With Outer Perimeter, Ken Goddard, the author of seven previous novels of suspense and science fiction beginning with 1983's Balefire, returns to the Oregon of his 1999 SF thriller, First Evidence. And he's brought the disgraced crime scene investigator, Detective Sergeant Colin Cellars of the Oregon State Police, and his shape-shifting, silicon-based, extraterrestrial life forms with him.

Cellars, understandably, isn't in tight with his superiors just now. It seems that he and some friends (Bobby Dawson, forensic scientist and Cellars's erstwhile girlfriend Jody Catlin, and the NSA's Dr. Malcolm Byzor) recently blasted to smithereens a slew of police vehicles. They explained that the whole thing wouldn't have happened if they had not been in a life-or-death struggle with invisible, immensely intelligent, coldly murderous space aliens with half a mind to destroy civilization unless they reclaim some missing baggage.

Still, some 50 locals have disappeared, officers have been killed or nearly killed, DEA agents are lurking about, and the NSA has set up housekeeping in a "black operation" in the nearby piney woods. With that, OSP Internal Affairs Commander Hightower and watch commander Bauer have little choice but to turn Cellars and his coconspirators loose--but they ask him to please not rewrite those reports.

Cellars' eyebrows furrowed in surprise. "Why not?"

"Think about it. At the moment, given the discussion she and I just had with [police psychologist] Pleausant before you got here, there's no official reason why we can't put you back on the street immediately, and there's every good reason why we should. But if you were to write and sign an official report in which you claim to have killed a shape-changing extraterrestrial who immediately morphed into a small rock--"

"Ah." A reasonably well-written (excepting a ridiculously expository phone conversation early on) if standard outing, this occasionally humorous, mostly engaging, and sometimes downright suspenseful book will, if nothing else, encourage you to revisit those early X-Files episodes you've been meaning to watch. --Michael Hudson


From Publishers Weekly
Goddard has committed the cardinal sin of sequel writers here--he's written a novel that can barely stand on its own because it never acquaints readers with the plot of the previous book (First Evidence) in a fashion that helps the current book make sense. There are plenty of hints, but it takes almost 100 pages before the broad outlines of the premise are revealed. Det. Sgt. Colin Cellars of the Oregon State Patrol and his friends Bobby Dawson, Jody Catlin and Dr. Malcolm Byzor have had a previous run-in with aliens who can turn themselves into rocks and stones when they're injured or dormant. Now a group of aliens has been sent to retrieve the stones/aliens that were left behind at the end of the last book, and eliminate witnesses like Colin, Jody and especially Bobby, who is on the run for reasons that are never made clear (the vital fact that the previous book began with Bobby's supposed death is never revealed at all in this one). All this confusion isn't helped by Goddard's habit of building up to an exciting scene and then sketching it in after the fact instead of relating it in real time (he does this with a grisly murder and a pileup of 72 cars and four trucks). And it's even more annoying when the end of the book is reached, and there is no closure at all, except the words "The End"--which, like most everything else in this thriller, promise what they can't deliver. (Feb. 6)Forecast: The popularity of First Evidence will ensure plenty of readers for this novel. It's Goddard's next book that will suffer the aftermath of reader disappointment.Copyright 2001 Cahners Business Information, Inc.


From Booklist
The sequel to the Oregon novelist's weird and exciting First Evidence (1999) is even weirder and more exciting. A month or so after participating in a showdown between the Oregon State Patrol and a vicious and seductive extraterrestrial, crime-scene investigator Colin Cellars is on medical leave pending the outcome of a psychiatric evaluation. Meanwhile, his former partners are behaving oddly (especially his good buddy Bobby Dawson, who seems to have survived his own death), and it appears that the extraterrestrials are getting ready to execute a massive, diabolical plan. This will all be tremendously entertaining to those who have read First Evidence but may baffle others. Even those who don't usually respond to fantasy, however, may like Goddard's hard-edged treatment of his out-of-this-world topic. With plenty of forensic detail and a cast of solid, realistic characters to ground the action, the plot starts to seem entirely plausible, even in its most outlandish moments. A genuinely entertaining thriller. David Pitt
Copyright © American Library Association. All rights reserved


Review
“A genuinely entertaining thriller.”
— Booklist

“Goddard’s style is smooth and meticulous.... You have a deliciously layered plot that gets stranger and stranger, as the DNA gets weirder and weirder, and the story gets scarier and scarier.”
— The Providence Sunday Journal

“Well-written, suspenseful ... [a] page-turner.”
— The Orlando Sentinel


Also by Ken Goddard:

First Evidence

“First Evidence reads kind of like X-Files meets Patricia Cornwell.”
— Contra Costa Times



Review
?A genuinely entertaining thriller.?
? Booklist

?Goddard?s style is smooth and meticulous.... You have a deliciously layered plot that gets stranger and stranger, as the DNA gets weirder and weirder, and the story gets scarier and scarier.?
? The Providence Sunday Journal

?Well-written, suspenseful ... [a] page-turner.?
? The Orlando Sentinel


Also by Ken Goddard:

First Evidence

?First Evidence reads kind of like X-Files meets Patricia Cornwell.?
? Contra Costa Times



Book Description
And you thought first contact was terrifying....

From New York Times bestselling author Ken Goddard comes a terrifying thriller that dares to pursue the truth behind a series of bizarre occurrences — and a murderer whose identity even the authorities will kill to keep concealed.

A man of reason and science, Colin Cellars has earned a reputation as a top crime scene investigator. But Cellars finds himself disgraced because of a bizarre episode that led to a horrifying shoot-out right in front of his eyes. And what Cellars thinks he knows about the victim’s identity — and about her death — has plunged him into a deadly search for a killer who may or may not be quite of this world.

Meanwhile, as Cellars investigates a case involving dozens of missing victims, he realizes that the three people he trusts most each hold a piece to the puzzle — and that they have their own ideas about what to do with the information. Soon Cellars finds himself on a chilling and unforgettable voyage, one that takes readers through tunnels of violence and intrigue — and out into the unknown....



From the Inside Flap
And you thought first contact was terrifying....

From New York Times bestselling author Ken Goddard comes a terrifying thriller that dares to pursue the truth behind a series of bizarre occurrences — and a murderer whose identity even the authorities will kill to keep concealed.

A man of reason and science, Colin Cellars has earned a reputation as a top crime scene investigator. But Cellars finds himself disgraced because of a bizarre episode that led to a horrifying shoot-out right in front of his eyes. And what Cellars thinks he knows about the victim’s identity — and about her death — has plunged him into a deadly search for a killer who may or may not be quite of this world.

Meanwhile, as Cellars investigates a case involving dozens of missing victims, he realizes that the three people he trusts most each hold a piece to the puzzle — and that they have their own ideas about what to do with the information. Soon Cellars finds himself on a chilling and unforgettable voyage, one that takes readers through tunnels of violence and intrigue — and out into the unknown....


From the Back Cover
“A genuinely entertaining thriller.”
— Booklist

“Goddard’s style is smooth and meticulous.... You have a deliciously layered plot that gets stranger and stranger, as the DNA gets weirder and weirder, and the story gets scarier and scarier.”
— The Providence Sunday Journal

“Well-written, suspenseful ... [a] page-turner.”
— The Orlando Sentinel


Also by Ken Goddard:

First Evidence

“First Evidence reads kind of like X-Files meets Patricia Cornwell.”
— Contra Costa Times



About the Author
Ken Goddard is the author of seven previous novels, including the New York Times bestseller Balefire. He has served as a criminalist in three California police and sheriff’s departments, and as an instructor in crime scene investigation and forensic techniques at law enforcement academies throughout the United States as well as for Interpol. He lives in Ashland, Oregon, where he is currently director of the National Fish and Wildlife Forensics Laboratory, the only full-service wildlife crime laboratory in the world.


Excerpt. © Reprinted by permission. All rights reserved.
Prologue

“I’m sorry, sir,” the dispatcher said in a professionally patient voice, “but we never release the home phone numbers or duty schedules of our officers. If you’d like to leave a message, I’ll be happy to transfer you to his voice mail.”

“But I’ve already done that, many—” Patrick Bergéone started to say in an exasperated voice, then shook his head. “Yes, please.”

Bergéone waited for the automated message system to wind through its routine, then spoke carefully into the mouthpiece.

“Hello? Detective-Sergeant Colin Cellars? This is Patrick Bergéone calling once again, and I am hoping you will be able to call me back very soon. It is most important that I speak with you. It is Saturday now, and the time is” — he glanced down at his wristwatch — “almost ten o’clock in the morning. I am here in Jasper Springs, at the Wind Shelter Lodge. Please call me here, or on my cell phone, as soon as you can.”

He recited the phone numbers, hung up the phone, then turned his attention back to the screen of the small television on his motel-room dresser.

It had been threatening rain all morning, and the predictions were getting worse. Four to five inches now, with plenty of thunder and lightning to make things interesting, according to the weatherman, who stood next to a wall-size satellite map with a glum look on his face. The colorful graphics showed why. Another massive cold front dropping down fast out of British Columbia, bringing with it a typical Canadian mix of sleet, snow, and negative temperatures. Within twenty-four to thirty-six hours, according to the weatherman, the rain- and ground-water would start turning into ice and slush, thereby making life miserable for anyone unfortunate enough to be out on the roadways.

Bergéone got up from the thinly padded motel-room chair, pulled back the drapes to stare out at the darkening thunderheads, sighed deeply, then went back to his chair. He used the remote to scan through the available channels, finally settling on an old black-and-white Western.

By 10:30 a.m., the sidewalks around the small town of Jasper Springs, Oregon, were almost completely deserted as the local residents remained indoors, waiting patiently for the predicted downpour to begin.

At 11:00 a.m., the winds began to pick up ... and by 11:15, the ionic concentrations in the air had become more noticeable.

But still no rain ... and still no response from Detective-Sergeant Cellars.

Finally, around 11:30, when he could no longer tolerate the movie’s stilted dialogue, or his persistently silent telephone, Patrick Bergéone grabbed his raincoat and headed for the door. There was always the chance that the United States weathermen were no better at predicting the weather than their European counterparts.

Thus, when deluge finally did begin, a few minutes before noon, the sudden pressure drop was almost jarring.

Bergéone was several blocks away from his motel, crossing in front of a dark, gloomy, single-story building bearing an old, hand-painted wooden sign that read THE LONG SHOT SALOON when he felt the air go still.

He ducked under an awning just as heavy raindrops began to descend. As the intensity of the rainfall increased, Bergéone realized his light raincoat was completely inadequate. He would never get back to his motel room without being thoroughly drenched. So he looked around at his available options, and decided that a saloon — even a dark and gloomy one — might be an excellent place to wait out the storm.

He saw them as soon as he stepped through the open doorway: three rough-looking, knife-scarred, and moderately sober Native Americans with dark eyes, shoulder-length black hair, and reddish bronze skin. They were huddled together around a crude table fashioned from an overturned fiber-optic cable spool in the darkened corner opposite the six-stool bar.

Bergéone hesitated.

Finding himself in a potentially dangerous situation was not a new experience. As an aggressive French photojournalist who traveled all over the world on his assignments, such occurrences had long since become a way of life. Which meant he was always prepared to make a quick and discreet exit ... ideally before he became the focus of attention.

But the three men in the corner barely glanced in his direction. And the rain was coming down even harder now, which narrowed his options considerably. An investigative reporter on the TV set over the bar was describing the first in a mysterious series of cathedral desecrations in the Loire Valley of France. So he walked in, sat at the barstool farthest from the open doorway — which turned out to be the one closest to their table — ordered a beer, and made a halfhearted effort to focus his attention on the familiar images.

Which was how he happened to be close enough to hear those first intriguing words.

I won’t take you there.

To Bergéone, who’d had few contacts with Native Americans over the course of his travels in the US, the two younger men looked like they might have been in their mid-twenties. And the older one, who wore a faded headband over his tied-back locks, could have been forty or even sixty. He really couldn’t tell. Nor did he have any idea as to their possible tribal origins, much less of their current problems in life.

It was an unfortunate gap in his knowledge of American history and culture that Patrick Bergéone would later regret. For had he spent a little more time researching the history of Jasper County, Oregon, Bergéone might have immediately recognized the obsidian amulets around the necks of these three men as being characteristic of a small and isolated tribe of Native Americans known as the Ah-Ree-Ban-Coo-Taks.

Or, more simply, the Bancoos.

And that being the case, he might have recalled the recent series of local newspaper articles describing, in some detail, the suspicious circumstances surrounding the disappearance of a young Bancoo woman named Cascadia. A young woman who, according to the reporter, had been the last purebred, fertile, and unmarried female of the tribe ... or, at least, the last one willing to acknowledge her reproductive status and Bancoo ancestry.

Which, in turn, might have caused him to remember the reporter’s vivid description of the seething hatred the few remaining Bancoo men held for their white brethren. That is, the “thieving, bastard white-eyes” who’d been luring their women away for generations with whispered dreams of fancy clothes and pretty jewelry ... and now, with even more tempting promises of VCRs, shopping malls, and maid service. Thus setting the stage for the rapidly impending demise of the Bancoo tribe.

Had he known all that, and had there been no other factors involved, Bergéone would simply have relocated to a more distant stool without a second thought. Or, better still, to an even more distant table on the other side of the bar, thereby allowing the din of the incessant downpour to completely mask all traces of what was intended to be a private conversation.

But there were other factors involved.

First, and foremost, he had come to Oregon in search of stories about the lesser-known haunts of the American West that he would sell to a small, select cadre of well-paying European magazines. Stories about rumored wilderness hideaways where creatures from other worlds supposedly came together for purposes too chilling and gruesome to imagine. Such was the international reputation of southern Oregon. Or, at least, among the devoted fans of such nonsense. Which explained why there existed a small, select cadre of European magazine publishers who were perfectly willing to advance funds to satisfy the cravings of their insatiable readers. And if the rumors he’d heard about Detective-Sergeant Colin Cellars of the Oregon State Patrol were even partially true, he stood to make a small fortune.

Secondly, he was taking advantage of this publisher-paid trip to follow up on an even more intriguing story that might pay off equally well ... if the much-better-funded investigative reporters from France2 and the German Broadcasting Corporation didn’t get there first.

But most importantly, the slurred words of these three men were simply too intriguing to ignore. Accordingly, he remained in place, sipping his beer and staring out the open doorway at the torrential rain as he tried to block out the sounds of the tin roof and the water pouring off the overwhelmed gutters. His ears were tuned to their voices, listening for the words that had first caught his attention.

I’m telling you, it’s a terrible place. An evil place. I won’t take you there.

There were other things being said now, most of it sounding like native slang mixed in with distinctly Anglo curses. But those eight slurred words continued to stand out from all the others. Eight words that the older one insistently muttered over and over.

An evil place. I won’t take you there.

Finally, and in the face of every cautionary instinct he possessed, Bergéone decided to approach these men. The problem was how to do it safely.

The bartender provided the opportunity.

“That’s sacrilegious,” the beefy man muttered in response to a close-up image of freshly sheared stone where an ancient gargoyle had once stared outward with fearsome — and supposedly protective — eyes from the eight-hundred-year-old north wall of the Chartres Cathedral. An inset in the upper right-hand corner showed what the missing gargoyle had looked like. The investigative reporter was speculating how the thief could have scaled the high wall, and then gotten away without detection. Truly a fascinating mystery.

Bergéone suddenly realized that the bartender was speaking to him. “Pardon?”

“Eight cathedrals desecrated,” the bartender muttered, polishing shot glasses with the white towel tucked under his apron as he stared up at the TV. “How can a person do something like that, and live with themselves?”

“Many more than eight, I’m afraid,” Bergéone replied.

“What?” The bartender stopped polishing the glass in his hand and turned away from the TV to stare at the newcomer.

“It has been going on for six months now,” Bergéone said. “In France, in Germany, and now in the US, too, I’m told. Gargoyles broken off of Gothic structures. Icons and statues chipped or wrenched loose from walls and altars. Even a thousand-year-old statue of the Mother herself stolen from the Loire, of all places.”

“Are you saying it’s the same people that’s doing this ... all over the world?” The bartender looked incredulous.

“Perhaps ... or maybe just opportunistic thieves, how do you say it, copycatting each other?” Bergéone suggested.

“But why?”

“Probably for the money such a relic would bring in the underground markets. Or perhaps just for a personal trophy. Who can say?” Bergéone brought his shoulders up in a Gallic shrug.

“A terrible thing,” the bartender muttered.

“And I’m even told such things have happened to the religious sites of your Native Americans,” Bergéone suggested cautiously.

“Really? Where did you hear that?” The bartender looked curious.

“It is something I am researching ... for a story,” Bergéone explained. He made a quick gesture over his shoulder. “Do you think those men would know anything about such happenings?”

“Who, those three?” The bartender gave them a brief, reappraising glance. “I doubt it.”

FROM THE PUBLISHER

And you thought first contact was terrifying....

From New York Times bestselling author Ken Goddard comes a terrifying thriller that dares to pursue the truth behind a series of bizarre occurrences — and a murderer whose identity even the authorities will kill to keep concealed.

A man of reason and science, Colin Cellars has earned a reputation as a top crime scene investigator. But Cellars finds himself disgraced because of a bizarre episode that led to a horrifying shoot-out right in front of his eyes. And what Cellars thinks he knows about the victim’s identity — and about her death — has plunged him into a deadly search for a killer who may or may not be quite of this world.

Meanwhile, as Cellars investigates a case involving dozens of missing victims, he realizes that the three people he trusts most each hold a piece to the puzzle — and that they have their own ideas about what to do with the information. Soon Cellars finds himself on a chilling and unforgettable voyage, one that takes readers through tunnels of violence and intrigue — and out into the unknown....

Author Biography: Ken Goddard is the author of seven previous novels, including the New York Times bestseller Balefire. He has served as a criminalist in three California police and sheriff’s departments, and as an instructor in crime scene investigation and forensic techniques at law enforcement academies throughout the United States as well as for Interpol. He lives in Ashland, Oregon, where he is currently director of the National Fish and Wildlife Forensics Laboratory, the only full-service wildlife crime laboratory in the world.

FROM THE CRITICS

Orlando Sentinel

Well-written, suspenseful ... [a] page-turner.

Providence Sunday Journal

Goddard’s style is smooth and meticulous.... You have a deliciously layered plot that gets stranger and stranger, as the DNA gets weirder and weirder, and the story gets scarier and scarier.

Publishers Weekly

Goddard has committed the cardinal sin of sequel writers here--he's written a novel that can barely stand on its own because it never acquaints readers with the plot of the previous book (First Evidence) in a fashion that helps the current book make sense. There are plenty of hints, but it takes almost 100 pages before the broad outlines of the premise are revealed. Det. Sgt. Colin Cellars of the Oregon State Patrol and his friends Bobby Dawson, Jody Catlin and Dr. Malcolm Byzor have had a previous run-in with aliens who can turn themselves into rocks and stones when they're injured or dormant. Now a group of aliens has been sent to retrieve the stones/aliens that were left behind at the end of the last book, and eliminate witnesses like Colin, Jody and especially Bobby, who is on the run for reasons that are never made clear (the vital fact that the previous book began with Bobby's supposed death is never revealed at all in this one). All this confusion isn't helped by Goddard's habit of building up to an exciting scene and then sketching it in after the fact instead of relating it in real time (he does this with a grisly murder and a pileup of 72 cars and four trucks). And it's even more annoying when the end of the book is reached, and there is no closure at all, except the words "The End"--which, like most everything else in this thriller, promise what they can't deliver. (Feb. 6) Forecast: The popularity of First Evidence will ensure plenty of readers for this novel. It's Goddard's next book that will suffer the aftermath of reader disappointment. Copyright 2001 Cahners Business Information.

VOYA

Crime scene investigator Colin Cellars returns in this sequel to First Evidence (Bantam, 1999/VOYA December 1999). During the two months after Cellars's encounter with the aliens, he has been on administrative leave pending a psychological evaluation. Despite being off-duty, however, he is drawn again into a series of inexplicable events involving his childhood friends Jody Catlin, Malcolm Bysor, and Bobby Dawson; assorted aliens with touchy tempers; and Elmer Fudd. The plot moves at a breathless pace, with action taking place over a brief twenty-four hour period. As with the earlier book, this novel is plot driven, although Goddard uses a somewhat finer hand this time, with less expository narrative and more action, and employs humor to good effect. The plot is packed with surprises, including the deaths of likeable characters. Goddard pulls no punches here. He manages to tie up loose ends from the previous novel, but the ending leaves the reader wondering whether future novels about Cellars are planned. Goddard seems simultaneously to wrap things up and leave them open. Character development is stronger providing more complex main characters and giving more depth to Cellars. Some dialogue seems a bit stilted, but overall Goddard keeps things moving. He also summarizes the previous action so smoothly that the novel stands alone well, but readers of the first book will be especially happy to see this title on the shelf. VOYA CODES: 3Q 4P S A/YA (Readable without serious defects; Broad general YA appeal; Senior High, defined as grades 10 to 12; Adult and Young Adult). 2001, Bantam, 427p, $23.95. Ages 16 to Adult. Reviewer: Donna Scanlon SOURCE: VOYA, August 2001 (Vol. 24, No.3)

Internet Book Watch

Oregon State Detective Sergeant Colin Cellars is on administrative leave pending the results of a psychiatric examination following a strange X- Files-like incident. Since the events with the violet-eyed extraterrestrial, Colin is a true believer. As such, he has set an Outer Perimeter in his remote cabin in the mountains near Jasper Springs, Oregon to warn him of any intruder, especially serial killing aliens.Taking the death rate seriously, the state establishes two six-person teams of crime scene investigators to search the area for the serial predators. However, Colin believes that he and his three amigos (ex DEA Bobby Dawson, electronic guru Malcolm Byzor, and lab technician Jody Catlin) will ultimately be the team to stop the rising homicide rate and send an unfriendly ET home or die in the process. Outer Perimeter is an engaging, cleverly designed mixing of science fiction elements with a forensic-police procedural thriller. The exciting plot moves quickly forward with plenty of action, but references to the first book will, on occasion, leave the bewildered new reader first seeking evidence as to what previously happened. Overall, the spine tingling story stands alone as the fearsome foursome battles with a villain most likely not of this earth in Ken Goddard's latest chiller.