From Library Journal
Ambivalence in John Lennon's life and work is a primary theme in Elliott's self-described "metabiography," but it also applies to the author's attempt to "uncover some of the implications Lennon's assault on the ideology of celebrity carries for our personal and political lives." Elliott, a political scientist at the University of Melbourne and author of Psychoanalytic Theory: An Introduction (Blackwell, 1994), uses psychoanalytic, cultural, and critical theory to examine the way Lennon melded his music, politics, and view of celebrity. Elliott develops some insightful discussions, but obscure writing, some factual errors, and a reliance on secondary source material undermine his authority. Discussion of Lennon's intimate relationships are consciously limited to key women in his life, but it is hard to consider any treatment of his losses complete without an examinaton of the death of original Beatle Stuart Sutcliffe. Well intentioned but ultimately an optional purchase.ALloyd Jansen, Stockton-San Joaquin Cty. P.L., CACopyright 1999 Reed Business Information, Inc.

FROM THE PUBLISHER

Loss and mourning loom over John Lennons life and legacy. Since his tragic death in 1980, he has embodied our cultures feelings of loss; he has become an object of mourning, of fantasy, of desire. Lennon himself created an aesthetic vocabulary for dealing with loss, pain, and loneliness that is unparalleled in modern times. His personal crises reflect core dimensions of modern social experience, in particular transformations affecting sexuality, masculinity, identity, and fatherhood. In this provocative account, Anthony Elliott places Lennons life and career in its social context, examining the ways the ex-Beatle has come to symbolize an entire cultures struggle to mourn. Elliott interweaves broad-ranging discussions of celebrity, pop music, politics, feminism, psychoanalysis, and postmodern-ism with in-depth analyses of Lennons life and art. Beginning with a brilliant reading of Albert Goldmans bestselling biography, he moves to the loneliness and pain of Lennons childhood, developing a powerful analysis of songs such as Strawberry Fields Forever and I Am the Walrus. From Help to Mother to Im Losing You, he contends that a consistent exploration of pain and loss in the wider emotional and political world is evident in the body of Lennons works. Elliott explores the complex, contradictory role of love in Lennons life, with a particular focus on the themes of guilt and grief, sexuality and desire. He gives careful attention to Lennons personal relationships --from his marriage to Cynthia Powell to his extraordinary romance with Yoko Ono. Elliott also offers a fresh consideration of Lennons commitment to radical politics and world peace; a detailed account of his withdrawal from public life and his time as a house-husband in the late 1970s; and an examination of the postmodern, hi-tech reunion of The Beatles in 1994, in which John Lennon magically returned from the dead for the recording of Free as a Bird and Real Love. By exploring the ways we remember Lennon--from the ndless repackaging of his music to the more serious reappraisals of his significance in contemporary culture--we come to see this modern icon, as well as ourselves, in a new and different light.

FROM THE CRITICS

Library Journal

Ambivalence in John Lennon's life and work is a primary theme in Elliott's self-described "metabiography," but it also applies to the author's attempt to "uncover some of the implications Lennon's assault on the ideology of celebrity carries for our personal and political lives." Elliott, a political scientist at the University of Melbourne and author of Psychoanalytic Theory: An Introduction (Blackwell, 1994), uses psychoanalytic, cultural, and critical theory to examine the way Lennon melded his music, politics, and view of celebrity. Elliott develops some insightful discussions, but obscure writing, some factual errors, and a reliance on secondary source material undermine his authority. Discussion of Lennon's intimate relationships are consciously limited to key women in his life, but it is hard to consider any treatment of his losses complete without an examinaton of the death of original Beatle Stuart Sutcliffe. Well intentioned but ultimately an optional purchase.--Lloyd Jansen, Stockton-San Joaquin Cty. P.L., CA

WHAT PEOPLE ARE SAYING

Lennon's death has left an appreciation of loss. Yet, through Elliott's book, we recover a powerful sense of those qualities—honesty and idealism, irreverence and excitement—that Lennon represented while he was alive. — Paul Du Noyer