From Publishers Weekly
The title of this extensive survey of Joseph Cornell's work, which ranges from his early collages to his famous "boxes," is drawn from Cornell's own designation for a concept of time indicating the eternal within the everyday. This idea very much informs the attitude of the various contributors to the volume-which comes with a DVD-ROM (not seen by PW) and is published to celebrate the 100th anniversary of Cornell's birth-who concentrate more on the mystical and emotional aspects of Cornell's work, as opposed to the conceptual or technical. While this inevitably leads to a preoccupation with Cornell's religious and sexual preferences, it also lends a charming accessibility and warmth to the text. The contributors do not hesitate to infuse their comments on individual pieces with their own personal experience with the work, which should particularly help neophytes of Cornell's work understand his appeal to such a broad spectrum of viewers. On Cornell's "Untitled [`Dovecote' American Gothic]," Hartigan writes, "I placed this box by my favorite chair, and over the years came to experience a serene sense of comfort and companionship embodied in the simple whitewashed habitation." More than 200 color illustrations of Cornell's work (along with 30 b&w) are placed against black backgrounds and categorized into topics meant to reflect Cornell's own fascinations, such as "Chests and Cabinets," "Habitats," "Aviaries" and "Celestial Navigation Variants." While the darkness of the backgrounds conveys to a certain extent the mysteriousness of Cornell's work, it also obscures some of the more shadowed pieces, and the categories, occasionally only three or four pages long, can seem arbitrary and exclusionary. However, the sheer sumptuousness of the reproductions and the personal enthusiasm of the authors, along with Cornell's own undeniable mystique, does much to overcome this, making the volume a fine introduction to an often misunderstood artist. Copyright 2003 Reed Business Information, Inc.

From Booklist
*Starred Review* The centennial of the birth of Joseph Cornell, one of the most original and continually revelatory artists of all time, is the occasion for publication of the most exciting monograph devoted to his magical boxes and poetic collages yet created, a sumptuous volume accompanied by a state-of-the-art DVD-ROM. Crisp color reproductions of Cornell's work, suitably set against black backgrounds, offer a wealth of gorgeously detailed close-ups, and the unusually eloquent commentary reveals the aesthetic, spiritual, and intellectual intricacy inherent in Cornell's unique creations. In elucidating the self-taught artist's passion for the acquisition of myriad found objects and images and his penchant for classifying his diverse collection of mass-produced treasures, curator and Cornell expert Hartigan highlights Cornell's fascination with science, an often overlooked facet of his marvelously inclusive oeuvre. Vine, managing editor of Art in America, writes with great sympathy and knowledge about Cornell's devotion to the Christian Science faith and its profound influence on his art. And art collector Robert Lehrman describes what it's like to live with Cornell's cleverly constructed boxes, observing that his "best works reveal themselves gradually." Indeed, Cornell's chimerical, wistful, cosmic, and witty art incites fresh astonishment with each in-depth look. Donna Seaman
Copyright © American Library Association. All rights reserved

Book Description
Published to celebrate the centennial of Joseph Cornell's birth in 1903, this book provides a fresh, multidimensional perspective on the pioneering modern artist. Lavishly illustrated with over seventy-five boxes and collages, as well as images of the fascinating source material that the artist collected to create his exquisitely crafted worlds, the book communicates to the reader the sense of surprise and delight that one experiences upon viewing the actual boxes with their toys, stuffed birds, maps, clay pipes, marbles, shells, and other paraphernalia of daily life. The book's essays bring together the expertise of Lynda Roscoe Hartigan, chief curator at the Peabody Essex Museum and former director of the Joseph Cornell Study Center; the compelling commentary of Walter Hopps, art dealer, museum curator, and the artist's personal friend; the wide-ranging scholarship of Richard Vine, author and managing editor of Art in America; and the sensitivity of Robert Lehrman, a leading Cornell collector whose firsthand experience lends this publication its distinctive intimacy. Among the topics explored are the role of dualities in the artistic process, the dominant themes of Cornell's oeuvre, and the importance of his Christian Science faith. Through its innovative technology, the book's companion DVD-ROM delivers an encyclopedic compendium of the artist's works and source materials, the insights of numerous scholars and critics, access to Cornell's experimental films, and interactive opportunities that promote an utterly unprecedented investigation of his art. 231 illustrations, 205 in color; DVD-ROM.

FROM THE PUBLISHER

Published to celebrate the centennial of Joseph Cornell's birth in 1903, this book provides a fresh, multidimensional perspective on the pioneering modern artist. Lavishly illustrated with over seventy-five boxes and collages, as well as images of the fascinating source material that the artist collected to create his exquisitely crafted worlds, the book communicates to the reader the sense of surprise and delight that one experiences upon viewing the actual boxes with their toys, stuffed birds, maps, clay pipes, marbles, shells, and other paraphernalia of daily life.

The book's essays bring together the expertise of Lynda Roscoe Hartigan, chief curator at the Peabody Essex Museum and former director of the Joseph Cornell Study Center; the compelling commentary of Walter Hopps, art dealer, museum curator, and the artist's personal friend; the wide-ranging scholarship of Richard Vine, author and managing editor of Art in America; and the sensitivity of Robert Lehrman, a leading Cornell collector whose firsthand experience lends this publication its distinctive intimacy. Among the topics explored are the role of dualities in the artistic process, the dominant themes of Cornell's oeuvre, and the importance of his Christian Science faith.

FROM THE CRITICS

The Washington Post

This book comes impressively illustrated, but what sets it apart is the accompanying DVD-ROM, "The Magical Worlds of Joseph Cornell," which allows the viewer to "handle" and explore his mini-universes. — Jennifer Howard

Publishers Weekly

The title of this extensive survey of Joseph Cornell's work, which ranges from his early collages to his famous "boxes," is drawn from Cornell's own designation for a concept of time indicating the eternal within the everyday. This idea very much informs the attitude of the various contributors to the volume-which comes with a DVD-ROM (not seen by PW) and is published to celebrate the 100th anniversary of Cornell's birth-who concentrate more on the mystical and emotional aspects of Cornell's work, as opposed to the conceptual or technical. While this inevitably leads to a preoccupation with Cornell's religious and sexual preferences, it also lends a charming accessibility and warmth to the text. The contributors do not hesitate to infuse their comments on individual pieces with their own personal experience with the work, which should particularly help neophytes of Cornell's work understand his appeal to such a broad spectrum of viewers. On Cornell's "Untitled [`Dovecote' American Gothic]," Hartigan writes, "I placed this box by my favorite chair, and over the years came to experience a serene sense of comfort and companionship embodied in the simple whitewashed habitation." More than 200 color illustrations of Cornell's work (along with 30 b&w) are placed against black backgrounds and categorized into topics meant to reflect Cornell's own fascinations, such as "Chests and Cabinets," "Habitats," "Aviaries" and "Celestial Navigation Variants." While the darkness of the backgrounds conveys to a certain extent the mysteriousness of Cornell's work, it also obscures some of the more shadowed pieces, and the categories, occasionally only three or four pages long, can seem arbitrary and exclusionary. However, the sheer sumptuousness of the reproductions and the personal enthusiasm of the authors, along with Cornell's own undeniable mystique, does much to overcome this, making the volume a fine introduction to an often misunderstood artist. (Nov.) Copyright 2003 Reed Business Information.

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