Backstage
Will be of benefit to all dance lovers.


Choice, November 2002
A marvelous book for all those who love dance history.


Book Description
Whether as performers or as spectators, more people enjoy dance today than ever before. Its extraordinary range extends from classical ballet and baroque court spectacles to avant-garde modern dance, tap, and ethnic dancing. Anyone with an interest in dance has felt the need for a guide to the art's rich history and complex present state. Susan Au's lucid text covers the entire spectrum of dance, vividly describing the great performers and performances of the past as well as exploring in detail the dance world of today. A generous selection of illustrations completes the picture, taking the reader from the palaces of the Medici to the lofts of Manhattan, from the dancing of Louis XIV to the experimental choreography of Twyla Tharp and Pina Bausch. A completely new final chapter documents the work of the chief dancers and choreographers from the 1980s to the present, covering offshoots of modern dance such as Tanztheater and Butoh, and recent developments such as performance art and site-specific choreography. The author discusses the upsurge in the popularity of dances of the past, among them ballroom dancing and the Argentine tango, and notes the revival of tap dancing as well as the successful adaptation of Irish stepdancing to the theater. In addition, she records the uses dance and dancers have made of recent technological advances, including cinedance and videodance, CD-ROMs, and the Internet. 145 illustrations and photographs, 25 in color.


About the Author
Susan Au is a freelance writer and dance historian. She is a contributor to The International Encyclopedia of Dance and was the American consultant for The Concise Oxford Dictionary of Ballet.

FROM THE PUBLISHER

"Everyone with an interest in dance will have felt the need for a guide to the art's rich history and complex present. Susan Au's text covers the whole subject, vividly describing the great performers and performances of the past as well as exploring in detail the dance world of today. A generous selection of illustrations completes the picture, taking the reader from the palaces of the Medici to the lofts of Manhattan, from the dancing of Louis XIV to the experimental choreography of Twyla Tharp and Pina Bausch." A new final chapter-documents the work of the chief dancers and choreographers from the 1980s to the present, covering offshoots of modern dance such as Tanztheater and Butoh, recent developments in performance art and site-specific choreography, and the upsurge in popularity of dances of the past. In addition, the author records the uses dance and dancers have made of recent technological advances, including cinedance and videodance, CD-ROMs and the Internet.

FROM THE CRITICS

Backstage