Longtime fans of Arthur Conan Doyle's fictional detective, Sherlock Holmes, might think that their favorite sleuth met his fate at the hands of Dr. Moriarty at the Reichenbach Falls. Anyone who believes that, however, obviously hasn't read Laurie R. King's delightful series featuring Holmes and his wife(!), Mary Russell. In The Beekeeper's Apprentice, Holmes succumbs to the Oxford scholar's charms; now, in The Moor, fourth in the series, Holmes and Russell are summoned to Devonshire to solve a tin miner's mysterious death. Lonely Dartmoor provides plenty of opportunities for King to both relate the haunting legends of that part of the world and offer some amusing revisions to one of Holmes's most famous cases, The Hound of the Baskervilles. Though Holmes purists might resent the liberties taken with their hero, readers in search of a strong female protagonist, some fascinating local history, and spooky ambience will enjoy The Moor.


From School Library Journal
YA?The Hound of the Baskervilles is back?or is it? Certainly Sherlock Holmes thought he had sorted the whole matter out some 30 years earlier, but now his lifelong friend, the curmudgeonly Rev. Sabine Baring-Gould, calls Holmes to Dartmoor to sort out new sightings and solve an eerie murder. The detective in turn calls for his new wife, who arrives promptly at Baring-Gould's quasi-Elizabethan house, situated on the edge of the oppressive moor. As in the previous books, King chronicles the adventures of a strong young woman who is a wonderful match and foil for a very Conan Doyle-like Sherlock and creates a wonderful sense of time and place. In this case, it is Dartmoor in 1924. The moor becomes a looming presence and as much of a character as Baring-Gould, the local farmers and peasantry, and the new owners of Baskerville Hall. Familiarity with the original tale is not necessary, but those unacquainted with it before reading this book will surely want to go back to it. King has again successfully brought the famous sleuth into the 20th century and provided him with an assistant much more his match than poor Dr. Watson. The plot is thought-provoking, the solution satisfyingly Holmesian, and the whole adventure gratifying. This is definitely a worthy continuation of a hopefully longer series. It's not only an excellent mystery, but also a fine introduction to Holmes and a more-than-adequate survey of the time.?Susan H. Woodcock, Kings Park Library, Burke, VACopyright 1998 Reed Business Information, Inc.


From Library Journal
Young Mary Russell (A Monstrous Regiment of Women, St. Martin's, 1995) drops everything to join husband Sherlock Holmes in Devonshire, where the pair investigate an ancient family curse near the scene of The Hound of the Baskervilles?published some 20 years earlier. The forbidding moor nearby provides them both danger and inspiration. Excellent work.Copyright 1997 Reed Business Information, Inc.


The New York Times Book Review, Marilyn Stasio
Sherlockians have their choice of being amused or affronted by these artful embellishments on the Holmes canon, and few will appreciate the curiously wan characterization of the great detective. But there's no resisting the appeal of King's thrillingly moody scenes of Dartmoor and her lovely evocation of its legends.


From Booklist
Dazzling may be the word to describe King's latest Mary Russell^-Sherlock Holmes adventure. Only an author with daring and a fertile imagination could conceive of marrying the ill-tempered, curmudgeonly Holmes to a young woman half his age, but a woman who is as intelligent, curious, and gifted at crime solving as Holmes himself. The two make a perfectly matched pair, approaching marriage and murder with equal amounts of humor, tenacity, and courage. Holmes' long-standing friendship with Reverend Sabine Baring-Gould, "parson, squire, hymn writer, antiquarian, and folklorist," is the basis for his latest case. Baring-Gould asks Holmes and Russell to investigate rumors of a "ghostly carriage" and a huge "devil dog" roaming the nearby Devonshire moors. Baring-Gould fears something is terribly wrong on the moors and that the carriage and dog may be a trick perpetrated with deadly purpose in mind. As Holmes and Russell sort through local legend, folklore, myth, and mystery, they begin to see a pattern of evil that even their enlightened can barely grasp. The dark, foreboding Devonshire moors form a perfect backdrop for this mesmerizing tale. Add King's devilishly clever plot and eccentric characters, her ability to achieve a perfect balance between serious mystery and lighthearted humor, and the charm with which she develops the captivating relationship between Holmes and Russell, and the result is a superbly rich read that would please Doyle himself. Emily Melton


Review
Edgar Award-winner Laurie R. King's highly acclaimed, nationally bestselling sensation:

"There's no resisting the appeal of King's thrillingly moody scenes of Dartmoor and her lovely evocations of its legends."
--The New York Times Book Review

"The great marvel of King's series is that she's managed to preserve the integrity of Holmes's character and yet somehow conjure up a woman astute, edgy, and compelling enough to be the partner of his mind as well as his heart."
--The Washington Post Book World

"Erudite, fascinating...by all odds the most successful recreation of the famous inhabitant of 221B Baker Street ever attempted."
--Houston Chronicle


Review
Edgar Award-winner Laurie R. King's highly acclaimed, nationally bestselling sensation:

"There's no resisting the appeal of King's thrillingly moody scenes of Dartmoor and her lovely evocations of its legends."
--The New York Times Book Review

"The great marvel of King's series is that she's managed to preserve the integrity of Holmes's character and yet somehow conjure up a woman astute, edgy, and compelling enough to be the partner of his mind as well as his heart."
--The Washington Post Book World

"Erudite, fascinating...by all odds the most successful recreation of the famous inhabitant of 221B Baker Street ever attempted."
--Houston Chronicle


Book Description
Barely has Mary Russell resumed her 1923 studies at Oxford when she is summoned by her partner and husband Sherlock Holmes to the eerie scene of his most celebrated case. But this time, on Dartmoor, there is more to the matter than a phantom hound. Sightings of a spectral coach carrying a long-dead noblewoman over the moonlit moor have heralded a mysterious death, the corpse surrounded by oversize paw prints. Here on this wild and foreboding moor, Russell and Holmes embark on a quest with few clues save a fanatic anthropologist, an ancestral portrait, a moorland witch, and a lowly--but most revealing--hedgehog. As Holmes and Russell anticipate, a rational explanation lies beneath the supernatural events--but one darker than they could have imagined. And one that could end their lives in this harsh and desolate land.


From the Inside Flap
Though theirs is a marriage of true equals, when Sherlock Holmes summons his wife and partner Mary Russell to the eerie scene of his most celebrated case, she abandons her Oxford studies to aid his investigation. But this time, on Dartmoor, there is more to the matter than a phantom hound. Sightings of a spectral coach carrying a long-dead noblewoman over the moonlit moor have heralded a mysterious death, the corpse surrounded by oversize paw prints. Here on this wild and foreboding moor, Russell and Holmes embark on a quest with few clues save a fanatic anthropologist, an ancestral portrait, a moorland witch, and a lowly–but most revealing–hedgehog. As Holmes and Russell anticipate, a rational explanation lies beneath the supernatural events–but one darker than they could have imagined. And one that could end their lives in this harsh and desolate land.


From the Back Cover
Edgar Award-winner Laurie R. King's highly acclaimed, nationally bestselling sensation:"There's no resisting the appeal of King's thrillingly moody scenes of Dartmoor and her lovely evocations of its legends."
--The New York Times Book Review"The great marvel of King's series is that she's managed to preserve the integrity of Holmes's character and yet somehow conjure up a woman astute, edgy, and compelling enough to be the partner of his mind as well as his heart."
--The Washington Post Book World"Erudite, fascinating...by all odds the most successful recreation of the famous inhabitant of 221B Baker Street ever attempted."
--Houston Chronicle


About the Author
LAURIE R. KING won the Edgar and John Creasey Awards for Best First Novel for A Grave Talent. She is the author of seven acclaimed mysteries in the Mary Russell series, as well as four novels in a contemporary series featuring police detective Kate Martinelli. She is also the author of the critically-acclaimed stand-alone novels of suspense, Keeping Watch (recently optioned for film by CBS), Folly, and A Darker Place. She lives in northern California where she is at work on another Mary Russell novel.


Excerpt. © Reprinted by permission. All rights reserved.
The telegram in my hand read:

RUSSELL NEED YOU IN DEVONSHIRE. IF FREE TAKE EARLIEST TRAIN CORYTON. IF NOT FREE COME ANYWAY. BRING COMPASS.

HOLMES

To say I was irritated would be an understatement. We had only just pulled ourselves from the mire of a difficult and emotionally draining case and now, less than a month later, with my mind firmly turned to the work awaiting me in this, my spiritual home, Oxford, my husband and longtime partner Sherlock Holmes proposed with this peremptory telegram to haul me away into his world once more. With an effort, I gave my landlady's housemaid a smile, told her there was no reply (Holmes had neglected to send the address for a response--no accident on his part), and shut the door. I refused to speculate on why he wanted me, what purpose a compass would serve, or indeed what he was doing in Devon at all, since when last I had heard he was setting off to look into an interesting little case of burglary from an impregnable vault in Berlin. I squelched all impulse to curiosity, and returned to my desk.

Two hours later the girl interrupted my reading again, with another flimsy envelope. This one read:

ALSO SIX INCH MAPS EXETER TAVISTOCK OKEHAMPTON, CLOSE YOUR BOOKS. LEAVE NOW.

HOLMES

Damn the man, he knew me far too well.

I found my heavy brass pocket compass in the back of a drawer. It had never been quite the same since being first cracked and then drenched in an aqueduct beneath Jerusalem some four years before, but it was an old friend and it seemed still to work reasonably well. I dropped it into a similarly well-travelled rucksack, packed on top of it a variety of clothing to cover the spectrum of possibilities that lay between arctic expedition and tiara-topped dinner with royalty (neither of which, admittedly, were beyond Holmes' reach), added the book on Judaism in mediaeval Spain that I had been reading, and went out to buy the requested stack of highly detailed six-inch-to-the-mile Ordnance Survey maps of the southwestern portion of England.


At Coryton, in Devon, many hours later, I found the station deserted and dusk fast closing in. I stood there with my rucksack over my shoulder, boots on feet, and hair in cap, listening to the train chuff away towards the next minuscule stop. An elderly married couple had also got off here, climbed laboriously into the sagging farm cart that awaited them, and been driven away. I was alone. It was raining. It was cold.

There was a certain inevitability to the situation, I reflected, and dropped my rucksack to the ground to remove my gloves, my waterproof, and a warmer hat. Straightening up, I happened to turn slightly and noticed a small, light-coloured square tacked up to the post by which I had walked. Had I not turned, or had it been half an hour darker, I should have missed it entirely.

Russell it said on the front. Unfolded, it proved to be a torn-off scrap of paper on which I could just make out the words, in Holmes's writing:

Lew House is two miles north.

Do you know the words to "Onward Christian Soldiers" or "Widdecombe Fair"?

--H.

I dug back into the rucksack, this time for a torch. When I had confirmed that the words did indeed say what I had thought, I tucked the note away, excavated clear to the bottom of the rucksack for the compass to check which branch of the track fading into the murk was pointing north, and set out.

I hadn't the faintest idea what he meant by that note. I had heard the two songs, one a thumping hymn and the other one of those overly precious folk songs, but I did not know their words other than one song's decidedly ominous (to a Jew) introductory image of Christian soldiers marching behind their "cross of Jesus" and the other's endless and drearily jolly chorus of "Uncle Tom Cobbley and all." In the first place, when I took my infidel self into a Christian church it was not usually of the sort wherein such hymns were standard fare, and as for the second, well, thus far none of my friends had succumbed to the artsy allure of sandals, folk songs, and Morris dancing. I had not seen Holmes in nearly three weeks, and it did occur to me that perhaps in the interval my husband had lost his mind.

Two miles is no distance at all on a smooth road on a sunny morning, but in the wet and moonless dark in which I soon found myself, picking my way down a slick, rutted track, following the course of a small river which I could not see, but could hear, smell, and occasionally step in, two miles was a fair trek. And there was something else as well: I felt as if I were being followed, or watched. I am not normally of a nervous disposition, and when I have such feelings I tend to assume that they have some basis in reality, but I could hear nothing more solid than the rain and the wind, and when I stopped there were no echoing splashes of feet behind me. It was simply a sense of Presence in the night; I pushed on, trying to ignore it.

I stayed to the left when the track divided, and was grateful to find, when time came to cross the stream, that a bridge had been erected across it. Not that wading through the water would have made me much wetter, and admittedly it would have cleared my lower extremities of half a hundredweight of mud, but the bridge as a solid reminder of Civilisation in the form of county councils I found encouraging.

Having crossed the stream, I now left its burble behind me, exchanging the hiss of rain on water for the thicker noises of rain on mud and vegetation, and I was just telling myself that it couldn't be more than another half mile when I heard a faint thread of sound. Another hundred yards and I could hear it above the suck and plop of my boots; fifty more and I was on top of it.

It was a violin, playing a sweet, plaintive melody, light and slow and shot through with a profound and permanent sadness. I had never, to my knowledge, heard the tune before, although it had the bone-deep familiarity possessed by all things that are very old. I did, however, know the hands that wielded the bow.

"Holmes?" I said into the dark.

He finished the verse, drawing out the long final note, before he allowed the instrument to fall silent.

"Hello, Russell. You took your time."

"Holmes, I hope there is a good reason for this."

He did not answer, but I heard the familiar sounds of violin and bow being put into a case. The latches snapped, followed by the vigorous rustle of a waterproof being donned. I turned on the torch in time to see Holmes stepping out of the small shelter of a roofed gate set into a stone wall. He paused, looking thoughtfully at the telltale inundation of mud up my right side to the elbow, the result of a misstep into a pothole.

"Why did you not use the torch, coming up the road?" he asked.

"I, er . . ." I was embarrassed. "I thought there was someone following me. I didn't want to give him the advantage of a torch-light."

"Following you?" he said sharply, half-turning to squint down the road.

"Watching me. That back-of-the-neck feeling."

I saw his face clearly by the light of the torch. "Ah yes. Watching you. That'll be the moor."

"The Moor?" I said in astonishment. I knew where I was, of course, but for an instant the book I had been reading on the train was closer to mind than my sense of geography, and I was confronted by the brief mental image of a dark-skinned scimitar-bearing Saracen lurking along a Devonshire country lane.

"Dartmoor. It's just there." He nodded over his shoulder. "It rises up in a great wall, four or five miles away, and although you can't see it from here, it casts a definite presence over the surrounding countryside. You'll meet it tomorrow. Come," he said, turning up the road. "Let us take to the warm and dry."

I left the torch on now. It played across the hedgerow on one side and a stone wall on the other, illuminating for a moment a French road sign (some soldier's wartime souvenir, no doubt), giving us a brief glimpse of headstones in a churchyard just before we turned off into a smaller drive. A thick layer of rotting leaves from the row of half-bare elms and copper beeches over our heads gave way to a cultivated garden--looking more neglected than even the season and the rain would explain, but nonetheless clearly intended to be a garden--and finally one corner of a two-storey stone house, the small pieced panes of its tall windows reflecting the torch's beam. The near corner was dark, but farther along, some of the windows glowed behind curtains, and the light from a covered porch spilled its welcome out across the weedy drive and onto a round fountain. We ducked inside the small space, and had begun to divest ourselves of the wettest of our outer garments when the door opened in front of us.

In the first instant I thought it was a butler standing there, the sort of lugubrious aged retainer a manor house of this size would have, as seedy and tired as the house itself, and as faithful and long-serving. It was his face, however, more than the old-fashioned clerical collar and high-buttoned frock coat he wore, that straightened my spine. Stooped with age he might be, but this was no servant.

The tall old man leant on his two walking sticks and took his time looking me over through the wire spectacles he wore. He examined the tendrils of escaped hair that straggled wetly down my face, the slime of mud up my clothing, the muck-encrusted boot I held in my hand, and the sodden stocking on the foot from which I had just removed the boot. Eventually he shifted his gaze to that of my lawfully wedded husband.

"We have been waiting for this person?" he asked.

Holmes turned to look at me, and his long mouth twitched--minutely, but enough. Had it not been that going back into the night would have meant a close flirtation with pneumonia, I should immediately have laced my boot back on and left those two sardonic males to their own company. Instead, I let the boot drop to the stone floor, sending small clots of mud slopping about the porch (some of which, I was pleased to see, ended up on Holmes' trouser leg), and bent to my rucksack. It was more or less dry, as I had been wearing it underneath the waterproof (a procedure which made me resemble a hunchback and left the coat gaping open in the front, but at least guaranteed that I should have a dry change of clothing when I reached my destination). I snatched at the buckles with half-frozen fingers, jerked out the fat bundle of cloth-mounted, large-scale maps, and threw it in the direction of Holmes. He caught it.

"The maps you asked for," I said coldly. "When is the next train out of Coryton?"

Holmes had the grace to look discomfited, if briefly, but the old man in the doorway simply continued to look as if he were smelling something considerably more unpleasant than sodden wool. Neither of them answered me, but Holmes' next words were in a voice that verged on gentle, tantamount to an apology.

"Come, Russell. There's a fire and hot soup. You'll take your death out here."

Somewhat mollified, I removed my other boot, picked up my rucksack, and followed him into the house, stepping past the cleric, who shut the door behind us. When I was inside and facing the man, Holmes made his tardy introductions.

"Gould, may I present my partner and, er, wife, Mary Russell. Russell, this is the Reverend Sabine Baring-Gould."

One would think, I reflected as I shook the old man's large hand, that with two and a half years of marriage behind him the idea of having a wife would come more easily, at least to his tongue. However, I had to admit that we both normally referred to the other as partner rather than spouse, and the form of our married life was in truth more that of two individuals than that of a bound couple. Aside, of course, from certain activities rendered legal by a bit of paper.

The Reverend Sabine Baring-Gould made the minimum polite response and suggested that Holmes show me upstairs. I wondered if I was to be allowed back down afterwards, or if I ought to say good-bye to him now. Holmes caught up a candlestick and lit its taper from a lamp on the table, and I followed him out of the warmth, through a dark-panelled passageway (my stockings squelching on the thin patches in the carpeting), and up what by the wavering light appeared a very nicely proportioned staircase lined with eighteenth-century faces.

"Holmes," I hissed. "Who on earth is that old goat? And when are you going to tell me what you dragged me down here for?"

"That 'old goat' is the Reverend Sabine Baring-Gould, squire of Lew Trenchard, antiquarian, self-educated expert in half a dozen fields, and author of more books than any other man listed in the British Museum. Hymnist, collector of country music--"

A small light went on in my mind. "'Onward Christian Soldiers'? 'Widdecombe Fair'?"

"He wrote the one and collected the other. Rural parson," he continued, "novelist, theologian"--Yes, I thought, I had heard of him somewhere, connected with dusty tomes of archaic ideas--"amateur architect, amateur archaeologist, amateur of many things. He is one of the foremost living experts on the history and life of Dartmoor. He is a client with a case. He is also," he added, "a friend."

While we were talking I had followed the candle up the stairway with its requisite portraits of dim and disapproving ancestors and through a small gallery with a magnificent plaster ceiling, but at this final statement I stopped dead. Fortunately, he did not go much farther, but opened a door and stepped into a room. After a moment, I followed, and found him turning up the lights in a nice-sized bedroom with rose-strewn paper on the walls (peeling up slightly at the seams) and a once-good, rose-strewn carpet on the floor. I put the rucksack on a chair that looked as if it had seen worse usage and sat gingerly on the edge of the room's soft, high bed.

"Holmes," I said. "I don't know that I've ever heard you describe anyone other than Watson as a friend."

"No?" He bent to set a match to the careful arrangement of sticks and logs that had been laid in the fireplace. There was a large radiator in the room, but like all the others we had passed, it stood sullen and cold in its corner. "Well, it is true. I do not have many."

"How do you know him?"

"Oh, I've known Baring-Gould for a long time. I used him on the Baskerville case, of course. I needed a local informant into the life of the natives and his was the name that turned up, a man who knew everything and went everywhere. We correspond on occasion, he came to see me in Baker Street two or three times, and once in Sussex."

I couldn't see how this sparse contact qualified the man for friendship, but I didn't press him.

"I shouldn't imagine he 'goes everywhere' now."

"No. Time is catching up with him."

"How old is he?"

"Nearly ninety, I believe. Five years ago you'd have thought him a hearty seventy. Now there are days when he does not get out of bed."

I studied him closely, hearing a trace of sorrow beneath his matter-of-fact words. Totally unexpected and, having met the object of this af

FROM OUR EDITORS

The Barnes & Noble Review
March 1998

"The great marvel of King's series is that she's managed to preserve the integrity of Holmes's character and yet somehow conjure up a woman astute, edgy, and compelling enough to be the partner of his mind as well as his heart." —The Washington Post

Die-hard Sherlock Holmes fans don't take tampering with their beloved sleuth lightly, which makes Laurie King's Mary Russell series all the more extraordinary, as it has been embraced and praised by fans and critics alike. In re-creating Sherlock Holmes in previous books as an adjunct to her chief protagonist, Mary Russell, King has set the couple's adventures in a milieu consistent with her own creation and, although true to the place and period, independent of Conan Doyle's work. Now, delightfully, she revives faint echoes of Doyle in bringing the Holmeses back to Dartmoor and the scene of one of the Great Detective's classic cases, which involved "the footsteps of a giant hound."

Holmes has been invited by his old friend the Reverend Baring-Gould to look into not only an unexplained death but also, more important in the ancient cleric's mind, sightings of a phantom coach on the moor — possibly inhabited by a phantom noblewoman and accompanied by some phantom dogs. Holmes, in turn, pulls Mary from her studies at Oxford, enlists her in the quest, and finds himself taking a second seat to her endeavors. True to their expectations of the forbidding and difficult moor, the eerie rumors have a real-world explanation, but it is one that combines more wild emotion, surprise, and frighteningsuspensethan any ghost story could.

With wit and imagination, national bestseller Laurie R. King continues to remold and reinvent a crime-fiction legend and establish Mary Russell Holmes as a legend in her own time.

FROM THE PUBLISHER

In re-creating Sherlock Holmes in previous books as an adjunct to her chief protagonist, Mary Russell, King has set the couple's adventures in a milieu consistent with her own creation and, although true to the place and period, independent of Conan Doyle's work. Holmes has been invited by his old friend the Rev. Baring-Gould to look into not only an unexplained death on the moor but, more important in the ancient cleric's mind, sightings of a phantom coach on the moor - possibly inhabited by a phantom noblewoman and accompanied by some phantom dogs. Holmes, in turn, pulls Mary from her studies at Oxford, enlists her in the quest, and finds himself taking a second seat to her endeavors. True to their expectations on the forbidding and difficult moor, the rumors have a real-world explanation, but it is one that combines more wild emotion, surprise, and frightening suspense than any ghost story could.

SYNOPSIS

Though theirs is a marriage of true equals, when Sherlock Holmes summons his wife and partner Mary Russell to the eerie scene of his most celebrated case, she abandons her Oxford studies to aid his investigation. But this time, on Dartmoor, there is more to the matter than a phantom hound. Sightings of a spectral coach carrying a long-dead noblewoman over the moonlit moor have heralded a mysterious death, the corpse surrounded by oversize paw prints. Here on this wild and foreboding moor, Russell and Holmes embark on a quest with few clues save a fanatic anthropologist, an ancestral portrait, a moorland witch, and a lowly–but most revealing–hedgehog. As Holmes and Russell anticipate, a rational explanation lies beneath the supernatural events–but one darker than they could have imagined. And one that could end their lives in this harsh and desolate land.

FROM THE CRITICS

Marilyn Stasio

Sherlockians have their choice of being amused or affronted by these artful embellishments on the Holmes canon, and few will appreciate the curiously wan characterization of the great detective. But there's no resisting the appeal of King's thrillingly moody scenes of Dartmoor and her lovely evocation of its legends.
-- New York Times Book Review

VOYA - John Charles

Years ago the footprints of a gigantic hound lured Sherlock Holmes to Dartmoor. Now a ghostly presence haunts the moors once again. This time it is not the Baskerville hound that roams the night, but rather the spectral carriage of Lady Howard accompanied by her phantom black dog. When a local tin seeker, feverishly muttering about his ride in Lady Howard's coach, dies under suspicious circumstances, the Reverend Sabine Baring-Gould asks his old friend Sherlock Holmes to investigate. Holmes arrives in Dartmoor, followed by his wife and partner in detection, Mary Russell. Together they set out in a search across the moors looking for the person behind these terrifying events. The fourth title in a series featuring Holmes and Mary Russell, The Moor is a beautifully-written book. The author skillfully evokes Conan Doyle's classic Holmes, while still putting her own unique spin on things. Mary herself is a rare treat; an intelligent, independent woman who is a perfect match for Holmes. Readers familiar with The Hound of the Baskervilles will enjoy the references to that case that occasionally glimmer forth in this story. Fascinating tidbits of information about Dartmoor are expertly woven into the plot and the author has a flair for bringing the bleak, harsh beauty of the moors to life. This is a perfect choice for teens who enjoy historical fiction, historical mysteries, or are fans of Sherlock Holmes. VOYA Codes: 5Q 3P S (Hard to imagine it being better written, Will appeal with pushing, Senior High-defined as grades 10 to 12).

Library Journal

Young Mary Russell (A Monstrous Regiment of Women, St. Martin's, 1995) drops everything to join husband Sherlock Holmes in Devonshire, where the pair investigate an ancient family curse near the scene of The Hound of the Baskervilles published some 20 years earlier. The forbidding moor nearby provides them both danger and inspiration.

School Library Journal