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From Publishers Weekly
King's third volume on Roland the gunfighter's search for the Dark Tower offers charming bits of whimsy, some splendidly tense moments and one rip-roaring horror scene. At times, however, it is pretentious and the direction of the sprawling plot uncertain. Roland has two companions on his quest for the tower at the portal of all the worldsp. 53 : Susannah Dean and Eddie Dean, who entered his world from New York City of 1963 and 1987, respectively. When the three track down the den of a 70-foot-tall cyborg bear, they are pointed down a path leading to the Tower. But Roland is slowly going mad, a fact that seems linked to his past experiences with Jake Chambers, a boy who died twicestet ital in the first book of the series. Jake reappears here, displaying great resilience in crossing over from 1977 New York City to join Roland & Co. (As Susannah notes, "This time-travel business is some confusing shit.") They press on, plumbing the depths of a children's book that tells a profound and ancient tale. Unfortunately, the questers don't reach the Tower; in fact, they're caught in a cliff-hanger ending--King says, he'll write volume four if we want it. Illustrations not seen by PW. 1.5 million first printing; $400,000 ad/promo; BOMC and QPB selections. Copyright 1991 Reed Business Information, Inc.


From School Library Journal
YA-- The third installment in the offbeat fantasy saga involving the enigmatic Roland (the last gunfighter) and his quest for the Dark Tower. While the story (inspired by Robert Browning's narrative poem ``Childe Roland to the Dark Tower Came'') is entertaining, what really makes it outstanding are King's unique, multifaceted characters. This is Stephen King at his best.Copyright 1992 Reed Business Information, Inc.


From Library Journal
King's (Pet Sematary, Audio Reviews, LJ 11/1/98) fantastical and allegorical "Dark Tower" series commenced in 1982 with the publication of The Gunslinger. Subsequent volumes have appeared about every five years thereafter. The Gunslinger introduces protagonist Roland as he pursues the Man in Black through bleak and tired landscapes in a world that has "moved on." Roland believes that the Man in Black knows and can be made to reveal the secrets of the Dark Tower, which is the ultimate goal of Roland's quest. The Waste Lands sees Roland and his fellow travelers continuing the quest for the Dark Tower. They journey through imaginative landscapes, over astounding obstacles, and meet with and confront a unique and fully drawn cast of characters, both human and nonhuman. Reader Frank Muller gives voice to the characters with a thoroughly engaging precision, accuracy, and great humanity and with an edge that drives the story onward and seems to amplify King's skill as an author. Highly recommended for all fiction collections.?Kristen L. Smith, Loras Coll. Lib., Dubuque, IACopyright 1998 Reed Business Information, Inc.


From AudioFile
In a re-issued collection of the first three books of King's fantasy saga, Frank Muller revisits the world of Roland of Gilead, Jake Chambers, and Eddie and Susanna Dean. King himself originally recorded the three books as he wrote them over a period of ten years. Muller recorded book four, Wizard and Glass, in 1997. The series centers around Roland of Gilead, the last gunslinger to walk the earth since the world "moved on." Roland travels in search of the dark tower, a mysterious, never-seen entity he believes holds the key to the world's having moved on. In a series that provides 36 hours of listening to the same voice (with no special effects), one expects a lapse in interest. But Muller, the master of narration, pulls out all the stops here. He makes characters unmistakable through dialogue and timing. In fast-paced conversation, dreams or breakneck bursts of action, he moves effortlessly among dozens of people. Narrative passages flow with equal grace and fluidity. Muller uses tricks, such as dragging out words and phrases, singing when the characters sing, and contriving animal and mechanical voices. Even his Foreword and Afterword sound like Stephen King . . . with one exception: The author would never pronounce his home city "Bang-er," rather than the "Bang-gore" of a native Mainer. R.P.L. (c)AudioFile, Portland, Maine


From Kirkus Reviews
Chapter three of King's epic alternate-world saga (1988, 1989) finds Roland the Gunslinger and his sidekicks continuing their quest for the Dark Tower--and the Maine master keyboarding some of his least restrained writing in years, great sagging storm clouds of padded prose that only occasionally thunder or brighten with lightning inspiration. The storyline by now is so complex that King opens with a four-page ``Argument'' summing up past action and tracing ties between major characters. The Argument for volume four won't be much longer, since relatively little happens here: Roland trains Eddie Dean and Susannah Walker, previously brought by him from Manhattan to his blighted world, in the arts of gunslinging--soon used to slay a giant mechanical bear named Shardik; Jake, the boy whom Roland let die in volume one, reappears as a Gotham schoolkid who makes his way through a haunted house into Roland's world; the band of four encounter a town of old folks, then a wasted city where Jake is kidnapped by degenerates, then rescued; Roland and company take a ride toward the Dark Tower on a train operated by an insane computer enamored of riddles. In a note, King admits that ``finding the doors to Roland's world has never been easy for me.'' The strain is evident, with the volume seemingly jerry-built on borrowings (the hoary haunted house; the mad computer, echoing Hal of 2001; the wasted city and its criminal denizens, shades of Escape from New York) and overblown character conflicts (can Eddie summon the courage to cross the swaying bridge?). Still, some of the action cooks up shivery suspense, and Roland's anticipated duel of riddles with the homicidal computer promises a swift start to the next volume. Hopefully it won't take any more slack interlude volumes for Roland to reach the Dark Tower. Meanwhile, though confirmed series fans might at least tolerate this chapter (and buy up its 1.5 million first printing--on-sale Dec. 2), the generic King fan will enjoy far more the upcoming Needful Things (p. 813).(Book-of-the- Month Split Dual Selection for January) -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.


Chicago Sun-Times
Gripping...compelling...King mesmerizes the reader.


Publishers Weekly
Splendidly tense - rip-roaring.


Book Description
Roland, The Last Gunslinger, moves ever closer to The Dark Tower of his dreams-and nightmares-as he crosses a desert of damnation in a macabre world that is a twisted image of our own...

FROM THE PUBLISHER

Beginning with a short story appearing in The Magazine of Fantasy and Science Fiction in 1978, the publication of Stephen King's epic work of fantasy -- what he considers to be a single long novel and his magnum opus -- has spanned a quarter of a century.

Set in a world of extraordinary circumstances, filled with stunning visual imagery and unforgettable characters, The Dark Tower series is King's most visionary feat of storytelling, a magical mix of science fiction, fantasy, and horror that may well be his crowning achievement.

Book III
In The Waste Lands, originally published in 1991, Roland Deschain and his followers discover the Path of the Beam, which will henceforth guide their journey toward the Dark Tower. Another gunslinger must be drawn from New York into Mid-World, but it is someone who has been there before, a boy who has died not once but twice and yet still lives. The ka-tet, four who are bound together by fate, must travel far in this novel, surviving not only the poisonous waste lands and the war-torn city of Lud that lies beyond, but also the rage of the train that provides them passage.