Readers of epic fantasy series are: (1) patient--they are left in suspense between each volume, (2) persistent--they reread or at least review the previous book(s) when a new installment comes out, (3) strong--these 700-page doorstoppers are heavy, and (4) mentally agile--they follow a host of characters through a myriad of subplots. In A Game of Thrones, the first book of a projected six, George R.R. Martin rewards readers with a vividly real world, well-drawn characters, complex but coherent plotting, and beautifully constructed prose, which Locus called "well above the norms of the genre."

Martin's Seven Kingdoms resemble England during the Wars of the Roses, with the Stark and Lannister families standing in for the Yorks and Lancasters. The story of these two families and their struggle to control the Iron Throne dominates the foreground; in the background is a huge, ancient wall marking the northern border, beyond which barbarians, ice vampires, and direwolves menace the south as years-long winter advances. Abroad, a dragon princess lives among horse nomads and dreams of fiery reconquest.

There is much bloodshed, cruelty, and death, but A Game of Thrones is nevertheless compelling; it garnered a Nebula nomination and won the 1996 Locus Award for Best Fantasy Novel. So, on to A Clash of Kings! --Nona Vero


From Publishers Weekly
In a world where the approaching winter will last four decades, kings and queens, knights and renegades struggle for control of a throne. Some fight with sword and mace, others with magic and poison. Beyond the Wall to the north, meanwhile, the Others are preparing their army of the dead to march south as the warmth of summer drains from the land. After more than a decade devoted primarily to TV and screen work, Martin (The Armageddon Rag, 1983) makes a triumphant return to high fantasy with this extraordinarily rich new novel, the first of a trilogy. Although conventional in form, the book stands out from similar work by Eddings, Brooks and others by virtue of its superbly developed characters, accomplished prose and sheer bloody-mindedness. Although the romance of chivalry is central to the culture of the Seven Kingdoms, and tournaments, derring-do and handsome knights abound, these trappings merely give cover to dangerous men and women who will stop at nothing to achieve their goals. When Lord Stark of Winterfell, an honest man, comes south to act as the King's chief councilor, no amount of heroism or good intentions can keep the realm under control. It is fascinating to watch Martin's characters mature and grow, particularly Stark's children, who stand at the center of the book. Martin's trophy case is already stuffed with major prizes, including Hugos, Nebulas, Locus Awards and a Bram Stoker. He's probably going to have to add another shelf, at least. Major ad/promo. Copyright 1996 Reed Business Information, Inc.


From Library Journal
The author of such sf classics as The Armageddon Rag (1983) marks the beginning of a new fantasy series about a world where the summer and winter seasons can span generations.Copyright 1996 Reed Business Information, Inc.


From AudioFile
If you're looking for a series full of political intrigue, class struggle, immovable forces of fate, and a struggle for power of epic proportions, this is it. Set in an undefined time long ago when magic had gone into hiding, this is a tale of conflict and shifting alliances. Roy Dotrice has a gruff voice and style that is right at home in this harsh environment. He gives voice to a broad cast of characters with great range. From the most naive to the most devious and petulant, the personalities of the characters are drawn out and developed as they grow and change in influence. J.E.M. © AudioFile 2004, Portland, Maine-- Copyright © AudioFile, Portland, Maine


From Booklist
The first volume in Martin's first fantasy saga, A Song of Ice and Fire, combines intrigue, action, romance, and mystery in a family saga. The family is the Starks of Winterfell, a society in crisis due to climatic change that has created decades-long seasons, and a society almost without magic but with human perversity abundant and active. Martin reaches a new plateau in terms of narrative technique, action scenes, and integrating (or not injecting) his political views into the story. He does not avoid a dauntingly large cast and a daunting number of viewpoint shifts, but these are problems seemingly inseparable from the multivolume fantasy genre. Accordingly, one doubts there will be any other comfortable entry point into this example of the genre except at the beginning. Judging by this beginning, however, it promises to repay reading and rereading, from first volume to last, on account of its literacy, imagination, emotional impact, and superb world-building. Roland Green


Review
"The major fantasy of the decade . . . compulsively readable."


"We have been invited to a grand feast and pageant: George R.R. Martin has unveiled for us an intensely realized, romantic but realistic world."


"A Best Book of 1996: Martin makes a triumphant return to high fantasy . . . [with] superbly developed characters, accomplished prose, and sheer bloodymindedness."
(starred review)

"A splendid saga . . . . Inventive and intricately plotted."


"Magic . . . George R.R.Martin's first fantasy epic [is set] well above the norms of the genre."
--Locus

"Such a splendid tale and such a fantasticorical! I read my eyes out and couldn't stop 'til I finished and it was dawn."
--Anne McCaffrey

Locus Award Winner: Best Fantasy Novel


Review
?Grabs hold and won?t let go. It?s brilliant.?
-Robert Jordan

?Reminiscent of T. H. White?s The Once and Future King, this novel is an absorbing combination of the mythic, the sweepingly historical, and the intensely personal.?
-Chicago Sun-Times

FROM OUR EDITORS

Long ago, in a time forgotten, a preternatural event threw the seasons out of balance. The cold is returning, and in the frozen wastes to the north of Winterfell, sinister forces are massing beyond the kingdom's protective wall. To the south, the King's powers are failing, and his enemies are emerging from the shadows of the throne. At the center of the conflict lie the Starks of Winterfell, a family as harsh and unyielding as the frozen land they were born to. Now Lord Eddard Stark is reluctantly summoned to serve as the King's new Hand, an appointment that threatens to sunder not only his family but also the kingdom itself. A heroic fantasy of lords and ladies, soldiers and sorcerers, assassins and evildoers who come together in a time of grim omens. The first volume in George Martin's series.

FROM THE PUBLISHER

Long ago, in a time forgotten, a preternatural event threw the seasons out of balance. In a land where summers can last decades and winters a lifetime, trouble is brewing. The cold is returning, and in the frozen wastes to the north of Winterfell, sinister forces are massing beyond the kingdom's protective Wall. To the south, the king's powers are failing: his most trusted advisor dead under mysterious circumstances and his enemies emerging from the shadows of the throne. At the center of the conflict lie the Starks of Winterfell, a family as harsh and unyielding as the frozen land they were born to. Now Lord Eddard Stark is reluctantly summoned to serve as the king's new Hand, an appointment that threatens to sunder not only his family but the kingdom itself. Sweeping from a harsh land of cold to a summertime kingdom of epicurean plenty, A Game of Thrones tells a tale of lords and ladies, soldiers and sorcerers, assassins and bastards who come together in a time of grim omens. Here, an enigmatic band of warriors bear swords of no human metal, a tribe of fierce wildings carry men off into madness, a cruel young dragon prince barters his sister to win back his throne, a child is lost in the twilight between life and death, and a determined woman undertakes a treacherous journey to protect all she holds dear. Amid plots and counterplots, tragedy and betrayal, victory and terror, allies and enemies, the fate of the Starks hangs perilously in the balance, as each side endeavors to win that deadliest of conflicts: the game of thrones.

FROM THE CRITICS

Publishers Weekly

PW gave a starred review to this first installation in a new epic fantasy series. (Sept.)

Library Journal

The author of such science fictino classics as The Armageddon Rag marks the beginning of a new fantasy series about a world where the summer and winter seasons can span generations.

BookList - Roland Green

The first volume in Martin's first fantasy saga, A Song of Ice and Fire, combines intrigue, action, romance, and mystery in a family saga. The family is the Starks of Winterfell, a society in crisis due to climatic change that has created decades-long seasons, and a society almost without magic but with human perversity abundant and active. Martin reaches a new plateau in terms of narrative technique, action scenes, and integrating (or not injecting) his political views into the story. He does not avoid a dauntingly large cast and a daunting number of viewpoint shifts, but these are problems seemingly inseparable from the multivolume fantasy genre. Accordingly, one doubts there will be any other comfortable entry point into this example of the genre except at the beginning. Judging by this beginning, however, it promises to repay reading and rereading, from first volume to last, on account of its literacy, imagination, emotional impact, and superb world-building.

Anne McCaffrey

Such a splendid tale and such a fantasticorical! I read my eyes out and couldn't stop 'til I finished and it was dawn. -- Locus

Chicago Sun-Times

We have been invited to a grand feast and pageant: George R.R. Martin has unveiled for us an intensely realized, romantic but realistic world.Read all 8 "From The Critics" >

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