From AudioFile
Set against the backdrop of the Islamic revolution, Follett presents the factual account of Ross Perot's daring plot to rescue two of his corporate employees from an Iranian prison. Morse's dramatization demonstrates an impressive range--no scripted voice goes uncharacterized (whether it's Perot's or some anonymous Iranian captor's). Morse enacts many of the novel's unvoiced narrative passages with broad emotional strokes colored by the fear, excitement or dread of the particular situation. Despite these energetic attempts, the reading ultimately fails to captivate, due in no small part to the abridgment itself; while long on names and places, it falls far short in elucidating cause and motivation. R.W.B. (c)AudioFile, Portland, Maine
USA Today
A superb edge-of-the-seat true story.
Book Description
Number-one bestselling author Ken Follett tells the inspiring, true story of the Middle East hostage crisis that began in 1979, and of the unconventional means Ross Perot used to save his countrymen.
On Wings of Eagles FROM THE PUBLISHER
"Ken Follett tells the true story of the Middle East hostage crisis that began in 1978 and of the unconventional means one American used to save his countrymen." When two of his employees were held hostage in a heavily guarded prison fortress in Iran, one man took matters into his own hands: businessman H. Ross Perot. His team consisted of a group of volunteers from the executive ranks of his corporation, handpicked and trained by a retired Green Beret officer. To free the imprisoned Americans, they would face incalculable odds on a mission that only true heroes would have dared.
SYNOPSIS
A true story of the dangerous mission to rescue two executives from an Iranian jail under the direction of Ross Perot. A compelling picture of Iran just before the revolution that put Ayatollah Khomeini in power.
FROM THE CRITICS
AudioFile - Robert Berlinger
Set against the backdrop of the Islamic revolution, Follett presents the factual account of Ross Perot's daring plot to rescue two of his corporate employees from an Iranian prison. Morse's dramatization demonstrates an impressive range--no scripted voice goes uncharacterized (whether it's Perot's or some anonymous Iranian captor's). Morse enacts many of the novel's unvoiced narrative passages with broad emotional strokes colored by the fear, excitement or dread of the particular situation. Despite these energetic attempts, the reading ultimately fails to captivate, due in no small part to the abridgment itself; while long on names and places, it falls far short in elucidating cause and motivation. R.W.B. cAudioFile, Portland, Maine