Book Description
Connoisseur of art, harpsichord aficionado, gardener extraordinaire, and genius of improvisational murder, the inimitable Tom Ripley finds his complacency shaken when he is scorned at a posh gala. While an ordinary psychopath might repay the insult with some mild act of retribution, what Ripley has in mind is far more subtle, and infinitely more sinister. A social slight doesn't warrant murder of course-- just a chain of events that may lead to it.



About the Author
Patricia Highsmith (1921 – 1995) was born in Fort Worth, Texas, and grew up in New York. She was educated at the Julia Richmond High School in Manhattan and then at Columbia University, where she earned her B.A. in 1942. Her first novel, Strangers on a Train (1950), tells the story of a tennis player and a psychotic who meet on a train and agree to swap murders. The terrifying tale caught the attention of director Alfred Hitchcock, who, with Raymond Chandler, filmed it in 1951. Both the book and the resulting movie are considered to be classics of the crime genre. Highsmith’s subsequent novels, particularly five featuring the dashing forger/murderer Tom Ripley, have been vastly popular and critically acclaimed. In 1957 Highsmith won the coveted French Grand Prix de Litterature Policiere and in 1964 was awarded the Silver Dagger by the British Crime Writers Association. A reclusive person, Highsmith spent much of her life alone. She moved permanently to Europe in 1963 and spent her final years in an isolated house near Locarno on the Swiss-Italian border. Upon her death, Highsmith left three million dollars of her estate to Yaddo, the artist community in upstate New York.

FROM THE PUBLISHER

Connoisseur of art, harpsichord aficionado, gardener extraordinaire, and genius of improvisational murder, the inimitable Tom Ripley finds his complacency shaken when he is scorned at a posh gala. While an ordinary psychopath might repay the insult with some mild act of retribution, what Ripley has in mind is far more subtle, and infinitely more sinister. A social slight doesn't warrant murder of course— just a chain of events that may lead to it.

FROM THE CRITICS

Julian Symons

The feeling of menace behind most Highsmith novels, the sense that ideas and attitudes alien to the reasonable everyday ordering of society are being suggested, has made readers uneasy. One closes most of her books with the feeling that the world is more dangerous than one had ever imagined. -- The New York Times Book Review

WHAT PEOPLE ARE SAYING