A lush, cautionary tale of a life of vileness and deception or a loving portrait of the aesthetic impulse run rampant? Why not both? After Basil Hallward paints a beautiful, young man's portrait, his subject's frivolous wish that the picture change and he remain the same comes true. Dorian Gray's picture grows aged and corrupt while he continues to appear fresh and innocent. After he kills a young woman, "as surely as if I had cut her little throat with a knife," Dorian Gray is surprised to find no difference in his vision or surroundings. "The roses are not less lovely for all that. The birds sing just as happily in my garden." As Hallward tries to make sense of his creation, his epigram-happy friend Lord Henry Wotton encourages Dorian in his sensual quest with any number of Wildean paradoxes, including the delightful "When we are happy we are always good, but when we are good we are not always happy." But despite its many languorous pleasures, The Picture of Dorian Gray is an imperfect work. Compared to the two (voyeuristic) older men, Dorian is a bore, and his search for ever new sensations far less fun than the novel's drawing-room discussions. Even more oddly, the moral message of the novel contradicts many of Wilde's supposed aims, not least "no artist has ethical sympathies. An ethical sympathy in an artist is an unpardonable mannerism of style." Nonetheless, the glamour boy gets his just deserts. And Wilde, defending Dorian Gray, had it both ways: "All excess, as well as all renunciation, brings its own punishment."


From School Library Journal
Gr 10 Up-"The Whole Story" format provides illustrations and annotations to the classic text. Ross's lively and sophisticated cartoons add interest, and historical information helps readers place the novel in proper context and gives insight into its characters. The problem with this attractive, glossy layout, however, is that the text and the quotes pulled from it are not always on the same page. Further, some illustrations and notations visually cut into the narrative and may distract readers. For example, a drawing appears on the first page along with the passage, "In the centre of the room, clamped to an upright easel, stood the full-length portrait of a young man of extraordinary personal beauty," but that quote does not appear until the second page of the story. Useful as a supplement to the original novel, but not a replacement for it.Karen Hoth, Marathon Middle/High School, FLCopyright 2001 Cahners Business Information, Inc.


From Library Journal
This Broadview edition includes Wilde's full text along with an introduction, a chronology of Wilde's life, and several appendixes. All that for $9.95 makes this a steal.Copyright 1998 Reed Business Information, Inc.


From AudioFile
This remarkable rendering perfectly captures the spirit and characters of the chilling melodrama that scandalized polite society when first published in 1890. Enthralled with his own physical beauty, Dorian Gray wishes his portrait to grow old while he himself stays young, and Wilde makes it so. Just as the portrait mirrors the ravages of Gray's soul, Petherbridge's narration exudes decadence, hedonism and destruction--every syllable foreshadowing the protagonist's dismal end. The narrator's storytelling and narrative skill are exemplary. R.B.F. (c)AudioFile, Portland, Maine


From Booklist
Gr. 6-12. For teens who find even steadily paced novels a struggle, the biting but often meandering discussions between Basil and Lord Henry in Wilde's classic can seem overwhelming and pointless. But this version's informative sidebars make the surreal tale of the beautiful young man who never ages one that teens can not only tackle but also begin to relish. When the story advances or twists, Tony Ross' colorful artwork emphasizes Wilde's absurdly witty take on Victorian provincialism. For scenes in which characters discuss aesthetics, sidebar illustrations with helpful captions explain how Wilde's philosophies influenced his characterizations. Even when the sidebars only remotely relate to the story, they provide a clear cultural outline of the mores that resulted in Wilde's public undoing and his untimely death. The supplemental information and illustrations may strike sharp YA readers as amusing or interesting, but they may be the sole reason weaker readers tackle the novel at all. Roger Leslie
Copyright © American Library Association. All rights reserved

ANNOTATION

An incredibly handsome young man in Victorian England retains his youthful appearance over the years while his portrait reflects both his age and evil soul as he pursues a life of decadence and corruption.

FROM THE PUBLISHER

"Enthralled by his own exquisite portrait, Dorian Gray makes a Faustian bargain to sell his soul in exchange for eternal youth and beauty. Under the influence of Lord Henry Wotton, he is drawn into a corrupt double life, where he is able to indulge his desires while remaining a gentleman in the eyes of polite society. Only Dorian's picture bears the traces of his decadence." "A knowing account of a secret life and an analysis of the darker side of Victorian society, The Picture of Dorian Gray offers a disturbing portrait of an individual coming face to face with the reality of his soul."--BOOK JACKET.

SYNOPSIS

Spellbound before his own portrait, Dorian Gray utters a fateful wish. In exchange for eternal youth he gives his soul, to be corrupted by the malign influence of his mentor, the aesthete and hedonist Lord Henry Wotton. The novel was met with moral outrage by contemporary critics who, dazzled perhaps by Wilde's brilliant style, may have confused the author with his creation, Lord Henry, to whom even Dorian protests, 'You cut life to pieces with your epigrams.'. Encouraged by Lord Henry to substitute pleasure for goodness and art for reality, Dorian tries to watch impassively as he brings misery and death to those who love him. But the picture is watching him, and, made hideous by the marks of sin, it confronts Dorian with the reflection of his fall from grace, the silent bearer of what is in effect a devastating moral judgement.

WHAT PEOPLE ARE SAYING

His wit is an agent of renewal. — Richard Ellman