The early 21st century ushers in a revolution in unified field theory, and free-thinking physicist Jeffrey Horton and his team are pushing the cutting edge. Sequestered on a maximum-security research campus, the scientists are testing "Baby," a device they hope will create "a laser for gravity," a tractor beam. But during an early run, every gun in the area (and even a secret stash of fireworks) simultaneously explodes. Follow-up tests soon prove their device was responsible--that it can in fact neutralize every conventional gun, bomb, and explosive--and that's when Baby becomes the "Trigger."
This speculative novel by sci-fi legend Arthur C. Clarke and genre workman Michael Kube-McDowell follows the vast sea changes such an invention would bring, reading as part thriller, part social tract. Horton and his Trigger follow a course not unlike that of Einstein and the A-bomb, but ratcheted up by an order of magnitude--idealistic scientists, overwhelmed politicians, rabid lobbyists, and entrenched generals must deal with the device's deployment and consequences, both political and social, in a gun-rich, gun-dependent culture. A well-researched, plausible plot line keeps The Trigger not just readable but downright engrossing, despite its sometimes distracting lack of subtlety. All in all, a worthwhile, entertaining meditation on how technological progress always proves as unpredictable as it is inevitable. --Paul Hughes
From Publishers Weekly
One of the grand old men of SF has teamed up with Kube-McDowell (Tyrant's Test, etc.) to imagine a near-future in which all traditional weapons that use gunpowder are rendered obsolete. Out of the blue, young physicist Jeffrey Horton has been chosen to join Nobelist Karl Brohier at a laboratory named Terabyte. While Horton pursues the "stimulated emission of gravitons," a number of detonations rock the lab one day. Is this yet another terrorist attack in an America racked by violence? But it's gun clips and fireworks that exploded when Horton activated his experimental machine. After some experimentation, the lab team realizes that the device, shortly named the Trigger, causes virtually every traditional explosive within range to self-destruct. What follows is a detailed exploration of the effects of the Trigger on domestic America. Should it be made public? Who should be told first: the army, the president, the international community? To prevent being silenced by those whose power may be threatened, Brohier and Horton contact Grover Wilman, an iconoclastic U.S. senator with a strong antigun record. Wilman in turn leads them to President Mark Breland, and the full complexity of negotiating among the many factions invested in guns begins. Clarke and Kube-McDowell work through the pro and con arguments over the possession of guns and other gunpowder-based weapons, with care and research evident in every debate as they skillfully assess the tricky territory between individualism and collective trust. The authors are savvy enough never to choose easy answers, and though this political SF thriller occasionally slows down to depict detailed governmental negotiations and private deliberations, the unpredictable effects of the Trigger lend the familiar issue of gun control new urgency and excitement. (Dec.) Copyright 1999 Reed Business Information, Inc.
From Library Journal
Physicist Jeffrey Horton discovers the principles that lead to a device capable of disarming guns, bombs, and other explosives within its effective radius. Intended as a possible deterrent to armed conflict, Horton's invention--known as the Trigger--soon falls prey to those who see it as the ultimate weapon. Coauthors Clarke and Kube-McDowell have combined their considerable talents to explore the ethical problems that arise when idealists and cynics clash over the proper use of scientific research. Using the sf thriller as their forum, the authors have produced a thought-provoking, suspenseful tale that should appeal to fans of near-future technothrillers as well as speculative fiction. Highly recommended. Copyright 1999 Reed Business Information, Inc.
From Booklist
Early in the twenty-first century, a group of brilliant, unconventional physicists at a private laboratory-cum-think-tank make a fundamental breakthrough in physics. They discover a wave that will disable or destroy any weapon based on nitrates--which includes virtually anything using modern explosives. The discovery's potential for good and evil is enormous. The tycoon who owns the laboratory seeks to maximize the potential for good by presenting the Trigger, as the wave device is dubbed, to the U.S. government via a militantly pacifist senator. Things soon start unraveling, though, when two of the scientists use a portable Trigger to wipe out a street gang that threatens one of their relatives, and from there on, sf veteran Clarke's latest reads as both a technothriller and an exploration of the influence of science and technology on social change. In fact, its hard-boiled flavor and rather high, though not gratuitous, body count actually smack more of Clarke's collaborator, Kube-McDowell. Together, Clarke and Kube-McDowell realize the book's scenario very plausibly, so that engaged readers will certainly keep turning pages. Moreover, they spell out the logic of their imaginings--that the kind of breakthrough in physics they envision will inevitably lead to more new weapons than just the Trigger. This is solid, intelligent, serious entertainment. Roland Green
From Kirkus Reviews
First collaboration from SF grandmaster Clarke (3001: The Final Odyssey, etc.) and Kube-McDowell (The Quiet Pools, 1990). Physicist Jeffrey Horton tests what he hopes is an antigravity device, but instead his machine generates a field that detonates nitrate-based fuels and explosives! Horton and his boss, Karl Brohier, take their Trigger to President Mark Breland. Breland's dilemma: bury the notionand risk someone else discovering it? Keep it exclusively for the USbut for how long? Or inform the world? What follows, though punctuated by dramatic illustrations, is largely a prolonged debate between enlightened peaceniks and old-style military mind-sets, armaments and gun lobbies, armed hate groups, and organized crime, demonstrating that what's invented cannot be uninvented. Fur and lawsuits fly. At last Horton and Brohier make a theory breakthrough: matter is composed of energy inside an information envelope, and the Trigger alters that information. (This, unfortunately, is as persuasive as it gets.) The military contemplate using nukes in their all-out efforts to negate the Trigger effect. Horton resigns in disgust and disappears. Brohier invents the Jammer, a significant upgrade. An evil reactionary assassinates a pro-Trigger senator on live TV. Nevertheless, crime continues to fall, while Americans develop a sense of community. Finally, crazy backwoods militiamen grab the reclusive Horton and torture him to reveal the supposed secrets behind what they regard as conspiracies and tricks. Heavy, preachy, and only intermittently absorbing: the authors get their message across, but it's about as subtle as a plummeting piano. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
Review
"[Clarke And Kube-Mcdowell] skillfully assess the tricky territory between individualism and collective trust."
-- Publishers Weekly
Also by Arthur C. Clarke
The Rama books
Rendezvous With Rama
Rama II With Gentry Lee
The Garden Of Rama With Gentry Lee
Rama Revealed With Gentry Lee
The Fountains Of Paradise
The City And The Stars
Imperial Earth
Glide Path
The Deep Range
A Fall Of Moondust
The Sands Of Mars
More than one universe: the collected stories of Arthur C. Clarke
Astounding Days
Tales From Planet Earth
Richter 10 with Mike McQuay
Review
"[Clarke And Kube-Mcdowell] skillfully assess the tricky territory between individualism and collective trust."
-- Publishers Weekly
Also by Arthur C. Clarke
The Rama books
Rendezvous With Rama
Rama II With Gentry Lee
The Garden Of Rama With Gentry Lee
Rama Revealed With Gentry Lee
The Fountains Of Paradise
The City And The Stars
Imperial Earth
Glide Path
The Deep Range
A Fall Of Moondust
The Sands Of Mars
More than one universe: the collected stories of Arthur C. Clarke
Astounding Days
Tales From Planet Earth
Richter 10 with Mike McQuay
Book Description
From Arthur C. Clarke, bestselling author of 2001: A Space Odyssey and Creator Of The Rama Series, and Michael Kube-Mcdowell comes a breathtaking new novel of bold scientific speculation and edge-of-your-seat suspense: a riveting thriller in which the fate of humanity depends on whose finger is on...The Trigger
It is the ultimate antiweapon. A device that can render guns and bombs virtually harmless. At least that is how Dr. Jeffrey Horton, the brilliant young physicist who developed the Trigger, hopes his discovery will be used. Yet, like the scientists who first believed nuclear weapons would be the ultimate deterrent to war, could Horton and his colleagues be wrong? Will this new technology bring peace, or chaos? Will it be used to protect people, or control them? Will it mean the end of war, or a whole new kind of war? Not even Horton could have foreseen the fierce power struggle emerging for control of the Trigger. Soon it becomes clear that no one can be trusted. Not even those closest to him. Someone has already betrayed the project. Others will do anything to stop it--or co-opt it for their own ends. And the greatest enemy may be those with the best intentions.
From the Inside Flap
From Arthur C. Clarke, bestselling author of 2001: A Space Odyssey and Creator Of The Rama Series, and Michael Kube-Mcdowell comes a breathtaking new novel of bold scientific speculation and edge-of-your-seat suspense: a riveting thriller in which the fate of humanity depends on whose finger is on...The Trigger
It is the ultimate anti-weapon. A device that can render guns and bombs virtually harmless. At least that is how Dr. Jeffrey Horton, the brilliant young physicist who developed the Trigger, hopes his discovery will be used. Yet, like the scientists who first believed nuclear weapons would be the ultimate deterrent to war, could Horton and his colleagues be wrong? Will this new technology bring peace, or chaos? Will it be used to protect people, or control them? Will it mean the end of war, or a whole new kind of war? Not even Horton could have foreseen the fierce power struggle emerging for control of the Trigger. Soon it becomes clear that no one can be trusted. Not even those closest to him. Someone has already betrayed the project. Others will do anything to stop it--or co-opt it for their own ends. And the greatest enemy may be those with the best intentions.
From the Back Cover
"[Clarke And Kube-Mcdowell] skillfully assess the tricky territory between individualism and collective trust."
-- Publishers Weekly
Also by Arthur C. Clarke
The Rama books
Rendezvous With Rama
Rama II With Gentry Lee
The Garden Of Rama With Gentry Lee
Rama Revealed With Gentry Lee
The Fountains Of Paradise
The City And The Stars
Imperial Earth
Glide Path
The Deep Range
A Fall Of Moondust
The Sands Of Mars
More than one universe: the collected stories of Arthur C. Clarke
Astounding Days
Tales From Planet Earth
Richter 10 with Mike McQuay
About the Author
Arthur C. Clarke is one of the most celebrated science fiction authors of our time, named Grand Master by the Science Fiction Writers of America in 1986. He is the author of more than fifty books, with more than 50 million copies in print. His bestsellers include Childhood's End, 2001: A Space Odyssey, The Hammer of God, Richter 10 (with Mike McQuay), and Rama Revealed (with Gentry Lee). He co-broadcast the Apollo 11, 12, and 15 missions with Walter Cronkite and Wally Schirra, and shared an Oscar nomination with Stanley Kubrick for the film version of 2001: A Space Odyssey.
Michael Kube-McDowell is the New York Times-bestselling author of Before the Storm, the Hugo Award nominee The Quiet Pools, and the Philip K. Dick nominee Emprise. His acclaimed near-future, human-centered novels have been praised as "a heady mix of political intrigue and hard science" (Julian May) and "the work of an alert intellect" (Locus).
From the Hardcover edition.
Excerpt. © Reprinted by permission. All rights reserved.
Anomaly
"Vox," Jeffrey Alan Horton said to his car. The voice-command indicator glowed on the instrument panel, and a heads-up menu appeared on the windshield. "News, national."
". . . Attorney General John Woo is expected to release final plans for the twice-postponed murder trial against Melvin Hills and eight other members of the 'God's Assassins' anti-abortion group. The defendants face five counts of murder in the deadly rocket attack on the Planned Parenthood facility in San Leandro.
"'We promise the defendants a fair trial, the court a safe trial, and the victims a just conviction.'
"The unusual virtual trial is expected to be conducted entirely on the high-speed G2Net, with judge, jurors, prosecutors, and defendants at widely scattered secret locations. In January, the first jury was dismissed when several members received death threats--"
"Vox," said Horton. "News, local."
". . . Women's health services providers in the greater Columbus area were reluctant to discuss any additional security measures, but Deputy Police Commander Jeanne Ryberg promised 'maximum vigilance' throughout the high-profile trial.
"'We know what the Assassins are capable of, and we're not going to allow it to happen here. . . .'"
Horton sighed. The San Leandro trial hadn't even started yet, and he was already tired of hearing about it. But the story was receiving saturation coverage, and the only relief available was to stay away from broadcast media for the next month. "Vox. Radio off," he said, spinning the wheel for a right turn onto Shanahan Road.
It was the time of year and the kind of clear Ohio morning when the sun rose directly over the east-west roads like an oncoming fireball, greeting drivers with a blinding glare. Squinting his sleep-cheated eyes and groping beside him for a pair of sunglasses that failed to manifest themselves, Horton was grateful when he finally turned in at the tree-lined entry to the Terabyte Laboratories campus.
With a generous buffer of woods and meadow separating the research complex from the surrounding suburbs, the entrance to the complex looked more like the entrance to a park than to a world-class research center. To preserve the illusion, security at the perimeter was unobtrusive. There were no gates, no guards, no barriers--just a low-profile shadow-box sign.
But appearances were deceiving. A hundred meters in, there was a pull-off lane for remote visitor screening. Just beyond that, a pavement sensor scanned the undercarriage of Horton's Honda Passport, and a roadside transmitter interrogated his radio-responder ID card.
Horton knew from experience what would happen if he failed either check: just beyond the first turn, he would encounter a series of barriers rising from the driveway, and be intercepted by a canary-yellow security Jeep roaring down it. Anyone who tried to go farther, or to enter the campus cross-country, would be tracked by optical and thermal sensors and met by the drawn weapons of the professionally humorless security detail.
At first, Horton had regarded the security diffidently. It jarred with Brohier's insistence on calling the Terabyte site a "campus," because fences and checkpoints had not been part of Horton's college experience at Stanford, or Purdue, or Tennessee State. But of late he had come to appreciate the quiet vigilance of the security staff--especially after the lab received one of "Ned Ludd's" package-bombs in a shipment of office supplies.
Now Horton knew all the officers by face and first name, and they in turn lent a comforting presence when, as was often the case, he found himself keeping early, late, or weekend hours. The only trouble Horton had ever had with them was during his first winter at Terabyte, when, with his own car in for brake service, Horton tried to enter the campus on a Sunday in his girlfriend's untagged electric Saturn.
His girlfriend--that was a construction Horton hadn't had need of in longer than he cared to remember. His last serious relationship had been with Kelly Braddock at Stanford. In a year and a half of dating, they had never quite gotten to the decision to live together, but between Kelly's brittle emotional defensiveness and her bold sexual openness, that relationship came to take up as much space and energy as his friends' live-in relationships seemed to. By the time Karl Brohier showed up at Horton's door, Horton was growing weary. He had begun to occasionally avoid Kelly, and to contemplate disengaging completely.
Brohier's offer had resolved that problem, though not in quite the way Horton expected it would. A few weeks later, Kelly announced she had secured a fellowship at the University of Texas. That allowed her to leave Palo Alto a month before Horton did, thereby proving to herself that she had not compromised her independence by sleeping with him. They had said good-bye without tears or concrete promises.
For a time, they had kept up with each other over the net. But netsex had proved a pale substitute for the real thing, and the real thing proved to have been the binding energy of their relationship. Absent lust, there was too little left to keep them from drifting apart, and within a few months, they were "old friends" on their way to becoming nodding strangers.
Still, the disappearance of Kelly from Horton's life did deprive him of both an agreeable heat and a comforting unpredictability, and he made a few awkward and halfhearted efforts to replace both.
Of his several relationships that first year, the one with Moira, the owner of the Saturn, had lasted the longest. An outgoing thirty-year-old Toledo native who lived in Horton's apartment building, she had some of Kelly's fire in a softer and more accommodating package. But she lacked Kelly's enthusiasm for independence, and her principal ambition was an old-fashioned one--to marry and have children. She waited only until the first afterglow to start musing aloud about buying a house together. When she learned that Horton did not share her ambition, she wasted no more time on him.
Since then, more by inertia than design, Horton had allowed his work to swallow him whole. His recreation was limited to occasional visits to a target-shooting range or IMAX theater, plus one weeklong hiking trip into a national park each year. His social contacts outside of work were limited to netchat and two or three family holidays at his parents' new house in Columbia, South Carolina.
He told himself he did not mind his chaste bachelorhood, that the work was enough--but there was no one close enough to him to question it. He told himself he did not mind sleeping alone, eating alone, traveling alone--but the truth was that he also did not greatly enjoy it.
He told himself that there would be more time, more laughter, a fuller life later, when he had had a chance to prove himself, when work and not-work came back into balance--but he had been telling himself that for nearly six years. His thirtieth birthday was now only a month away, and it had suddenly become possible to see himself still living this way at thirty-five, and forty, and beyond.
The catalyst for all this melancholy, Horton knew, was the experiment scheduled for that morning. And the best antidote Horton could think of would be a little long-overdue success.
* * *
At the end of the snaking driveway was the main parking area and the gate into Terabyte's compound. As an associate director, Horton was entitled to one of the parking spaces inside the wrought-iron fences. He pointed the Passport toward the gate, lowering the driver's window as he did.
"Hello again, Dr. Horton," said Eric. The barrel-chested, gentle-voiced officer had been on duty when Horton left at 3 a.m. "Did that catnap do you any good?"
"Not much," Horton said, making an effort to smile. "Have you heard anything about the status of the arrangements?"
"I just talked to the boss. We'll be ready for you at seven-fifteen," said Eric. "Other than me and Tim, your team has the campus to itself. The site engineer will start taking down nonessential systems at seven. It'll be as quiet as we can make it for you."
"Thanks," Horton said with a nod, and drove on.
"Good luck!" Eric called after him.
Horton grimaced. Luck. The team had had a bundle of it, all of it bad.
The theoretical and design work on Baby had consumed nearly a year, and construction of the experimental apparatus had taken most of six months. Now, more than two years later, the rig had yet to successfully complete a single test series. There had been a fire, computer failures, power supply problems, and a series of puzzling bugs, leading to a major redesign of the detector, two partial rebuilds of the emitter, and replacement of most of the test and measurement gear.
To be sure, the project was bleeding-edge, unmapped-territory work, and setbacks were to be expected. But even in the relaxed culture of Terabyte Labs, Horton was feeling pressure--most of it self-imposed. If he had spent the last forty months and fourteen million of Aron Goldstein's dollars chasing a chimera, it was up to him to make that assessment and close down the project. And if Suite 1 didn't produce some positive results soon, Horton might be forced to do exactly that, and admit that he had been wrong.
Trigger
FROM OUR EDITORS
The Weapon to End All Weapons
Legendary science fiction icon Arthur C. Clarke, who in recent years has cowritten several Rama novels with Gentry Lee (Rama II, Garden of Rama, Rama Revealed), collaborates here for the first time with Michael Kube-McDowell on a powerful, near-future dark thriller. The authors manage to flesh out a believable earth not unlike our own that is alive with many of the same social quandaries, cross-fertilizing their narrative with intriguing speculation and slick scenes of gripping action. More than anything, though, The Trigger is an engrossing examination of the effect of sophisticated weaponry on social values and conduct that will keep the reader nailed to the page.
In the early 21st century, physicist Jeffrey Horton and several of his esteemed colleagues, believing they've discovered an antigravity device, instead make another startling scientific breakthrough: Their machine creates a particle wave that will instantly destroy all explosive nitrates. The implications are clear: With this new weapon, called the Trigger, all guns and bombs are rendered useless. Horton and his immediate supervisor, Karl Brohier, are aware that the potential for scientific corruption and mishandling is tremendous.
Soon the group of physicists and the owner of the laboratory, wealthy Mark Breland, are faced with deciding what to do with the Trigger. Do they offer it as an alternative to war in the hopes that armed conflict will become a thing of the past? Allow the United States to reign supreme over the rest of the world? Or destroy the device and forget their breakthrough altogether? Debate rages between pacifists and those who are proarmament until the day when a portable Trigger is used to decimate a vicious street gang terrorizing the sister of one of the scientists. Soon the military becomes involved, forcing Horton to go underground and leaving Brohier to continue his experiments on the Trigger wave effect alone. Eventually pacifist senators, assassins, and fanatical militiamen all become involved, each group fighting for their own beliefs in an effort to shape the face of the future.
Clarke and Kube-McDowell are at ease in melding their styles and techniques, flowing between the high-tech elements and the taut, credible action-packed circumstances propelling the story forward. The authors are capable of wringing great levels of tension from the twisting plot. Protagonists are placed in dangerous situations that anchor characters to their personal belief systems despite all the conflict taking place around them. Clarke and Kube-McDowell have given us a noirish, hardboiled technothriller that pulls out all the stops and roars from steadily escalating antagonism to an exhilarating, and brutal, climax. Although the ending is highly frenetic, the authors capably bring together all the various threads and philosophical doctrines. They not only grab the reader's interest but also fire one's thoughts on how science leads to social and political change.
The reader might be fooled into thinking that the raw edginess and suspense elements in The Trigger might pale in comparison to the SF plot devices or become lost in all the political debates occurring in the novel. That's not the case at all: Clarke and Kube-McDowell's unraveling of the crucial subplots is nearly flawless. They combine issues of a similar future so that The Trigger seethes with the same moral and social delirium we're already experiencing where urban violence and gun control is concerned. It's extremely rare to find a novel that works on so many levels at once -- it excites the imagination but also captures the substance of the ethical dilemmas that affect the entire world.
Tom Piccirilli
FROM THE PUBLISHER
It is the ultimate antiweapon. A device that can render guns and bombs virtually harmless. At least that is how Dr. Jeffrey Horton, the brilliant young physicist who developed the Trigger, hopes his discovery will be used. Yet, like the scientists who first believed nuclear weapons would be the ultimate deterrent to war, could Horton and his colleagues be wrong? Will this new technology bring peace, or chaos? Will it be used to protect people, or control them? Will it mean the end of war, or a whole new kind of war? Not even Horton could have foreseen the fierce power struggle emerging for control of the Trigger. Soon it becomes clear that no one can be trusted. Not even those closest to him. Someone has already betrayed the project. Others will do anything to stop itor co-opt it for their own ends. And the greatest enemy may be those with the best intentions.
SYNOPSIS
From Arthur C. Clarke, bestselling author of 2001: A Space Odyssey and creator of The Rama Series, and Michael Kube-Mcdowell comes a breathtaking new novel of bold scientific speculation and edge-of-your-seat suspense: a riveting thriller in which the fate of humanity depends on whose finger is on...The Trigger.
FROM THE CRITICS
Publishers Weekly
One of the grand old men of SF has teamed up with Kube-McDowell (Tyrant's Test, etc.) to imagine a near-future in which all traditional weapons that use gunpowder are rendered obsolete. Out of the blue, young physicist Jeffrey Horton has been chosen to join Nobelist Karl Brohier at a laboratory named Terabyte. While Horton pursues the "stimulated emission of gravitons," a number of detonations rock the lab one day. Is this yet another terrorist attack in an America racked by violence? But it's gun clips and fireworks that exploded when Horton activated his experimental machine. After some experimentation, the lab team realizes that the device, shortly named the Trigger, causes virtually every traditional explosive within range to self-destruct. What follows is a detailed exploration of the effects of the Trigger on domestic America. Should it be made public? Who should be told first: the army, the president, the international community? To prevent being silenced by those whose power may be threatened, Brohier and Horton contact Grover Wilman, an iconoclastic U.S. senator with a strong antigun record. Wilman in turn leads them to President Mark Breland, and the full complexity of negotiating among the many factions invested in guns begins. Clarke and Kube-McDowell work through the pro and con arguments over the possession of guns and other gunpowder-based weapons, with care and research evident in every debate as they skillfully assess the tricky territory between individualism and collective trust. The authors are savvy enough never to choose easy answers, and though this political SF thriller occasionally slows down to depict detailed governmental negotiations and private deliberations, the unpredictable effects of the Trigger lend the familiar issue of gun control new urgency and excitement. (Dec.) Copyright 1999 Cahners Business Information.
Library Journal
Physicist Jeffrey Horton discovers the principles that lead to a device capable of disarming guns, bombs, and other explosives within its effective radius. Intended as a possible deterrent to armed conflict, Horton's invention--known as the Trigger--soon falls prey to those who see it as the ultimate weapon. Coauthors Clarke and Kube-McDowell have combined their considerable talents to explore the ethical problems that arise when idealists and cynics clash over the proper use of scientific research. Using the sf thriller as their forum, the authors have produced a thought-provoking, suspenseful tale that should appeal to fans of near-future technothrillers as well as speculative fiction. Highly recommended. Copyright 1999 Cahners Business Information.
Denver Post
Destined to be one of the greatest fantasy series ever written.
Kirkus Reviews
First collaboration from SF grandmaster Clarke (3001: The Final Odyssey, etc.) and Kube-McDowell (The Quiet Pools, 1990). Physicist Jeffrey Horton tests what he hopes is an antigravity device, but instead his machine generates a field that detonates nitrate-based fuels and explosives! Horton and his boss, Karl Brohier, take their Trigger to President Mark Breland. Breland's dilemma: bury the notionand risk someone else discovering it? Keep it exclusively for the USbut for how long? Or inform the world? What follows, though punctuated by dramatic illustrations, is largely a prolonged debate between enlightened peaceniks and old-style military mind-sets, armaments and gun lobbies, armed hate groups, and organized crime, demonstrating that what's invented cannot be uninvented. Fur and lawsuits fly. At last Horton and Brohier make a theory breakthrough: matter is composed of energy inside an information envelope, and the Trigger alters that information. (This, unfortunately, is as persuasive as it gets.) The military contemplate using nukes in their all-out efforts to negate the Trigger effect. Horton resigns in disgust and disappears. Brohier invents the Jammer, a significant upgrade. An evil reactionary assassinates a pro-Trigger senator on live TV. Nevertheless, crime continues to fall, while Americans develop a sense of community. Finally, crazy backwoods militiamen grab the reclusive Horton and torture him to reveal the supposed secrets behind what they regard as conspiracies and tricks. Heavy, preachy, and only intermittently absorbing: the authors get their message across, but it's about as subtle as a plummeting piano.