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   Book Info

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Hope to Die (A Matthew Scudder Novel)  
Author: Lawrence Block
ISBN: 0641516975
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review
Hope to Die (A Matthew Scudder Novel)

FROM OUR EDITORS

Private eye Matthew Scudder doesn't have a badge, an investigator's license, or the most respectable friends. But he does have other credentials: Legions of loyal readers and an armful of awards for his creator, Lawrence Block. In this crisp mystery, Scudder hunts down a criminal monster who robbed, then murdered a wealthy couple on Manhattan's Upper West Side.

FROM THE PUBLISHER

"When Byrne and Susan Hollander are killed in a brutal home invasion, the whole city catches its collective breath. A few days later the killers turn up dead behind a locked door in Brooklyn. One has killed his partner, then himself. The city sighs with relief. The cops close the case." "Matt and Elaine Scudder were in the same room with the Hollanders hours before their deaths. In spite of himself, Scudder is drawn to the Hollander case. The closer he looks, the more he senses the presence of a third man, a puppet master who manipulated his two accomplices, then cut their strings when he was done with them." The villain who looms in the shadows is one of Block's most inspired creations, cold and diabolical, murdering for pleasure and profit. Nobody but Scudder even suspects he exists - and he's not done killing.

SYNOPSIS

When Byrne and Susan Hollander are killed in a brutal home invasion, the whole city catches its collective breath. A few days later the killers turn up dead behind a locked door in Brooklyn. One has killed his partner, then himself. The city sighs with relief. The cops close the case.

FROM THE CRITICS

Publishers Weekly

Unlicensed PI Matthew Scudder returns after a three-year absence to investigate the murder of a wealthy couple savagely slain in their Manhattan townhouse. Matt's now 62, and his age shows in this relatively sedate outing. There's less violence than in many cases past, and the urban melancholy that pervaded his earlier tales has dissipated, replaced by a mature reckoning with the unending cycle of life and death. The mystery elements are strong. To the cops, the case is open-and-shut: the perps have been found dead, murder/suicide, in Brooklyn, with loot from the townhouse in their possession. Matt enters the scene when his assistant, TJ, introduces him to the cousin of the dead couple's daughter; the cousin suspects the daughter of having engineered the killings for the inheritance. At loose ends, Matt digs in, quickly rejecting the daughter as a suspect but uncovering evidence pointing to a mastermind behind the murders. Block sounds numerous obligatory notes from Scudder tales past the AA meetings, the tithing of Matt's income, cameo appearances by Matt's love interest, Elaine, and his friend, Irish mobster Mick Ballou and he adds texture with some familial drama involving Matt's sons and ex-wife. His prose is as smooth as aged whiskey, as always, and the story flows across its pages. It lacks the visceral edge and heightened emotion of many previous Scudders, however, and the ending seems patly aimed at a sequel. This is a solid mystery, a fine Block, but less than exceptional. (Nov.) Forecast: All Blocks sell and Scudder's return will do particularly well, especially with the attendant major ad/promo, including a 17-city author tour. Simultaneous Harper Audio and Harper large printedition. Copyright 2001 Cahners Business Information.

Library Journal

This is the 15th Matthew Scudder novel in 25 years, and readers of Block's noir series know what to expect. It's all here: a perfect evocation of the sights, sounds, and smells of New York City; trips to AA meetings in church basements; Mick Ballou's bar; and the recurring characters such as Ballou, the streetwise TJ, and Elaine, the civilizing influence. In this latest outing, Matt and Elaine attend a "Mostly Mozart" benefit concert at Lincoln Center. At the same concert are a couple who are later murdered in their Upper West Side apartment. Then, the "murderers" are themselves killed in Brooklyn. Without anyone really asking him to, and for want of something better to do, Scudder starts to pick at this case until the whole story unravels before him to a startling conclusion. Every so often, the real murderer narrates a chapter, which adds a cat-and-mouse element. But those looking for fast action will not find it here the pace is leisurely, and characters and set pieces are almost as important as plot. Recommended, especially for public libraries, where readers will ask for it. [Previewed in Prepub Alert, LJ 7/01.] Fred Gervat, Concordia Coll. Lib., Bronxville, NY Copyright 2001 Cahners Business Information.

AudioFile

With understated panache, Mystery Writers of America Grandmaster Lawrence Block reads from his latest Matthew Scudder mystery in which the unlicensed private investigator faces one of his most daunting nemeses yet. Block never reveals the real name of the clever killer who orchestrates a series of murders set up to look like a botched burglary and a suicide. Scudder--together with wife, Elaine, and associates, T.J. and Mick--set out to learn the identity of the real killer before they become the next victims. While the resolution of the book won't satisfy everyone, Block remains one of the great American storytellers, whose words are as alive emerging from his mouth as they are appearing on the page. S.E.S. (c) AudioFile 2002, Portland, Maine

Kirkus Reviews

Arriving home at their Upper West Side brownstone from the opening concert in the Mostly Mozart series, attorney Byrne Hollander and his writer wife Susan encounter a pair of burglars who leave them dead. It's the most commonplace sort of murder imaginable, and everybody's more than ready to call it closed when forensic evidence implicates a pair of skells found dead in a rundown Brooklyn apartment-everybody, that is, but once-again-unlicensed private eye Matthew Scudder. Maybe Scudder's brooding too much because his ex-wife just died, but there's something about the case that whispers setup to him. His assistant TJ-whose Columbia classmate Lia Parkman, Susan's niece, wonders whether the Hollanders' daughter and wealthy heiress Kristin mightn't have had them killed-eggs him on, and soon he's turned up not only some telltale loose ends in the tightly wound skein of evidence against the late Carl Ivanko and Jason Bierman, but a paying client: Kristin Hollander, who's reached pretty much the same conclusion as her cousin, though not of course down to identifying the same perp. Continuing to ask questions even as the killer realizes he's under suspicion, Scudder unearths a plot as diabolical as it is far-fetched, and a lot less resonant than the nefarious schemes of Even the Wicked (1997) and Everybody Dies (1998). Second-drawer Scudder is still Scudder, but despite the high body count, this battle of wits lacks the somber view of mortality that makes his best work so powerful-right down to the final chapter, which strongly hints at a rematch. Author tour

     



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