From AudioFile
Classic nineteenth-century literature can be difficult to read and hear. But this production is an exception. Buck Schirner's characters are so vivid, so well enunciated, that we wish Stowe had created more people for Schirner to give voice to. His characters argue about slavery, lament their fortunes and survive by their wits. He gives each person emotion and depth and reads Stowe's prose with conviction. Indeed, it's hard not to, given the moral force behind her words. The only negative is when Schirner reads in his own voice, which is low and flat. Because of his excellent vocal work, though, the book reminds us that the debate over race and human worth was as vivid in the 1850's as it is today. R.I.G. (c)AudioFile, Portland, Maine


From 500 Great Books by Women; review by Erica Bauermeister
This is one of those books that everybody has heard about but few people these days have actually read. It deserves to be read - not simply because it is the basis for symbols so deeply ingrained in American culture that we no longer realize their source, nor because it is one of the bestselling books of all time. This is a book that changed history. Harriet Beecher Stowe was appalled by slavery, and she took one of the few options open to nineteenth century women who wanted to affect public opinion: she wrote a novel, a huge, enthralling narrative that claimed the heart, soul, and politics of pre-Civil War Americans. It is unabashed propaganda and overtly moralistic, an attempt to make whites - North and South - see slaves as mothers, fathers, and people with (Christian) souls. In a time when women might see the majority of their children die, Harriet Beecher Stowe portrays beautiful Eliza fleeing slavery to protect her son. In a time when many whites claimed slavery had "good effects" on blacks, Uncle Tom's Cabin paints pictures of three plantations, each worse than the other, where even the best plantation leaves a slave at the mercy of fate or debt. By twentieth-century standards, her propaganda verges on melodrama, and it is clear that even while arguing for the abolition of slavery she did not rise above her own racism. Yet her questions remain penetrating even today: "Is man ever a creature to be trusted with wholly irresponsible power?" -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14.


Review
"Uncle Tom's Cabin is the most powerful and enduring work of art ever written about American slavery."
—Alfred Kazin


From the Trade Paperback edition.


Review
"Uncle Tom's Cabin is the most powerful and enduring work of art ever written about American slavery."
?Alfred Kazin


From the Trade Paperback edition.

FROM OUR EDITORS

The narrative drive of Stowe's classic novel is often overlooked in the heat of the controversies surrounding its anti-slavery sentiments. In fact, it is a compelling adventure story with richly drawn stories & has earned a place in both literary & American history.

ANNOTATION

A guide to reading "Uncle Tom's Cabin" with a critical and appreciative mind encouraging analysis of plot, style, form, and structure. Also includes background on the author's life and times, sample tests, term paper suggestions, and a reading list.

FROM THE PUBLISHER

There May Be No Other Novel in American History as Significant as Uncle Tom's Cabin. A feat of gripping storytelling -- the first American work of fiction to become an international best-seller -- no other book so effectively expressed the moral case against the "peculiar institution" of slavery.

Oxford University Press is pleased to announce a special 150th anniversary edition of this American classic. This volume features a new introduction by Charles Johnson, recipient of a MacArthur Foundation fellowship and winner of the National Book Award for his 1990 novel Middle Passage. Johnson examines Uncle Tom's Cabin with an eye that is at once appreciative and critical, discussing its considerable craft, its impact on its 1852 audience, and its "ineluctably racist" view of African Americans. He describes how Stowe created vibrant and dramatic characters from all levels of Southern society -- the mulatto genius George Harris, his light-skinned wife Eliza, the vicious slave trader Dan Haley, the guilt-ridden Augustine St. Clare -- hurling them along truly exciting plotlines. She also infused her book with her then-controversial awareness of the humanity of black men and women, giving her audience a sense of the personal reality of the horrors of slavery. But even as sympathetic an author as Stowe, Johnson observes, substituted one kind of racism for another, depicting her black characters with a patronizing condescension.

A classic of American fiction, a pivotal moment in history, and a cultural touchstone, Uncle Tom's Cabin has not lost its relevance or its power. With this insightful new introduction by one of our finest writers, it deserves a place on a bookshelf in every home.

FROM THE CRITICS

AudioFile

Using a mixture of clearly distinguished voices, Ricco Ross brings Southern accents, Negro dialects, and another era to life in this rendering of UNCLE TOM'S CABIN. Listeners can almost see the young Negro quadroons, Jim Crow, and Topsy, who says, "I just growed," when asked when and where she was born. While Ricco portrays the ugly slave master, Simon Legree, with menacing tones of cruelty, he switches to sounds of compassion and grace with Uncle Tom. Ricco depicts the barbarisms of slave trading in which men, women, and children are bought and sold like livestock with chilling reality. This timeless classic is worth revisiting. G.D.W. © AudioFile 2001, Portland, Maine

AudioFile - Robert I. Grundfest