From Publishers Weekly
Editions of Blake's poetry which as an artist and printer he frequently engraved and published himself most often fail to reproduce his integral illustrations, or do so in poor enough quality as to negate the effort. This Complete edition from the Blake Trust, published last year in a Thames and Hudson hardback edition that is now out of print, should replace the b&w-only Dover edition (but not David V. Erdman's commentary therein, or his reading text The Complete Poetry and Prose of William Blake) for any reader. The 366 crisp color and 30 b&w reproductions here, culled from the scholarly Princeton University Press six-volume annotated set, are little short of a revelation, giving us Songs of Innocence, Songs of Experience, America, Milton, Jerusalem and the rest of the Blake canon in a form acceptably close, as Binder's introduction makes clear, to the way Blake wanted us to see them. Many of these works are currently hanging in a special Blake exhibition the largest ever at the Met in New York, for which the Abrams book serves as an informative and revealing catalogue. Hamlyn, a senior curator at London's Tate (where the exhibition originated), and the University of York's Phillips present prints, drawings, paintings, selections from Blake's own illuminated books and other relevant materials, such as snapshots from Blake's marvelous editions of Edward Young's Night Thoughts and Thomas Gray's Poems. Introductory essays from novelist and biographer Peter Ackroyd (Blake; T.S. Eliot) and Marilyn Butler, rector of Oxford's Exeter College, synopsize Blake's life and times, while extensive "label copy" situates each work as presented. While the visual overview is useful and some of the detail shots of larger works are compelling, poetry readers who have to choose will take the Complete. Copyright 2001 Cahners Business Information, Inc.


The New York Times, Christopher Benfey, 3 December 2000
This book makes a strong case that if you know Blake's poems you're getting only half—or rather none of—the picture.


Book Description
In his Illuminated Books, William Blake combined text and imagery on a single page in a way that had not been done since the Middle Ages. For Blake, religion and politics, intellect and emotion, mind and body were both unified and in conflict with each other: his work is expressive of his personal mythology, and his methods of conveying it were integral to its meaning. There is no comparison with reading books such as Jerusalem, America, and Songs of Innocence and of Experience in Blake's own medium, infused with his sublime and exhilarating colors. Tiny figures and forms dance among the lines of the text, flames appear to burn up the page, and dense passages of Biblical-sounding text are brought to a jarring halt by startling images of death, destruction, and liberation. Blake's hope that his books would obtain wide circulation was unfulfilled: some exist only in unique copies and none was printed in more than very small numbers. Now, for the first time, the plates from the William Blake Trust's Collected Edition have been brought together in a single volume, with transcripts of the texts and an introduction by the noted scholar David Bindman. A major retrospective exhibition of Blake's work can be seen at the Metropolitan Museum of Art (March-June 2001). 400 color illustrations. Includes: Jerusalem Songs of Innocence and of Experience All Religions are One There is No Natural Religion The Book of Thel The Marriage of Heaven and Hell Visions of the Daughters of Albion America a Prophecy Europe a Prophecy The Song of Los Milton a Poem The Ghost of Abel On Homers Poetry [and] On Virgil Laocoon The First Book of Urizen The Book of Ahania The Book of Los

FROM THE PUBLISHER

In his Illuminated Books, William Blake combined text and imagery on a single page in a way that had not been done since the Middle Ages. For Blake, religion and politics, intellect and emotion, mind and body were both unified and in conflict with each other: his work is expressive of his personal mythology, and his methods of conveying it were integral to its meaning. There is no comparison with reading books such as Jerusalem, America, and Songs of Innocence and of Experience in Blake's own medium, infused with his sublime and exhilarating colors. Tiny figures and forms dance among the lines of the text, flames appear to burn up the page, and dense passages of Biblical-sounding text are brought to a jarring halt by startling images of death, destruction, and liberation. Blake's hope that his books would obtain wide circulation was unfulfilled: some exist only in unique copies and none was printed in more than very small numbers. Now, for the first time, the plates from the William Blake Trust's Collected Edition have been brought together in a single volume, with transcripts of the texts and an introduction by the noted scholar David Bindman. A major retrospective exhibition of Blake's work can be seen at the Metropolitan Museum of Art (March-June 2001). 400 color illustrations.

Includes:

Jerusalem

Songs of Innocence and of Experience

All Religions are One

There is No Natural Religion

The Book of Thel

The Marriage of Heaven and Hell

Visions of the Daughters of Albion

America a Prophecy

Europe a Prophecy

The Song of Los

Milton a Poem

The Ghost of Abel

On Homers Poetry [and] On Virgil

Laocoon

The First Book of Urizen

The Book of Ahania

The Book of Los

FROM THE CRITICS

Christopher Benfey - New York Times

This book makes a strong case that if you know Blake's poems you're getting only half—or rather none of—the picture.

Christopher Benfey

This book makes a strong case that if you know Blake's poems you're getting only half—or rather none of—the picture. —New York Times

London Review of Books

Sumptuous facsimiles . . . glorious colored pages . . . like peeping into a furnace of light through a crack in the door.

Publishers Weekly