Book Description
Cool Construction examines four architects in whose work the tactility of craftsmanship and the luminosity of understatement are combined and refined to an unprecedented degree, creating an architecture that demands patience and scrutiny, but that reveals in return an unparalleled beauty. Although the architectsDavid Chipperfield (London), Waro Kishi (Kyoto), Eduardo Souto de Moura (Lisbon), and Williams and Tsien (New York)are based in different cultures, their work exhibits a rare vision of purity and serenity that is independent of time and place. From Chipperfield's sensitive reinterpretations of historical forms to the exquisite restraint in Kishi's work, from Souto de Moura's robust but elemental use of the vernacular to Williams and Tsien's planar experimentation, each finds maximum expression through the ingenious use of materials and a rigorous manipulation of form. In contrast to the excesses of postmodernism, cool construction is an architecture that is finely honed and carefully wrought, resonant and sublime. 100 color and 180 b/w illustrations and photographs. 4 X 4: a new series on contemporary international architecture. Each title includes: 4 concise architect profiles 16 influential projects a reference section
About the Author
Raymund Ryan teaches at the School of Architecture, University College Dublin. A contributing editor to Blueprint and Commissioner for Ireland at the 2000 Venice Biennale, he divides his time between Dublin and Los Angeles.
Cool Construction FROM THE PUBLISHER
Cool Construction examines four architects in whose work the tactility of craftsmanship and the luminosity of understatement are combined and refined to an unprecedented degree. Although the architects - David Chipperfield (London), Waro Kishi (Kyoto), Eduardo Souto de Moura (Lisbon) and Tod Williams and Billie Tsien (New York) - are based in very different cultures, their architecture exhibits a rare vision of purity and serenity that is independent of time and place. From Chipperfield's sensitive reinterpretations of historical forms to the exquisite restraint in Kishi's breathtaking work, from Souto de Moura's robust but elemental use of the vernacular to Williams and Tsien's planar experimentation, each finds maximum expression through the ingenious use of materials and the rigorous manipulation of form. Against the excesses of postmodernism, cool construction is an architecture that is finely honed and carefully wrought, resonant and sublime.