In 1985 William Styron fell victim to a crippling and almost suicidal depression, the same illness that took the lives of Randall Jarrell, Primo Levi and Virginia Woolf. That Styron survived his descent into madness is something of a miracle. That he manages to convey its tortuous progression and his eventual recovery with such candor and precision makes Darkness Visible a rare feat of literature, a book that will arouse a shock of recognition even in those readers who have been spared the suffering it describes.
From Publishers Weekly
A meditation on Styron's ( Sophie's Choice ) serious depression at the age of 60, this essay evokes with detachment and dignity the months-long turmoil whose symptoms included the novelist's "dank joylessness," insomnia, physical aversion to alcohol (previously "an invaluable senior partner of my intellect") and his persistent "fantasies of self-destruction" leading to psychiatric treatment and hospitalization. The book's virtues--considerable--are twofold. First, it is a pitiless and chastened record of a nearly fatal human trial far commoner than assumed--and then a literary discourse on the ways and means of our cultural discontents, observed in the figures of poet Randall Jarrell, activist Abbie Hoffman, writer Albert Camus and others. Written by one whose book-learning proves a match for his misery, the memoir travels fastidiously over perilous ground, receiving intimations of mortality and reckoning delicately with them. Always clarifying his demons, never succumbing to them in his prose, Styron's neat, tight narrative carries the bemusement of the worldly wise suddenly set off-course--and the hard-won wisdom therein. In abridged form, the essay first appeared in Vanity Fair. Copyright 1990 Reed Business Information, Inc.
From Library Journal
Nearly 40 years ago, Styron published his first novel, Lie Down in Darkness , which revolved around the suicide of a young woman, Peyton Loftis. Now, he tells the short but very moving story of the deep depression which nearly overcame him in the summer of 1984. A successful middle-aged writer at the peak of his powers and acclaim, Styron was--seemingly inexplicably--struck by insomnia and a growing sense of malaise leading to hopelessness. He consulted a psychiatrist and was given high doses of the controversial drug Halcion for his insomnia, but his despair continued to increase until one evening he actually attempted suicide, only to be rescued by the playing of Brahms's Alto Rhapsody in a video he was watching. He immediately had himself hospitalized, and after several weeks in the security and healing atmosphere of the hospital began to feel himself again. Expanded from a 1989 Vanity Fair article, this book is highly recommended. Previewed in Prepub Alert, LJ 5/1/90.- Marcia G. Fuchs, Guilford Free Lib., Ct.Copyright 1990 Reed Business Information, Inc.
The New York Times
Compelling...harrowing...a vivid portrait of a debilitating disorder...it offers the solace of shared experience.
Chicago Sun-Times
A chilling yet hopeful report from a mental wilderness into which one in ten Americans disappears...enlightening...fascinating.
From the Inside Flap
A work of great personal courage and a literary tour de force, this bestseller is Styron's true account of his descent into a crippling and almost suicidal depression. Styron is perhaps the first writer to convey the full terror of depression's psychic landscape, as well as the illuminating path to recovery.
Darkness Visible: A Memoir Of Madness ANNOTATION
A great novelist describes his devastating descent into depression, taking the reader on an unprecedented journey into the realm of madness. The author of Sophie's Choice was overtaken by persistent insomnia and a troubling sense of malaise--the first signs of a deep depression that would soon engulf his life and leave him on the brink of suicide.
FROM THE PUBLISHER
A work of great personal courage and a literary tour de force, this bestseller is Styron's true account of his descent into a crippling and almost suicidal depression. Styron is perhaps the first writer to convey the full terror of depression's psychic landscape, as well as the illuminating path to recovery.
FROM THE CRITICS
Publishers Weekly
A meditation on Styron's ( Sophie's Choice ) serious depression at the age of 60, this essay evokes with detachment and dignity the months-long turmoil whose symptoms included the novelist's ``dank joylessness,'' insomnia, physical aversion to alcohol (previously ``an invaluable senior partner of my intellect'') and his persistent ``fantasies of self-destruction'' leading to psychiatric treatment and hospitalization. The book's virtues--considerable--are twofold. First, it is a pitiless and chastened record of a nearly fatal human trial far commoner than assumed--and then a literary discourse on the ways and means of our cultural discontents, observed in the figures of poet Randall Jarrell, activist Abbie Hoffman, writer Albert Camus and others. Written by one whose book-learning proves a match for his misery, the memoir travels fastidiously over perilous ground, receiving intimations of mortality and reckoning delicately with them. Always clarifying his demons, never succumbing to them in his prose, Styron's neat, tight narrative carries the bemusement of the worldly wise suddenly set off-course--and the hard-won wisdom therein. In abridged form, the essay first appeared in Vanity Fair. (Sept.)
Library Journal
Nearly 40 years ago, Styron published his first novel, Lie Down in Darkness , which revolved around the suicide of a young woman, Peyton Loftis. Now, he tells the short but very moving story of the deep depression which nearly overcame him in the summer of 1984. A successful middle-aged writer at the peak of his powers and acclaim, Styron was--seemingly inexplicably--struck by insomnia and a growing sense of malaise leading to hopelessness. He consulted a psychiatrist and was given high doses of the controversial drug Halcion for his insomnia, but his despair continued to increase until one evening he actually attempted suicide, only to be rescued by the playing of Brahms's Alto Rhapsody in a video he was watching. He immediately had himself hospitalized, and after several weeks in the security and healing atmosphere of the hospital began to feel himself again. Expanded from a 1989 Vanity Fair article, this book is highly recommended. Previewed in Prepub Alert, LJ 5/1/90.-- Marcia G. Fuchs, Guilford Free Lib., Ct.