From Library Journal
It is a tragedy that all actors seem to crave to perform, and the Renaissance Theatre Company clearly relishes the chance to present Hamlet for the ear. It is a contemporary cast from which one has come to expect superior Shakespearean acting on stage and screen: Kenneth Branagh as Hamlet; Sir John Gielgud as the Ghost; Derek Jacobi as Claudius; and Emma Thompson as the Player Queen. Unlike the Recorded Books version (Audio Reviews, LJ 8/90), this BBC edition may be a little hard to follow by those unfamiliar with the play's text, particularly since stage directions are not provided and speakers are not clearly identified. But the program does give the complete version, a rare treat, and the accompanying booklet offers insights into both the acting and the production. Highly recommended.- Joyce Kessel, Villa Maria Coll., Buffalo, N.Y.Copyright 1994 Reed Business Information, Inc.
From AudioFile
This BBC Radio presentation combines a full cast--featuring Kenneth Branagh in the title role--with stirring music and sound effects to bring this lengthy, difficult play to life. A number of production touches help the listener. Seven of the eight cassette sides end with the conclusion of a scene, and appropriate music signals the end of each act. In addition, a twenty-four-page booklet offers insight into each character as seen by the actor who plays each part. Listeners would benefit, however, from a brief synopsis of each scene, as well as mention of the characters who appear in them. P.B.J. (c)AudioFile, Portland, Maine
Hamlet: Prince of Denmark ANNOTATION
An illustrated, abridged version of the Shakespeare tragedy with background information and explanatory stage directions.
FROM THE PUBLISHER
"The First Folio of 1623 is the definitive edition of Shakespeare's plays. It is more often than not the closest we can now get to what Shakespeare actually wrote. But the folio's antiquated typography and cramped layout make it remote and inaccessible to modern eyes." "The Shakespeare Folios on the other hand offer easy access directly to the First Folio by presenting the text in modern type but otherwise unchanged. All the First Folio's idiosyncrasies of layout and spelling, even its obvious errors, have been scrupulously left intact, but the text suddenly becomes as easily legible as the script of any modern play. Now readers can see for themselves what the Folio actually says: whether and where there are stage directions; where the punctuation falls; and exactly how the speeches are set out line by line. And they can make up their own minds about the problematic words and phrases that have puzzled generations of Shakespeare scholars." "As an additional aid to understanding, readers will find, printed opposite each page of the Folio, the very same passage in a modern edition. So, whenever the Folio presents a problem, the reader can refer to this parallel text for a solution, either in the text itself or in the set of notes at the end of the book. These notes draw on the long tradition of Shakespearean scholarship and include full reference to surviving Quarto texts." Using these two versions of the play in parallel - one thoroughly authentic, the other carefully modernized - readers, be they students or scholars, actors or directors, theatregoers or Shakespeare specialists, can achieve an unprecedented understanding of one of the most significant works in the history of English literature.
FROM THE CRITICS
Library Journal
It is a tragedy that all actors seem to crave to perform, and the Renaissance Theatre Company clearly relishes the chance to present Hamlet for the ear. It is a contemporary cast from which one has come to expect superior Shakespearean acting on stage and screen: Kenneth Branagh as Hamlet; Sir John Gielgud as the Ghost; Derek Jacobi as Claudius; and Emma Thompson as the Player Queen. Unlike the Recorded Books version (Audio Reviews, LJ 8/90), this BBC edition may be a little hard to follow by those unfamiliar with the play's text, particularly since stage directions are not provided and speakers are not clearly identified. But the program does give the complete version, a rare treat, and the accompanying booklet offers insights into both the acting and the production. Highly recommended.-- Joyce Kessel, Villa Maria Coll., Buffalo, N.Y.
Booknews
Lest there be misunderstanding, the title's "New" refers to the freshness of 1877, though the Dover variations are collated from some 30 editions together with the notes and numerous comments of the editors of those editions. The second volume contains commentaries from the French, German, and English, with preference given to verbal over aesthetic criticism. On the topic of whether the Dane was insane, for example, Boswell (1821) writes that Hamlet's utterances "evince not only a sound, but an acute and vigourous understanding...and though his mind is enfeebled, it is by no means deranged." This is an important reprint for those hungry to re-parse the words and (in)action of perhaps the most famous of fatherless children. Annotation c. Book News, Inc., Portland, OR (booknews.com)