From Library Journal
Nowhere was the cultural upheaval of the 1960s more dramatically expressed than in the motion picture industry. Groundbreaking films such as The Wild Bunch, Dr. Strangelove, and Easy Rider marked a sharp contrast to the predominately tame, conventional fare of the previous decade. Monaco (cinema and video, Montana State Univ.) skillfully delineates this transformation. While the big studio system faded, the old downtown movie theaters and outdoor drive-ins were gradually replaced by a proliferation of multiplexes owned by corporate conglomerates. Adherence to the time-honored Hollywood "Production Code" significantly relaxed, resulting in more sexually frank films, such as Blow-Up and I Am Curious (Yellow), and an increase in screen violence, exemplified by Bonnie and Clyde. The author provides detailed analyses of the technical aspects of filmmaking innovations and advances in editing, such as the jump-cuts and fast/slow motion so effectively used in A Hard Day's Night. He also explores the changes in soundtrack music, caused by the termination of studios' in-house orchestras, and the disappointments of the avant-garde film genre. Highly recommended for cinema collections. Richard W. Grefrath, Univ. of Nevada Lib., Reno Copyright 2001 Reed Business Information, Inc.


From Booklist
Latest volume in this "scholarly investigation of the genesis and development of American film and the American film industry." Among the topics that are considered are the rise of the ratings system, the decline of the movie theater audience, the dominance of male actors, and the trend toward more powerful visuals. RBB
Copyright © American Library Association. All rights reserved


Review
"Nowhere was the cultural upheaval of the 1960s more dramatically expressed than in the motion picture industry. Groundbreaking films such as The Wild Bunch, Dr. Strangelove, and Easy Rider marked a sharp contrast to the predominantly conventional fare of the previous decade. Monaco skillfully delineates this transformation."--Library Journal


Book Description
Amid the turbulence of political assassinations, the civil rights struggle, and antiwar protests, American society was experiencing growing affluence and profound cultural change during the 1960s. The film industry gradually redirected its energies, resulting in a distinctive break from traditional business and stylistic practice and emergence of a new "cinema of sensation." Feature films became faster-paced and more graphic, the antihero took his place alongside the classic Hollywood hero, and "downer" films like Midnight Cowboy proved as popular as those with upbeat fare. Paul Monaco gives a sweeping view of this exhilarating decade, ranging from the visceral sensation of Bonnie and Clyde, to the comic-book satire of Dr. Strangelove, to the youthful alienation of The Graduate.


From the Back Cover
"I think this is a fine volume, one that maintains the high quality of other volumes in the series while making major contributions in its own right . . . a strong, well-argued and well-structured study."-Dana Polan, University of Southern California


About the Author
Paul Monaco is Professor of Cinema/Video at Montana State University, Bozeman. Among his books are Understanding Society, Culture, and Television (1998) and Ribbons in Time: Movies and Society since 1945 (1987). He has twice received Fulbright fellowships to Germany.

FROM THE PUBLISHER

Amid the turbulence of political assassinations, the civil rights struggle, and antiwar protests, American society was experiencing growing affluence and profound cultural change during the 1960s. The film industry gradually redirected its energies, resulting in a distinctive break from traditional business and stylistic practice and emergence of a new "cinema of sensation." Feature films became faster-paced and more graphic, the antihero took his place alongside the classic Hollywood hero, and "downer" films like Midnight Cowboy proved as popular as those with upbeat fare. Paul Monaco gives a sweeping view of this exhilarating decade, ranging from the visceral sensation of Bonnie and Clyde, to the comic-book satire of Dr. Strangelove, to the youthful alienation of The Graduate.

SYNOPSIS

This book covers the 1960's as part of the definitive history of American cinema from its emergence in the 1800s to the present day.

FROM THE CRITICS

Library Journal

Nowhere was the cultural upheaval of the 1960s more dramatically expressed than in the motion picture industry. Groundbreaking films such as The Wild Bunch, Dr. Strangelove, and Easy Rider marked a sharp contrast to the predominately tame, conventional fare of the previous decade. Monaco (cinema and video, Montana State Univ.) skillfully delineates this transformation. While the big studio system faded, the old downtown movie theaters and outdoor drive-ins were gradually replaced by a proliferation of multiplexes owned by corporate conglomerates. Adherence to the time-honored Hollywood "Production Code" significantly relaxed, resulting in more sexually frank films, such as Blow-Up and I Am Curious (Yellow), and an increase in screen violence, exemplified by Bonnie and Clyde. The author provides detailed analyses of the technical aspects of filmmaking innovations and advances in editing, such as the jump-cuts and fast/slow motion so effectively used in A Hard Day's Night. He also explores the changes in soundtrack music, caused by the termination of studios' in-house orchestras, and the disappointments of the avant-garde film genre. Highly recommended for cinema collections. Richard W. Grefrath, Univ. of Nevada Lib., Reno Copyright 2001 Cahners Business Information.

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