Though Jane Austen was writing at a time when Gothic potboilers such as Ann Ward Radcliffe's The Mysteries of Udolpho and Horace Walpole's The Castle of Otranto were all the rage, she never got carried away by romance in her own novels. In Austen's ordered world, the passions that ruled Gothic fiction would be horridly out of place; marriage was, first and foremost, a contract, the bedrock of polite society. Certain rules applied to who was eligible and who was not, how one courted and married and what one expected afterwards. To flout these rules was to tear at the basic fabric of society, and the consequences could be terrible. Each of the six novels she completed in her lifetime are, in effect, comic cautionary tales that end happily for those characters who play by the rules and badly for those who don't. In Mansfield Park, for example, Austen gives us Fanny Price, a poor young woman who has grown up in her wealthy relatives' household without ever being accepted as an equal. The only one who has truly been kind to Fanny is Edmund Bertram, the younger of the family's two sons.

Into this Cinderella existence comes Henry Crawford and his sister, Mary, who are visiting relatives in the neighborhood. Soon Mansfield Park is given over to all kinds of gaiety, including a daring interlude spent dabbling in theatricals. Young Edmund is smitten with Mary, and Henry Crawford woos Fanny. Yet these two charming, gifted, and attractive siblings gradually reveal themselves to be lacking in one essential Austenian quality: principle. Without good principles to temper passion, the results can be disastrous, and indeed, Mansfield Park is rife with adultery, betrayal, social ruin, and ruptured friendships. But this is a comedy, after all, so there is also a requisite happy ending and plenty of Austen's patented gentle satire along the way. Describing the switch in Edmund's affections from Mary to Fanny, she writes: "I purposely abstain from dates on this occasion, that everyone may be at liberty to fix their own, aware that the cure of unconquerable passions, and the transfer of unchanging attachments, must vary much as to time in different people." What does not vary is the pleasure with which new generations come to Jane Austen. --Alix Wilber

From School Library Journal
Grade 9 Up-Jane Austen paints some witty and perceptive studies of character.Copyright 1998 Reed Business Information, Inc.

From Library Journal
Austen is the hot property of the entertainment world with new feature film versions of Persuasion and Sense and Sensibility on the silver screen and Pride and Prejudice hitting the TV airwaves on PBS. Such high visibility will inevitably draw renewed interest in the original source materials. These new Modern Library editions offer quality hardcovers at affordable prices.Copyright 1996 Reed Business Information, Inc.

From AudioFile
In this elegant abridgment, Harriet Walter (Fanny Dashwood in the film Sense and Sensibility) brings her exquisite articulation to bear on the inhabitants of gracious Mansfield Park. Walter's voicing of the characters is expert, displaying not only a virtuosity with accent and tone, but also a deep understanding of Austen's class distinctions. The maddening hypocrisy of Fanny's aunt, Mrs. Norris, and the clenched jaw of her uncle, the baronet, are both in delightful contrast to the livelier members of the party. The distinction the reader draws between the captivating, but shallow, Mary Crawford and the mild and sensitive Fanny Price leaves no doubt that our hero will eventually triumph in Edmond Bertram's heart. T.M. (c)AudioFile, Portland, Maine

Sunday Telegraph
"Cover to Cover's unabridged readings of classic novels are in a class of their own."

Deirdre Donahue, USA TODAY, December 3, 1998
"These Cover to Cover tapes offer up a delectable feast for fans of the spoken word. We're talking class act here - from the elegant covers to the accomplished readers."

Review
"Never did any novelist make more use of an impeccable sense of human values."
--Virginia Woolf


From the Trade Paperback edition.

FROM THE PUBLISHER

At the age of ten, Fanny Price leaves the poverty of her Portsmouth home to be brought up among the family of her wealthy uncle, Sir Thomas Bertram, in the chilly grandeur of Mansfield Park. There she accepts her lowly status, and gradually falls in love with her cousin Edmund. When the dazzling and sophisticated Henry and Mary Crawford arrive, Fanny watches as her cousins become embroiled in rivalry and sexual jealousy. She struggles to retain her independence in the face of the Crawfords' dangerous attractions, and when Henry turns his attentions to her, the drama really begins.

FROM THE CRITICS

School Library Journal

Gr 9 Up-Jane Austen paints some witty and perceptive studies of character.

WHAT PEOPLE ARE SAYING

"The technique of the novel is beyond praise, and has been praised. The master of the art she choose, or that choose her, is complete: How she achieved it no one will ever know." — Elizabeth Bowen