Book Description
Samuel Butler was among the most wide-ranging of the accomplished crew of late Victorian writers to which be belonged -- a forceful controversialist in the debates that surrounded Darwin's theory of evolution, a painter who sometimes exhibited at the Royal Academy, an idiosyncratic critic and a gifted travel writer, and even, in his early years, a highly successful sheep farmer in New Zealand. He was also, as The Way of All Flesh, his deterministic tale of the havoc wrought by genetic inheritance, suggests, one of the great British masters of the novel of ideas.


Download Description
"When I was a small boy at the beginning of the century I remember an old man who wore knee-breeches and worsted stockings, and who used to hobble about the street of our village with the help of a stick. He must have been getting on for eighty in the year 1807, earlier than which date I suppose I can hardly remember him, for I was born in 1802. A few white locks hung about his ears, his shoulders were bent and his knees feeble, but he was still hale, and was much respected in our little world of Paleham."


The Merriam-Webster Encyclopedia of Literature
Autobiographical novel by Samuel Butler, published posthumously in 1903 though written almost two decades earlier. Beginning with the life of John Pontifex, a carpenter, the novel traces four generations of the Pontifex family, each of which perpetuates the frustration and unhappiness of its predecessor largely as a result of parental repression. Only Ernest Pontifex, the great-grandson of John, is able to break the cycle. After being ordained a minister, serving a prison term because of a naive misunderstanding, and unwittingly entering into a bigamous marriage with the family's sluttish servant girl, Ernest providentially inherits enough money from a favorite aunt to change his life and become a writer.


From the Publisher
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From the Inside Flap
Samuel Butler was among the most wide-ranging of the accomplished crew of late Victorian writers to which be belonged -- a forceful controversialist in the debates that surrounded Darwin's theory of evolution, a painter who sometimes exhibited at the Royal Academy, an idiosyncratic critic and a gifted travel writer, and even, in his early years, a highly successful sheep farmer in New Zealand. He was also, as The Way of All Flesh, his deterministic tale of the havoc wrought by genetic inheritance, suggests, one of the great British masters of the novel of ideas.

FROM THE PUBLISHER