The language and form of this searing book are as powerful as the life experience that inspired them. In a series of essays that cohere into a spiritual autobiography, the author writes prose that's deceptively simple yet rich in metaphor. An wild horse living in the parking lot of a Navajo school becomes a symbol for living creatures' intrinsic wildness, tamed only at a terrible cost. "We are all runaway horses" is one constant refrain, as is the reminder "you are your history." The author's history is painful: born in 1950 the son of an alcoholic Native American woman and a white cowboy father who "would sell my mom to other migrant men for five dollars," Nasdijj grew up a "mongrel" and an outcast, contending with his violent father's demons while his mother beguiled them with Indian stories. Living on a reservation, never fully accepted because of his white skin, he adopted a baby boy with fetal alcohol syndrome who died at age 6. The book's most beautiful passages meditate on Tommy Nothing Fancy's short life and express his father's love. Nasdijj has been homeless, he has taught Indian children on a reservation, he has retraced with a historian friend the dreadful forced march to Bosque Redondo, where the Navajo and their culture were nearly exterminated. These and many other ordeals are related in the agonizingly lucid words of someone who has turned to writing as a lifeline. This remarkable memoir has its share of bitterness and anger, but Nasdijj transcends both in his acceptance of the world that made him and in the knowledge that "the reservation runs like blood through a river of my dreams." --Wendy Smith


From Publishers Weekly
The yearning to write, muses this irrepressible Native American author, "was the epitome of perversity, because reading and writing were such tortures for me." Born in 1950 on the Navajo Reservation to migrant workersDa Navajo mother and a white, cowboy fatherDNasdijj has always suffered from fetal alcohol syndrome, which has made his 20 years as a journalist for Southwest smalltown newspapers, like everything else in his peripatetic, sometimes harrowing life, a terrible struggle. But for Nasdijj, writing was necessary to survival, a means of remembering and vindicating his personal and ancestral history. The symbols he molds out of the bleakness of the desert or his own emotional terrain, as well as the variations of the book's title, trail through 20 fragmented chapters like a plangent refrain. These elements cohere into a unique voice, whether Nasdijj is recounting his adventures on the periphery of white America, musing over the continued impoverishment of the Navajo, or lamenting the loss of his adopted son, Tommy Nothing Fancy, who died when he was six years old from fetal alcohol syndrome. Balancing a propensity to overanalyze his life in deliriously lyric passages with a gift for understatement that can yield more lucid revelations, Nasdijj reveals a great sensitivity to epiphanies wherever they may be found: in the wild stallions of the mesa, in the beautiful face of a troubled teen he mentors, in the bittersweet vandalism of a jingoistic statue of a Spanish conquistador. Agent, Heather Schroder, ICM. (Oct.) Forecast: Nasdijj first attracted attention when the title piece ran in Esquire in June 1999; he was subsequently named a finalist for a National Magazine Award. Already selected by several newspapers for fall preview roundups and early reviews, this haunting memoir is likely to garner widespread review coverage and, consequently, a solid audience that will be further enlarged by a six-city author tour. Copyright 2000 Reed Business Information, Inc.


From Booklist
"I write what I see." A simple statement from a complex man. What makes this memoir so very powerful is that both the writing and the seeing are done with such clarity and compassion. Born on the Navajo reservation in 1950 to migrant workers (a Navajo storytelling mother and a white cowboy father), Nasdijj has spent his life on the move. His stories are personal ones but imbued with history and the struggle and survival of people who the dominant white society define as marginal. With strength, purposefulness, maturity, and most of all compassion, Nasdijj writes about the life and death of his son, Tommy Nothing Fancy, their fishing trips, his travails as a committed but unpublished writer, life on the reservation, homelessness, ethnic cleansing in America, love, survival, hope. Illuminating both the comic and the tragic, his writing is a striking blend of "tell it like it is" truths that hit right between the eyes and sensuous, expressive, poetic passages that urgently bid the reader to reread, linger, share, and appreciate. The stories and their implications are heartbreaking; but more importantly, they are heart expanding. Grace Fill
Copyright © American Library Association. All rights reserved


Review
"In THE BLOOD RUNS LIKE A RIVER THROUGH MY DREAMS, Nasdijj writes with almost unbearable beauty about what it is like to be an Indian, and, more important still, what it is like to be human. THE BLOOD RUNS LIKE A RIVER THROUGH MY DREAMSs is the best memoir I have ever read about homelessness, abusiveness, Fetal Alcohol Syndrome, the nomadic life, genocide in America, and life on an impoverished reservation. At the same time, it is the best memoir I have read about family love, particularly a father's love for his son, since A RIVER RUNS THROUGH IT. In the end, this literally stunning book shows how the power of love offers both hope and redemption in the face of the very worst horrors that can befall a man, a boy, and a people." -- Howard Frank Mosher, author of THE FALL OF THE YEAR and A STRANGER IN THE KINGDOM


Review
"Contains the flat-out best nonfiction writing of this year."


Book Description
THE BLOOD RUNS LIKE A RIVER THROUGH MY DREAMS transports readers to the majestic landscapes and hard Native American lives of the desert Southwest and into the embrace of a way of looking at the world that seems almost like revelation. Born to a storytelling Native mother and a roughneck, song-singing cowboy father, Nasdijj has lived on the jagged-edged margins of American society, yet hardship and isolation have only brought him greater clarity--and a gift for language that is nothing short of breathtaking. Nasdijj tells of his adopted son, Tommy Nothing Fancy, of the young boy's struggle with fetal alcohol syndrome, and of their last fishing trip together. It is a heartbreaking story, written with great power and a diamondlike poetry. But whether Nasdijj is telling us about his son, about the chaotic, alternately harrowing and comical life he led with his own parents, or about the vitality and beauty of Native American culture, his voice is always one of searching honesty, wry humor, and a nearly cosmic compassion. While Nasdijj struggles with his impossible status as someone of two separate cultures, he also remains a contradiction in a larger sense: he cares for those who often shun him, he teaches hope though he often has none for himself, and he comes home to the land he then must leave. THE BLOOD RUNS LIKE A RIVER THROUGH MY DREAMS is the memoir of a man who has survived a hard life with grace, who has taken the past experience of pain and transformed it into a determination to care for the most vulnerable among us, and who has found an almost unspeakable beauty where others would find only sadness. This is a book that will touch your soul.

FROM OUR EDITORS

Bookseller Reviews

The son of a Navaho woman and roughneck cowboy, Nasdijj grew up among Native American migrant laborers, far from the call of world literature. His writings crafted over twenty years, have only recently appeared in print: In June of 1999, Esquire ran the signature piece of this memoir. "I decided that I had to use the emotions that have been inside me," the author explained. Touching and lyrical (Nasdijj's name is Athabaskan for "to become gain." Apt.)

FROM THE PUBLISHER

Nasdijj tells of his adopted son, Tommy Nothing Fancy, of the young boy's struggle with fetal alcohol syndrome, and of their last fishing trip together. The Blood Runs Like a River Through My Dreams is the memoir of a man who has survived a hard life with grace, who has taken the past experience of pain and transformed it into a determination to care for the most vulnerable among us, and who has found an almost unspeakable beauty where others would find only sadness.

FROM THE CRITICS

Publishers Weekly

The yearning to write, muses this irrepressible Native American author, "was the epitome of perversity, because reading and writing were such tortures for me." Born in 1950 on the Navajo Reservation to migrant workers--a Navajo mother and a white, cowboy father--Nasdijj has always suffered from fetal alcohol syndrome, which has made his 20 years as a journalist for Southwest smalltown newspapers, like everything else in his peripatetic, sometimes harrowing life, a terrible struggle. But for Nasdijj, writing was necessary to survival, a means of remembering and vindicating his personal and ancestral history. The symbols he molds out of the bleakness of the desert or his own emotional terrain, as well as the variations of the book's title, trail through 20 fragmented chapters like a plangent refrain. These elements cohere into a unique voice, whether Nasdijj is recounting his adventures on the periphery of white America, musing over the continued impoverishment of the Navajo, or lamenting the loss of his adopted son, Tommy Nothing Fancy, who died when he was six years old from fetal alcohol syndrome. Balancing a propensity to overanalyze his life in deliriously lyric passages with a gift for understatement that can yield more lucid revelations, Nasdijj reveals a great sensitivity to epiphanies wherever they may be found: in the wild stallions of the mesa, in the beautiful face of a troubled teen he mentors, in the bittersweet vandalism of a jingoistic statue of a Spanish conquistador. Agent, Heather Schroder, ICM. (Oct.) Forecast: Nasdijj first attracted attention when the title piece ran in Esquire in June 1999; he was subsequently named a finalist for a National Magazine Award. Already selected by several newspapers for fall preview roundups and early reviews, this haunting memoir is likely to garner widespread review coverage and, consequently, a solid audience that will be further enlarged by a six-city author tour. Copyright 2000 Cahners Business Information.

KLIATT

The authentic voice of a Native American comes through in stories of loss, intuitive caring, and search for identity. The reader perceives Nasdijj's sense of dislocation as he is drawn both to the reservation and to "White People Town," and as he seeks in writing and teaching and relationships to find truth among the mixed messages of the white and Indian cultures. "I am a mongrel myself. That mix of the morbid, the mystical, and the misbehaved." The stories are filled with original imagery, alliteration, touches of humor, the fanciful, irreverence, and sometimes inchoate anger. Sample stories: "My Son Comes Back to Me" and "The Blood Runs Like a River." Here Nasdijj longs for his son, a victim of fetal alcohol syndrome (as is the author to a lesser degree), who died at age six, while they were fishing. In "Runaway Horses," a wild stallion that hangs around the school is killed by coyotes. "Emergency Landing" tells of Nasdijj's Indian mother's storytelling and compulsive cleanliness that hold the migrant-worker family together as they travel. "Chahash'oh" describes a week's outing with his son in the wilderness that becomes terrifying when a male grizzly kills a female grizzly and her two cubs just outside their cabin. In "Reservation Rocks" and "Onate's Foot," Nasdijj, his dog, and an historian friend retrace a 400-year-old march designed by the Spanish to kill a nation. In "Tenderloin," Nasdijj goes to San Francisco in search of two 17-year-old Sioux boys who live by prostitution and have become heroin addicts. "Half and Half" relates how in the swirl of cream in a McDonald's coffee, he sees his mix of race and culture. In "On Being Homeless," a woman with two children attaches herselfto Nasdijj one summer when he lives and writes in a state park. In "Invisibility" Nasdijj helps a friend who has AIDS. In "Michif's Tape," Nasdijj accepts the job of socializing a deeply alienated boy and discovers that the boy has unusual storytelling talent. Nasdijj's sentences and stories are short. He says, "I know nothing about the technical stuff of writing...What I know about writing goes beyond where to put your commas. What I know about writing has to do with where you put your heart." Nasdijj, whose punctuation is fine and who once had a novel about Indians returned torn into small pieces by an editor, does indeed touch the heart. He may be one of America's great writers today. Category: Biography & Personal Narrative. KLIATT Codes: SA—Recommended for senior high school students, advanced students, and adults. 2000, Houghton Mifflin, Mariner, 215p., Ages 16 to adult. Reviewer: Edna M. Boardman; Minot, ND

Library Journal

Nasdijj's collection of vignettes about living on society's rough edges originated as an article for Esquire magazine in June 1999 and was subsequently named a National Magazine Award finalist. Much of his first book is set on Southwest Indian reservations, where he grew up as the son of a Native American mother and a white cowboy. Although many subjects are covered, one recurrent and powerful thread is the short life of the author's adopted son, Tommy Nothing Fancy. Born with fetal alcohol syndrome, Tommy died at the age of six after repeated health problems. Nasdijj shares the joys of their relationship--their love of nature and, especially, of fishing together. Powerful in the emotions it evokes and poetic in its descriptions, this book is recommended for public libraries. [Previewed in Prepub Alert, LJ 6/15/00.]--Kay L. Brodie, of Chesapeake Coll., Wye Mills, MD Copyright 2000 Cahners Business Information.

Esquire

...unfailingly honest and very nearly perfect...an authentic, important book. Read this book. Nasdijj is indeed the toughest Indian in the world.

Logan Hill - New York Magazine