When Haydn left on a concert tour to London in December 1790, Mozart said farewell forever, and most people assumed it was Haydn's health that he was worried about. As we know now, the elder composer was to live for almost two decades more; Mozart, a single year. It was to be a year in which he wrote The Magic Flute, La Clemenza di Tito, and the Clarinet Concerto, as well as most of the Requiem; it was also a year of mounting disappointment in his career as part of the Viennese musical establishment, and a year of growing debt. Robbins Landon is keen to debunk the myths: Mozart was not poisoned ,but died of progressive kidney failure, and Salieri was innocent of his death, though not of promoting his own career at Mozart's expense. Landon defends Mozart's wife, Constanze, against the libels of biographers, though at times his portrait of comfortable bourgeois monogamy sounds like special pleading and overlaps with hints of conscientious bohemian racketiness. This is a wonderful portrait of a great artist and the city where he lived; in passing, Landon tells us everything we need to know about musical life, Masonry, and the truth about that pauper's grave. --Roz Kaveney


From Publishers Weekly
" Amadeus , the play and film, popularized the many legends about Mozart's 'decline and fall.' In this factual account of the composer's last year, musicologist Landon gathers authentic contemporary documents to 'bring us nearer to Mozart and his wife, Constanze, than does fiction, even at its most inspired,' " reported PW. Illustrated. Copyright 1990 Reed Business Information, Inc.


Book Description
The last month of the year 1791 witnessed what H.C. Robbins Landon calls "the greatest tragedy in the history of music": the premature death of the thirty-five-year-old Mozart. Surrounded by enigma and intrigue, allegations of poisoning, and sexual scandal, this event continues to grip the popular imagination today--as was demonstrated by the astonishing success of the play and movie Amadeus. Curious and controversial as the circumstances of Mozart's death are, the truth has been obscured by accumulated layers of mythology. Drawing on his unrivaled knowledge of the sources, Professor Landon cuts through fantasy and mystification to present the facts--including a substantial amount of unpublished information--and reconstruct the moving story of the last year of Mozart's life. The composition of such works as the Requiem and the operas The Magic Flute and La clemenza di Tito is discussed in detail, and new light is thrown on Mozart's relations with the Freemasons and with Salieri, among others. One of the world's leading musicologists, H.C. Robbins Landon is justly renowned for his rare ability to communicate the excitement of discovery. This is a major contribution to the literature of Mozart.

FROM THE PUBLISHER