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   Book Info

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Woman in White  
Author: Wilkie Collins
ISBN: 055321263X
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review


From AudioFile
Hugely popular in its time, Collins's mystery-suspense novel is now largely forgotten. Its decline has been due partly to an extravagantly intricate plot (one improved by abridgment) and partly to an equally convoluted structure. The story is told through the accounts of several characters in succession. Because the accounts contain dialogue, listeners are treated to the unusual spectacle of hearing every character filtered through each of the others. Such complexity would have overwhelmed anything less than virtuoso performances. Fortunately, both Nigel Anthony and Susan Jameson rise to the occasion. Listeners will be excused in mistaking this for a full-cast dramatization, so expertly distinguished is the multitude of voices within voices. S.J.L. (c)AudioFile, Portland, Maine


Review
“Collins was a master craftsman, whom many modern mystery-mongers might imitate to their profit.” —Dorothy L. Sayers


From the Trade Paperback edition.


Review
?Collins was a master craftsman, whom many modern mystery-mongers might imitate to their profit.? ?Dorothy L. Sayers


From the Trade Paperback edition.




The Woman in White

FROM THE PUBLISHER

Generally considered the first English sensation novel, The Woman in White features the remarkable heroine Marian Halcombe and her sleuthing partner, drawing master Walter Hartright, pitted against the diabolical team of Count Fosco and Sir Percival Glyde. A gripping tale of murder, intrigue, madness, and mistaken identity, Collins's psychological thriller has never been out of print in the 140 years since its publication.

FROM THE CRITICS

AudioFile - Stephen J. LaRochelle

Hugely popular in its time, Collins￯﾿ᄑs mystery-suspense novel is now largely forgotten. Its decline has been due partly to an extravagantly intricate plot (one improved by abridgment) and partly to an equally convoluted structure. The story is told through the accounts of several characters in succession. Because the accounts contain dialogue, listeners are treated to the unusual spectacle of hearing every character filtered through each of the others. Such complexity would have overwhelmed anything less than virtuoso performances. Fortunately, both Nigel Anthony and Susan Jameson rise to the occasion. Listeners will be excused in mistaking this for a full-cast dramatization, so expertly distinguished is the multitude of voices within voices. S.J.L. ￯﾿ᄑAudioFile, Portland, Maine

     



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