Philip Roth's very literary novels, most famously Portnoy's Complaint, have always had the feel of confessional autobiography. Operation Shylock boasts not only a character named Philip Roth, a Jewish-American novelist, but an impostor who is claiming to be him. Roth's impostor causes a furor in Israel by advocating "Diasporism," the polar opposite of Zionism, encouraging Israelis to return home to eastern Europe. In Israel the real Roth attends the trial of a former Nazi, and also observes at a West Bank military court dealing harshly with young Palestinians. Through stark counterpoint between distorted doubles, along with his trademark bawdy humor, Roth comically explores the tensions of his identity as a writer, as a Jew, and as a human being. Operation Shylock won the PEN/Faulkner Award for 1994.


From Publishers Weekly
Roth's brilliant, absurdist novel, set in Jerusalem during the trial of John Demjanjuk, follows the intersecting paths of two characters who share Roth's name and impersonate one another with dizzying speed. Copyright 1994 Reed Business Information, Inc.


From Library Journal
The drama of Jewish survival takes a new twist in this novel, but Rothean ideas persist: all humans make fiction, man betrays and fulfills his father's dream; an artist's doubt is his integrity; Jews test freedom (in the West from exclusion and prejudice, in Israel from temptations of power); embattled Israel dramatizes the nationalisms that drive history, with the Holocaust their persistent threat. Here, through a pseudo-autobiographical escapade in intifada Israel during the "Ivan the Terrible" trial, a writer confronts his double. Playing off recent autobiography, Roth gives his fictive protagonist, "Philip Roth," the author's known career. Led into Mossad intrigue to defend Jewish security and his writer's integrity, this "Roth" chews the cud of these tortuous themes and is at times as baffled as Kafka's K. Using "Philip Roth" as an irritant to thought, Roth will make some readers steam. By midway he is telegraphing his punches, and his sparkling absurdity dissolves in perseveration. Recommended for public libraries. Previewed in Prepub Alert, LJ 12/92; Roth reported in the New York Times , March 9, 1993, that all events depicted in this book are in fact true but that the Mossad insisted that he bill it as fiction.--Ed.- Alan Cooper, York Coll. , CUNYCopyright 1993 Reed Business Information, Inc.


The Nation, Ted Solotaroff
The first international contemporary Jewish novel, Operation Shylock is also a brilliant novel of ideas . . . [Roth] has gone further into his own genius than he ever has before.


From AudioFile
Philip Roth plunges into high-stakes intrigue when confronted with a look-alike who uses the author's celebrity status for outlandish political purposes. Roth may out-talk, outwit and even out-impersonate the impostor, but his own fears and fascinations are harder to fight. The weapon of choice is an irresistible mastery of language, and it is wielded mightily by Fritz Weaver. Somehow he contains it in a fountain of crisp and impassioned elocution. His sonorous voice and obvious care and preparation infuse each line with credibility. Seemingly rapt with the intelligence and wit of what he's saying, Weaver nails every nuance of pace, accent and mood. His energy and vulnerability convincingly capture Roth's complex spirit. D.J. An AUDIOFILE Earphones Award winner (c)AudioFile, Portland, Maine


From Kirkus Reviews
Roth has worked out so frequently and acrobatically with fictional versions of himself that his entanglement here with a doppelg„nger insisting that he's Philip Roth--a double whose visionary ``diasporism'' gets the hapless narrator tied up in plots engineered by the Mossad, the PLO, and God knows who else- -is as logical as it is frenetically funny. Arriving in Jerusalem just after a hallucinatory withdrawal from Halcion, Roth is comically vulnerable to the double who's using his striking resemblance to the novelist to curry favor and raise money for his reverse-Zionist project: to return all Ashkenazic Jews from Israel, where fundamentalist Muslims threaten them with extinction, to the relatively benign cities of Europe. When Roth threatens legal action against the double, whom he christens Moishe Pipik, Pipik sends opulent, dyslexic Chicago oncology nurse Wanda Jane ``Jinx'' Possesski, a charter member of Pipik's Anti-Semites Anonymous, to intercede for him. Roth, falling in lust with this latest shiksa, finds himself slipping into Pipik's identity, spouting off diasporist speeches, and unwittingly accepting a million-dollar check for the diasporist cause from crippled philanthropist Louis B. Smilesburger. A zany ride back to Jerusalem from Ramallah, where he's incidentally delivered a loony, impassioned anti-Zionist tirade, ends with Roth rescued by a young lieutenant seeking a letter of recommendation to NYU, and the check lost or stolen. As he takes in the Israeli trial of John Demjanjuk, Roth ponders Pipik's insistence that ``I AM THE YOU THAT IS NOT WORDS'' and, under challenge from every side, questions his notorious Jewish self- hatred. Still ahead: antiquarian David Supposnik's request that Roth write an introduction to Leon Klinghoffer's recently discovered travel diaries, Roth's kidnapping, and his agreeing to undertake a secret mission in Athens for the Mossad. A deliberately anticlimactic epilogue substitutes for the final chapter that would have described the secret mission. No matter: rarely have fact and fiction, personal confession and wild imaginings, led such a deeply, unnervingly comic dance. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.


Review
"One of Roth's grand inventions.... [He is] a comic genius...a living master." —Harold Bloom, The New York Review of Books

"The uncontested master of comic irony." —Time magazine

"A devilish book, nervously exuding a kind of delirious brilliance like sweat at every pore, and madly comic." —Alfred Kazin

"A brilliant novel of ideas...Roth has gone farther into his own genius than he ever has before." —Ted Solotaroff, The Nation


Review
"One of Roth's grand inventions.... [He is] a comic genius...a living master." ?Harold Bloom, The New York Review of Books

"The uncontested master of comic irony." ?Time magazine

"A devilish book, nervously exuding a kind of delirious brilliance like sweat at every pore, and madly comic." ?Alfred Kazin

"A brilliant novel of ideas...Roth has gone farther into his own genius than he ever has before." ?Ted Solotaroff, The Nation


Book Description
Time Magazine Best American Novel (1993)

In this fiendishly imaginative book (which may or may not be fiction), Philip Roth meets a man who may or may not be Philip Roth. Because someone with that name has been touring Israel, promoting a bizarre reverse exodus of the Jews. Roth is intent on stopping him, even if that means impersonating his own impersonator.

With excruciating suspense, unfettered philosophical speculation, and a cast of characters that includes Israeli intelligence agents, Palestinian exiles, an accused war criminal, and an enticing charter member of an organization called Anti-Semites Anonymous, Operation Shylock barrels across the frontier between fact and fiction, seriousness and high comedy, history and nightmare.


From the Inside Flap
Time Magazine Best American Novel (1993)

In this fiendishly imaginative book (which may or may not be fiction), Philip Roth meets a man who may or may not be Philip Roth. Because someone with that name has been touring Israel, promoting a bizarre reverse exodus of the Jews. Roth is intent on stopping him, even if that means impersonating his own impersonator.

With excruciating suspense, unfettered philosophical speculation, and a cast of characters that includes Israeli intelligence agents, Palestinian exiles, an accused war criminal, and an enticing charter member of an organization called Anti-Semites Anonymous, Operation Shylock barrels across the frontier between fact and fiction, seriousness and high comedy, history and nightmare.


From the Back Cover
"One of Roth's grand inventions.... [He is] a comic genius...a living master." —Harold Bloom, The New York Review of Books

"The uncontested master of comic irony." —Time magazine

"A devilish book, nervously exuding a kind of delirious brilliance like sweat at every pore, and madly comic." —Alfred Kazin

"A brilliant novel of ideas...Roth has gone farther into his own genius than he ever has before." —Ted Solotaroff, The Nation


About the Author
In the 1990s Philip Roth won America's four major literary awards in succession: the National Book Critics Circle Award for Patrimony (1991), the PEN/Faulkner Award for Operation Shylock (1993), the National Book Award for Sabbath's Theater (1995), and the Pulitzer Prize in fiction for American Pastoral (1997). He won the Ambassador Book Award of the English-Speaking Union for I Married a Communist (1998); in the same year he received the National Medal of Arts at the White House. Previously he won the National Book Critics Circle Award for The Counterlife (1986) and the National Book Award for his first book, Goodbye, Columbus (1959). In 2000 he published The Human Stain, concluding a trilogy that depicts the ideological ethos of postwar America. For The Human Stain Roth received his second PEN/Faulkner Award as well as Britain's W. H. Smith Award for the Best Book of the Year. In 2001 he received the highest award of the American Academy of Arts and Letters, the Gold Medal in fiction, given every six years "for the entire work of the recipient."

ANNOTATION

In this fiendishly imaginative, dizzyingly paced bestseller, Philip Roth meets a man who may or may not be Philip Roth. Someone with that name has been touring the State of Israel, promoting a bizarre exodus in reverse, and it is up to Roth to stop him--even if that means impersonating his impersonator.

FROM THE PUBLISHER

What if a look-alike stranger stole your name, usurped your biography, and went about the world pretending to be you? In his extraordinary new book, his most ingenious and original work since Portnoy's Complaint, Philip Roth confronts his double, an impostor whose self-appointed task is to lead the Jews out of Israel and back to Europe, a Moses in reverse and a monstrous nemesis to the "real" Philip Roth. Suspenseful, hilarious, hugely impassioned, pulsing with intelligence and narrative energy, Operation Shylock is at once a spy story, a political thriller, a meditation on identity, and a confession. This master novelist has never been more demonically brilliant than in the re-creation of his frightening and mysterious journey through the volatile Middle East. Operation Shylock is Philip Roth's twentieth published book - and perhaps his very best.

FROM THE CRITICS

Publishers Weekly

Roth's brilliant, absurdist novel, set in Jerusalem during the trial of John Demjanjuk, follows the intersecting paths of two characters who share Roth's name and impersonate one another with dizzying speed. (Mar.)

Library Journal

The drama of Jewish survival takes a new twist in this novel, but Rothean ideas persist: all humans make fiction, man betrays and fulfills his father's dream; an artist's doubt is his integrity; Jews test freedom (in the West from exclusion and prejudice, in Israel from temptations of power); embattled Israel dramatizes the nationalisms that drive history, with the Holocaust their persistent threat. Here, through a pseudo-autobiographical escapade in intifada Israel during the ``Ivan the Terrible'' trial, a writer confronts his double. Playing off recent autobiography, Roth gives his fictive protagonist, ``Philip Roth,'' the author's known career. Led into Mossad intrigue to defend Jewish security and his writer's integrity, this ``Roth'' chews the cud of these tortuous themes and is at times as baffled as Kafka's K. Using ``Philip Roth'' as an irritant to thought, Roth will make some readers steam. By midway he is telegraphing his punches, and his sparkling absurdity dissolves in perseveration. Recommended for public libraries. Previewed in Prepub Alert, LJ 12/92; Roth reported in the New York Times , March 9, 1993, that all events depicted in this book are in fact true but that the Mossad insisted that he bill it as fiction.--Ed.-- Alan Cooper, York Coll . , CUNY

Kirkus Reviews

Roth has worked out so frequently and acrobatically with fictional versions of himself that his entanglement here with a doppelg￯﾿ﾽnger insisting that he's Philip Roth—a double whose visionary "diasporism" gets the hapless narrator tied up in plots engineered by the Mossad, the PLO, and God knows who else—is as logical as it is frenetically funny. Arriving in Jerusalem just after a hallucinatory withdrawal from Halcion, Roth is comically vulnerable to the double who's using his striking resemblance to the novelist to curry favor and raise money for his reverse-Zionist project: to return all Ashkenazic Jews from Israel, where fundamentalist Muslims threaten them with extinction, to the relatively benign cities of Europe. When Roth threatens legal action against the double, whom he christens Moishe Pipik, Pipik sends opulent, dyslexic Chicago oncology nurse Wanda Jane "Jinx" Possesski, a charter member of Pipik's Anti-Semites Anonymous, to intercede for him. Roth, falling in lust with this latest shiksa, finds himself slipping into Pipik's identity, spouting off diasporist speeches, and unwittingly accepting a million-dollar check for the diasporist cause from crippled philanthropist Louis B. Smilesburger. A zany ride back to Jerusalem from Ramallah, where he's incidentally delivered a loony, impassioned anti-Zionist tirade, ends with Roth rescued by a young lieutenant seeking a letter of recommendation to NYU, and the check lost or stolen. As he takes in the Israeli trial of John Demjanjuk, Roth ponders Pipik's insistence that "I AM THE YOU THAT IS NOT WORDS" and, under challenge from every side, questions his notorious Jewish self- hatred. Still ahead: antiquarian DavidSupposnik's request that Roth write an introduction to Leon Klinghoffer's recently discovered travel diaries, Roth's kidnapping, and his agreeing to undertake a secret mission in Athens for the Mossad. A deliberately anticlimactic epilogue substitutes for the final chapter that would have described the secret mission. No matter: rarely have fact and fiction, personal confession and wild imaginings, led such a deeply, unnervingly comic dance.