" in 1985, for a rip-roaringly violent thriller whose main action takes place in little more than an hour and a half. Whew! Ray Olson

From Kirkus Reviews
Bachman/Stephen King in overdrive, fast as he can type and laughing with bloodglee. King says that The Regulators and Desperation (see below) are companion volumes, like Alice in Wonderland and Through the Looking Glass. And The Regulators, set on one suburban block in Wentworth, Ohio, employs many characters from its mirror novel, set in Desperation, Nevada--but often in far different roles: Bad cop becomes good cop, and Peter Jackson, shot to death early on in Desperation, reappears here only to die as a zombie impaled on cactus spikes. A shining Bachman/King (The Running Man, 1985) gimmick acts as armature for this horror fantasy. When his parents and brother and sister are murdered in a drive-by shooting, Seth Garon, an autistic six-year-old (his mirror character in Desperation is vastly verbal), is adopted by his aunt, Audrey Wyler, and her husband Bill, and taken to live on Poplar Street. Not only autistic, Seth has also been invaded by Tak, an evil entity once buried in a silver mine, who emerges and brings to Poplar Street futuristic vehicles based on images from a Saturday morning animated cartoon, MotoKOPS 2200, as well as characters drawn from reruns of Bonanza's Cartwright saga, and from a 1958 B-movie Western, The Regulators. Poplar Street turns into a killing field as nasty MotoKops blast away at houses and their terrified inhabitants and strange wild beasts with bodies as outlandish as a child's drawings haunt the block. Can Audrey and Seth, helped by aging novelist John Marinville, take on Tak and save Poplar Street from the Saturday morning TV grislies? Television takes a beating as Bachman gooses his cast with forced vulgarity and dumb jokes, and a lovely whimsy clanks off like a 12-ton robo-toy. Read Desperation first and The Regulators may come off in the spirit Bachman/King intends. (First printing of 1,250,000; $2,000,000 ad/promo for The Regulators and Desperation combined; Literary Guild main, Mystery Guild, and Science Fiction Book Club selections; author tour) -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.

Book Description
Poplar Street in Wentworth, Ohio is a nice place to live. The idling red van around the corner is about to change all that...

FROM THE PUBLISHER

It's a summer afternoon in Wentworth, Ohio, and on Poplar Street everything's normal. The paper boy is making his rounds; the Carver kids are bickering at the corner convenience store; a Frisbee is flying on the Reeds' lawn; Gary Soderson is firing up the backyard barbecue. The only thing that doesn't quite fit is the red van idling just up the hill. Soon it will begin to roll, and the killing will begin. A quiet slice of American suburbia is about to turn to toast. The mayhem rages around a seemingly still point, a darkened house lit fitfully from within by a flickering television screen. Inside, where things haven't been normal for a long time, are Audrey Wyler and the autistic nephew she cares for, eight-year-old Seth Garin. They're fighting their own battle, and its intensity has turned 247 Poplar Street into a prisonhouse. By the time night falls on Poplar Street, the surviving residents will find themselves in another world, one where anything, no matter how terrible, is possible...and where the regulators are on their way. By what power they have come, how far they will go, and how they can be stopped -- these are the desperate questions. The answers are absolutely terrifying.

FROM THE CRITICS

Publishers Weekly

Why revive the Bachman byline more than a decade after Stephen King was found lurking behind it? Not for thematic reasons. This devilishly entertaining yarn of occult mayhem married to mordant social commentary is pure King and resembles little the four nonsupernatural (if science-fictional) pre-Thinner Bachmans. The theme is the horror of TV, played out through the terrors visited upon quiet Poplar Street in the postcard-perfect suburban town of Wentworth, Ohio, when a discorporeal psychic vampire settles inside an autistic boy obsessed with TV westerns and kiddie action shows and brings screen images to demented, lethal life. The long opening scene, in which characters and vehicles from the TV show Motokops 2200 (think Power Rangers) sweep down the street, spewing death by firearm, is a paragon of action-horror. The story rarely flags after that, evoking powerful tension and, at times, emotion. The premise owes a big unacknowledged debt to the classic Twilight Zone episode "It's a Good Life"; echoes of earlier Kings resound often as well -- the psychic boy (The Shining), a writer-hero (Misery, The Dark Half), etc. But King makes hay in this story in which anything can happen, and does, including the warping of space-time and the savage deaths of much of his large cast. The narrative itself warps fantastically, from prose set in classic typeface to handwritten journals to drawings to typewritten playscript and so on. So why the Bachman byline? Probably for fear that yet another new King in 1996 in addition to six volumes of The Green Mile and Viking's forthcoming Desperation might glut the market. Maybe, maybe not. But one thing is certain: call him Bachman or call him King, the bard of Bangor is going to hit the charts hard and vast with this white-knuckler knockout.

Library Journal

Stephen King dusts off his nom de plume for this tale of the supernatural.

BookList - Ray Olson

It is a summer afternoon on Poplar Street in Wentworth, Ohio, and the 14-year-old who delivers the local shopper is biking his route. A weird-looking red van waits, motor running, at one end of the block. When the vehicle coasts down the street, the "fun" begins. Its windows roll down to let shotgun barrels protrude. The boy is blasted off his bike, the first of many victims of a wave of assaults by a strange company of cartoonish, futuristic shock troopers and western-movie cowboys. What's more, telephones, electricity, and wristwatches are dead all up and down the block; nobody from the next street over in either direction seems to notice the gunfire and burning buildings; and when some of the besieged neighbors try to get to an adjacent street, they discover their surroundings transformed from suburbia to a western desert landscape resembling a child's drawing. What in hell is going on? Actually, as the "documentary" interstices between chapters gradually illuminate, something from close to hell, if you identify hell with the earth's molten interior, is what's going on in this variation upon the old Twilight Zone episode in which a little boy with psychokinetic powers terrorizes his family. Stephen King revives his alter ego Bachman, who "died" in 1985, for a rip-roaringly violent thriller whose main action takes place in little more than an hour and a half. Whew!

AudioFile - Ruth P. Ludwig

Do NOT listen to this book alone at night, at least not beyond the first half-hour of tape. After that pleasant, scene-setting portrait of summer in suburbia, The Regulators turns terrifying, and the horror doesn￯﾿ﾽt let up until the very last sentence. Kate Nelligan resists the temptation to dramatize the many characters in this complex story, and her unemotional telling contributes even more to the terror of the tale. Nelligan￯﾿ﾽs detached, professional narration is well supplemented by chilling special effects at the beginnings and ends of some chapters. These effects, including music mutations; storm sounds; and chilling, almost-animal cries, elevate the book to a near-movie experience. R.P.L. Winner of AUDIOFILE￯﾿ﾽs Earphones Award ￯﾿ﾽAudioFile, Portland, Maine

Kirkus Reviews

King says that The Regulators and Desperation (see below) are companion volumes, like Alice in Wonderland and Through the Looking Glass. And The Regulators, set on one suburban block in Wentworth, Ohio, employs many characters from its mirror novel, set in Desperation, Nevada—but often in far different roles: Bad cop becomes good cop, and Peter Jackson, shot to death early on in Desperation, reappears here only to die as a zombie impaled on cactus spikes. A shining Bachman/King (The Running Man, 1985) gimmick acts as armature for this horror fantasy. When his parents and brother and sister are murdered in a drive-by shooting, Seth Garon, an autistic six-year-old (his mirror character in Desperation is vastly verbal), is adopted by his aunt, Audrey Wyler, and her husband Bill, and taken to live on Poplar Street. Not only autistic, Seth has also been invaded by Tak, an evil entity once buried in a silver mine, who emerges and brings to Poplar Street futuristic vehicles based on images from a Saturday morning animated cartoon, MotoKOPS 2200, as well as characters drawn from reruns of Bonanza's Cartwright saga, and from a 1958 B-movie Western, The Regulators. Poplar Street turns into a killing field as nasty MotoKops blast away at houses and their terrified inhabitants and strange wild beasts with bodies as outlandish as a child's drawings haunt the block. Can Audrey and Seth, helped by aging novelist John Marinville, take on Tak and save Poplar Street from the Saturday morning TV grislies?

Television takes a beating as Bachman gooses his cast with forced vulgarity and dumb jokes, and a lovely whimsy clanks off like a 12-ton robo-toy. Read Desperation first and The Regulators may come off in the spirit Bachman/King intends.