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From Publishers Weekly
Set in 1896, Carr's novel about a serial killer lose in New York City was a 25-week PW bestseller. Copyright 1995 Reed Business Information, Inc.


From Library Journal
A serial killer is butchering boy prostitutes in New York City. Police commissioner Theodore Roosevelt enlists a reporter and groundbreaking psychologist (known as an "alienist" in 1896) to track the killer by compiling his psychological profile. The real mystery here, however, lies in finding out what happens in the sections of the novel that were abridged. Who are all these characters? How did they jump to their apparently absurd conclusions? Where is the social history of the city and the celebrity cameos that the printed book's reviewers found so enticing? To judge by the level of suspense reader Edward Hermann can generate during selected passages, this may be a very good novel. Libraries would do best to wait for an unabridged release or stick with the print version.John Hiett, Iowa City P.L.Copyright 1994 Reed Business Information, Inc.


From AudioFile
It is 1896, and a serial murderer is on the loose in New York City. The twist here is that the unofficial investigation (sanctioned by Chief of Police Theodore Roosevelt) uses a doctor specializing in the new science of psychology to help solve the crimes. The result is a fascinating discussion of a city poised on the edge of modernity, expertly narrated by George Guidall. Besides creating numerous characters, Guidall builds excitement with masterful pacing, effective pauses, and an omnipresent understanding of the text. Guidall uses his voice both to smooth out Carr's narrative wrinkles and to capture a city about to emerge as a major force in the twentieth century. R.I.G. © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine


From Booklist
Transvestite boy prostitutes lie in the crosshairs of this mystery's homicidal maniac, and bringing to brook the killer's depredations is the job of Theodore Roosevelt, New York's police chief in 1896. TR doesn't trust his corrupt department with the case and so enlists an informal task force consisting of psychologist Kreizler (in the day's jargon, the alienist of the title), crime beat reporter Moore (the tale's narrator), and assorted gumshoes and gophers. Appearing at cameo intervals, TR once makes the profile-clinching suggestion that the sicko is acquainted with the Sioux style of mutilation. With that idea, Moore and Kreizler unlock the case, eventually cornering their prey atop a water reservoir. Despite its unwieldy elements, flat characters, and excess palaver among them, this story boasts a veracious historical feel and a tight plot that keeps open the murderer's identity to the end. An original that fits no established mystery niche, Carr's fictional debut could be the start of something big. Gilbert Taylor


From Kirkus Reviews
Novelist/historian Carr (The Devil's Soldier, 1991, etc.) combines his two preferred modes with a meaty, if overslung, serial- killer quest set in 1896 New York. A series of gruesome murders and mutilations of heartrendingly young prostitutes--boys dressed as girls--reunites three alumni of William James' pioneering Harvard psychology lectures: Times reporter John Schuyler Moore, eminent psychologist Dr. Laszlo Kreizler (called, after the fashion of the time, an ``alienist''), and New York Police Commissioner Theodore Roosevelt. Despite Moore's skepticism about Roosevelt's plan to put Kreizler on the case (``You'd be better off hiring an African witch doctor,'' he says about his old friend), Kreizler steadily compiles a profile of the killer based on a combination of forensic and psychological evidence. The man they're looking for is over six feet tall; about 30 years old; an expert mountaineer; either a priest or a man from a strongly religious background; a veteran of some time among Indians. As Moore tours Manhattan's nastiest nightspots and Kreizler's net closes around a suspect, Carr fills out his narrative with obligatory cameos by Lincoln Steffens, Jacob Riis, J.P. Morgan, Anthony Comstock, and Franz Boas, and didactic digressions on the rise of Bertillon measurements, fingerprints, the Census Bureau, and gourmet dining (courtesy of Delmonico's) in America. The result is somehow gripping yet lifeless, as evocative period detail jostles with a cast of characters who are, for the most part, as pallid as the murder victims. Still, it must be said that the motivation of the demented killer is worked out with chilling, pitying conviction. Unremarkable as a genre thriller, then, but highly satisfactory as fictionalized social history. (Film rights to Paramount; Literary Guild Alternate Selection) -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.


Review
"You can smell the fear in the air." --The New York Times

"Gripping, atmospheric, intelligent, and entertaining." --USA Today


Review
"You can smell the fear in the air." --The New York Times

"Gripping, atmospheric, intelligent, and entertaining." --USA Today


Book Description

The year is 1896, the place, New York City. On a cold March night New York Times reporter John Schuyler Moore is summoned to the East River by his friend and former Harvard classmate Dr. Laszlo Kreizler, a psychologist, or "alienist." On the unfinished Williamsburg Bridge, they view the horribly mutilated body of an adolescent boy, a prostitute from one of Manhattan's infamous brothels. The newly appointed police commissioner, Theodore Roosevelt, in a highly unorthodox move, enlists the two men in the murder investigation, counting on the reserved Kreizler's intellect and Moore's knowledge of New York's vast criminal underworld. They are joined by Sara Howard, a brave and determined woman who works as a secretary in the police department. Laboring in secret (for alienists, and the emerging discipline of psychology, are viewed by the public with skepticism at best), the unlikely team embarks on what is a revolutionary effort in criminology-- amassing a psychological profile of the man they're looking for based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who has killed before. and will kill again before the hunt is over. Fast-paced and gripping, infused with a historian's exactitude, The Alienist conjures up the Gilded Age and its untarnished underside: verminous tenements and opulent mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. Here is a New York during an age when questioning society's belief that all killers are born, not made, could have unexpected and mortal consequences.


From the Publisher

"You can smell the fear in the air." --The New York Times "Gripping, atmospheric, intelligent, and entertaining." --USA Today


From the Inside Flap
The year is 1896, the place, New York City. On a cold March night New York Times reporter John Schuyler Moore is summoned to the East River by his friend and former Harvard classmate Dr. Laszlo Kreizler, a psychologist, or "alienist." On the unfinished Williamsburg Bridge, they view the horribly mutilated body of an adolescent boy, a prostitute from one of Manhattan's infamous brothels.

        The newly appointed police commissioner, Theodore Roosevelt, in a highly unorthodox move, enlists the two men in the murder investigation, counting on the reserved Kreizler's intellect and Moore's knowledge of New York's vast criminal underworld. They are joined by Sara Howard, a brave and determined woman who works as a secretary in the police department. Laboring in secret (for alienists, and the emerging discipline of psychology, are viewed by the public with skepticism at best), the unlikely team embarks on what is a revolutionary effort in criminology-- amassing a psychological profile of the man they're looking for based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who has killed before. and will kill again before the hunt is over.

        Fast-paced and gripping, infused with a historian's exactitude, The Alienist conjures up the Gilded Age and its untarnished underside: verminous tenements and opulent mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. Here is a New York during an age when questioning society's belief that all killers are born, not made, could have unexpected and mortal consequences.


About the Author
CALEB CARR was born in Manhattan and grew up on the Lower East Side, where he still lives.

ANNOTATION

Step into another time--and unforgettable terror. The year is 1896. The city is New York. The hunt is on for a baffling new kind of criminal--a serial killer. "A first-rate tale of crime and punishment that will keep readers guessing until the final pages."--Entertainment Weekly.

FROM THE PUBLISHER

The year is 1896, the place, New York City. On a cold March night New York Times crime reporter John Schuyler Moore is summoned to the East River by his friend and former Harvard classmate Dr. Laszlo Kreizler, a psychologist, or "alienist." On the unfinished Williamsburg Bridge, they view the horribly mutilated body of an adolescent boy, a prostitute from one of Manhattan's infamous brothels. The newly appointed police commissioner, Theodore Roosevelt, in a highly unorthodox move, enlists the two men in the murder investigation, counting on the reserved Kreizler's intellect and Moore's knowledge of New York's vast criminal underworld. They are joined by Sara Howard, a brave and determined woman who works as a secretary in the police department. Laboring in secret (for alienists, and the emerging discipline of psychology, are viewed by the public with skepticism at best), the unlikely team embarks on what is a revolutionary effort in criminology - amassing a psychological profile of the man they're looking for based on the details of his crimes. Their dangerous quest takes them into the tortured past and twisted mind of a murderer who has killed before . . . and will kill again before the hunt is over. Fast-paced and gripping, infused with a historian's exactitude, The Alienist conjures up the Gilded Age and its tarnished underside: verminous tenements and opulent mansions, corrupt cops and flamboyant gangsters, shining opera houses and seamy gin mills. Here is a New York during an age when questioning society's belief that all killers are born, not made, could have unexpected and mortal consequences.

FROM THE CRITICS

Publishers Weekly

Set in 1896, Carr's novel about a serial killer lose in New York City was a 25-week PW bestseller. (July)

Library Journal

A society-born police reporter and an enigmatic abnormal psychologist--the ``alienist'' of the title--are recruited in 1896 by New York's reform police commissioner Teddy Roosevelt to track down a serial killer who is slaughtering boy prostitutes. The investigators are opposed at every step by crime bosses and the city's hidden rulers (including J. Pierpont Morgan); they distrust the alienist's novel methods and would rather conceal evidence of the murders than court publicity. Tension builds as the detectives race to prevent more deaths. From this improbable brew, historian-novelist Carr ( The Devil Soldier , Random, 1991) has fashioned a knockout period mystery, infused with intelligence, vitality, and humor. This novel is a highly unorthodox variant of the Holmes-Watson theme and the best since Julian Symons's delightful A Three-Pipe Solution . It should entice new fans to the genre. Recommended. Literary Guild featured selection; Doubleday Book Club Selection; previewed in Prepub Alert, LJ 12/93.-- David Keymer, California State Univ., Stanislaus

BookList - Gilbert Taylor

Transvestite boy prostitutes lie in the crosshairs of this mystery's homicidal maniac, and bringing to brook the killer's depredations is the job of Theodore Roosevelt, New York's police chief in 1896. TR doesn't trust his corrupt department with the case and so enlists an informal task force consisting of psychologist Kreizler (in the day's jargon, the alienist of the title), crime beat reporter Moore (the tale's narrator), and assorted gumshoes and gophers. Appearing at cameo intervals, TR once makes the profile-clinching suggestion that the sicko is acquainted with the Sioux style of mutilation. With that idea, Moore and Kreizler unlock the case, eventually cornering their prey atop a water reservoir. Despite its unwieldy elements, flat characters, and excess palaver among them, this story boasts a veracious historical feel and a tight plot that keeps open the murderer's identity to the end. An original that fits no established mystery niche, Carr's fictional debut could be the start of something big.

AudioFile - Robin F. Kahn