From AudioFile
The title loony, an obsessive petty bureaucrat, first saw the literary light of day in 1835, when his creator, Russia's first great fiction writer, was gaining his initial renown. Backed up by percussion instruments, Stephen Ouimette impersonates him here in a Stratford Festival staged reading, which was recorded by the CBC in Toronto. By and large, the story satirizes the officialdom of the time and place, but Ouimette, while doing his best with humor that has gotten a bit stale, chillingly plays his character's descent into madness. A fine performance. Y.R. © AudioFile 2002, Portland, Maine-- Copyright © AudioFile, Portland, Maine





Language Notes
Text: English (translation)
Original Language: Russian


The Merriam-Webster Encyclopedia of Literature
Short story by Nikolay Gogol, published in 1835 as "Zapiski sumasshedshego." Diary of a Madman, a first-person narrative presented in the form of a diary, is the tale of Poprishchin, a government clerk who gradually descends into insanity. At the outset, the narrator records his frustrations and humiliations straightforwardly, rationalizing various affronts to his dignity. Over time, however, reason gives way to delusion. His intermittent encounters with Sophie, the radiant daughter of his official superior, provoke an obsession that leads to his "overhearing" two dogs discussing his hopelessness. As such hallucinations become more frequent, he finds solace--and his ultimate rationale--in a new identity as the rightful king of Spain, whose enemies have engineered his exile. Throughout the story, interludes of sanity provide striking counterpoint to the deepening psychosis.

ANNOTATION

Includes "The Nose", "The Overcoat", among others. 192 pp.

FROM THE PUBLISHER

Using a special blend of comedy, social commentary, and fantasy, Nikolai Gogol helped to introduce a realistic literary movement that led to the writings of Tolstoy and Dostoyevsky. The works included in this volume were written during Gogol's most productive period - a relatively short time of vigorous and brilliant creativity. As Leon Stilman states in his Afterword, "The reason for reading Gogol is that he is a great writer, in fact on of the most original, most delightfully and brilliantly inventive writers of the nineteenth century; one also whose perception of the world and whose art are often amazingly modern."

FROM THE CRITICS

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