From Publishers Weekly
Forensic sculptor Eve Duncan returns in this far-fetched but expertly plotted, eminently entertaining novel. When detective Joe Quinn is called to investigate the murder of a young woman whose skin has been peeled away from her skull, he presses the overloaded Eve to work her grisly magic. Eve is shocked to realize that the victim bears an uncanny resemblance to Jane MacGuire, the headstrong 17-year-old she and Joe have adopted, and who was already menaced by another serial killer in 1999's The Killing Game. Then a suspicious inspector from Scotland Yard, Mark Trevor, arrives with the grim news that a string of women with similar features have been murdered in Italy, England and Spain. A serial killer he calls Aldo has been working his way around the globe, butchering women who look like Cira, a beautiful young actress from the ancient Roman city of Herculaneum (which was destroyed by the eruption of Mt. Vesuvius), whom he holds responsible for his father's death (such is the logic of the insane). Since Jane looks like Cira (and, incidentally, has been having nightmares about being her and trying to escape the volcano's destruction) she will be his prey—or bait. Johansen fans will recall that Eve lost her biological daughter, Bonnie, to a serial killer, so her desire to bring Aldo to justice is tied up with her still-sharp grief. Meanwhile, Jane behaves like a typical teenager, living in denial of her own mortality while feeling intoxicated by the sexy air of peril that now surrounds her. Aldo never comes fully into focus as a villain, but that doesn't matter much, since one of the real engines of fear in the novel is Jane's burgeoning sexuality. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.


From Booklist
In her latest thriller about Atlanta detective Joe Quinn and the love of his life, forensic sculptor Eve Duncan, Joe gives Eve a skull to reconstruct. Eerily enough, the face resembles 17-year-old Jane MacGuire, who has been offered sanctuary by Eve and Joe after surviving a rough-and-tumble life on the streets. Now it seems that a killer is trying to erase all evidence of her face because it is identical to that of a statue of a woman who died during the eruption of Mount Vesuvius. Several look-alikes have already been killed in Europe, and Scotland Yard sends in hunky Mark Trevor to help. Eve mistrusts him, but Jane, who has had recurring nightmares related to the killings, believes that he's there to help her. Eve and Joe want to protect Jane, but the intrepid teenager knows that unless she confronts the killer, she will live the rest of her life in fear. Johansen has become adept at mixing supernatural elements with intriguing suspense, and her new tale will please both fans and new converts with its unpredictable journey from Atlanta to the archaeological digs of Herculaneum in Italy. REVWR
Copyright © American Library Association. All rights reserved

FROM THE PUBLISHER

"Eve Duncan's job is to put a face on the faceless victims of violent crimes. Her work not only comforts their survivors - but helps catch their killers. But there is another, more personal reason that Eve Duncan is driven to do the kind of work she does - a dark nightmare from a past she can never bury. And as she works on the skull of a newly discovered victim, that past is about to return all over again." "The victim is a Jane Doe found murdered, her face erased beyond recognition. But whoever killed her wasn't just trying to hide her identity. The plan was far more horrifying. For as the face forms under Eve's skilled hands, she is about to get the shock of her life. The victim is someone she knows all too well. Someone who isn't dead. Yet." "Instantly Eve's peaceful life is shattered. The sanctuary of the lakeside cottage she shares with Atlanta detective Joe Quinn and their adopted daughter Jane has been invaded by a killer who's sent the grimmest of threats: the face of his next victim. To stop him, Eve must put her own life in the balance and question everything and everyone she trusts. Not even Quinn can go where Eve must go this time." As the trail of faceless bodies leads to a chilling revelation, Eve and Joe finds themselves trying to catch a master murderer whose grisly work is a testament to a mind warped by perversion and revenge. Now they must pit their skills against his in a showdown where the stakes are life itself - and where the unbearable cost of failure will make Eve's own murder seem like a mercy killing.

SYNOPSIS

The New York Times bestselling author of Firestorm, Iris Johansen, returns with a psychological thriller so terrifying, so relentlessly paced, it won’t leave you time to catch your breath before the next shock comes. A forensic sculptor is locked in a deadly duel with a serial killer determined to destroy her—one life at a time.

Eve Duncan’s job is to put a face on the faceless victims of violent crimes. Her work not only comforts their survivors—but helps catch their killers. But there is another, more personal reason that Eve Duncan is driven to do the kind of work she does—a dark nightmare from a past she can never bury. And as she works on the skull of a newly discovered victim, that past is about to return all over again.

The victim is a Jane Doe found murdered, her face erased beyond recognition. But whoever killed her wasn’t just trying to hide her identity. The plan was far more horrifying. For as the face forms under Eve’s skilled hands, she is about to get the shock of her life. The victim is someone she knows all too well. Someone who isn’t dead. Yet.

Instantly Eve’s peaceful life is shattered. The sanctuary of the lakeside cottage she shares with Atlanta detective Joe Quinn and their adopted daughter Jane has been invaded by a killer who’s sent the grimmest of threats: the face of his next victim. To stop him, Eve must put her own life in the balance and question everything and everyone she trusts. Not even Quinn can go where Eve must go this time.

As the trail of faceless bodies leads to a chilling revelation, Eve finds herself trying to catch a master murderer whose grisly work is atestament to a mind warped by perversion and revenge. Now she must pit her skills against his in a showdown where the stakes are life itself—and where the unbearable cost of failure will make Eve’s own murder seem like a mercy killing.

FROM THE CRITICS

Publishers Weekly

Forensic sculptor Eve Duncan returns in this far-fetched but expertly plotted, eminently entertaining novel. When detective Joe Quinn is called to investigate the murder of a young woman whose skin has been peeled away from her skull, he presses the overloaded Eve to work her grisly magic. Eve is shocked to realize that the victim bears an uncanny resemblance to Jane MacGuire, the headstrong 17-year-old she and Joe have adopted, and who was already menaced by another serial killer in 1999's The Killing Game. Then a suspicious inspector from Scotland Yard, Mark Trevor, arrives with the grim news that a string of women with similar features have been murdered in Italy, England and Spain. A serial killer he calls Aldo has been working his way around the globe, butchering women who look like Cira, a beautiful young actress from the ancient Roman city of Herculaneum (which was destroyed by the eruption of Mt. Vesuvius), whom he holds responsible for his father's death (such is the logic of the insane). Since Jane looks like Cira (and, incidentally, has been having nightmares about being her and trying to escape the volcano's destruction) she will be his prey or bait. Johansen fans will recall that Eve lost her biological daughter, Bonnie, to a serial killer, so her desire to bring Aldo to justice is tied up with her still-sharp grief. Meanwhile, Jane behaves like a typical teenager, living in denial of her own mortality while feeling intoxicated by the sexy air of peril that now surrounds her. Aldo never comes fully into focus as a villain, but that doesn't matter much, since one of the real engines of fear in the novel is Jane's burgeoning sexuality. (Sept.) Copyright 2004 Reed Business Information.

AudioFile

A serial killer is murdering women who look like Cira, a woman who died in Herculaneum when Mt. Vesuvius erupted. Jane, the adopted daughter of Eve Duncan, a forensic sculptor, is his next targeted victim. Not coincidentally, Jane has terrifying nightmares of being Cira and fighting to escape Herculaneum through tunnels, aided by her ex-lover, Antonio. With evident ease Bernadette Dunne brings together an obsessive killer, dedicated police, a mysterious protagonist, various archaeologists, and dramatic settings, including captivating descriptions of the culture and times prior to the devastation of Mount Vesuvius. Dunne moves Johansen's words from the page to the ear, delivering a story of the healing power of truth and love. K.A.T. © AudioFile 2005, Portland, Maine

Kirkus Reviews