From Publishers Weekly
Byatt revisits the Victorian landscape of Possession in these two fluid and intricate novellas. Copyright 1994 Reed Business Information, Inc.
From Library Journal
This work consists of two novellas set in the mid-19th century. The first, "Morpho Eugenia," is a Gothic fable that explores the multiple themes of earthly paradise and Darwin's theories of breeding and sexuality. There is an implied parallel between insect and human society throughout. The hero, a poor, scholarly entomologist, is taken into a wealthy Victorian family. His life and loves, particularly for the daughter Eugenia and the eponymous species of butterfly, comprise this tale. The second novella, "The Conjugal Angel," is reminiscent of Possession ( LJ 11/1/90), Byatt's 1990 Booker Prize winner for fiction, wherein poetry is woven into the narrative. Here, the poem is Tennyson's "In Memoriam , " written to mourn the death of Tennyson's friend Arthur Henry Hallam, who was engaged to the poet's sister Emily--a main character here. This is a philosophical ghost story, bizarre and comic, but since assorted mediums meet real characters, it is difficult to relate to any of them. These novellas will attract attention due to the fame of their author, but they will appeal to a very limited audience. Previewed in Prepub Alert, LJ 12/92.- Patricia C. Heaney, Nassau Community Coll. Lib., Garden City, N.Y.Copyright 1993 Reed Business Information, Inc.
From Kirkus Reviews
Two postmodern novellas with Victorian themes that have all the leaden scholarly pretension of that era--and none of the leavening irony that made Byatt's bestselling Possession (1990) so successful a mix of erudition and wit. Taking two intellectually incompatible ideas--Darwinism and spiritualism--of the period, Byatt then sets them up in their quintessential Victorian settings, where they are observed, illustrated, and dissected like the insect specimens of the first novella and found to signify not very much, despite quotes from the greats and the Bible. In ``Morpho Eugenia,'' impoverished naturalist William Adamson, homeward bound from insect-hunting in South America, is employed by a wealthy clergyman-scholar who's trying to write a book that will reconcile his religious beliefs with his scientific interests. Adamson soon falls in love with the clergyman's daughter, the beautiful Eugenia, whom he marries only to find that her behavior is eerily similar to that of some of the insects he's been studying with the help of governess Matty. With the proceeds from his book on ants, Adamson then heads off with Matty to South America, cheered by their sea captain's thought for the day: ``That is the main thing--to be alive.'' The widow of this same captain is one of the protagonists of ``The Conjugal Angel,'' in which a group holds weekly sances where she is medium. They meet in the home of Captain Jesse and his wife Emily, Alfred Tennyson's sister and once the fiance of the beloved Arthur Hallam, to whom the poet dedicated that great Victorian icon ``In Memoriam.'' All of which means a great deal of poetry quoted, a great number of spirits consulted, and much speculation about just what Alfred really felt for Arthur--as well as an abrupt ending in which an angel teaches all those present a rather earthly lesson. Too much learning can be a dangerous thing for a novelist who needs to separate the learned monograph from the illuminating tale. Dull and forced. -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.
Angels and Insects: Two Novellas ANNOTATION
The author of Possession returns to the territory of her bestselling novel in two breathtaking fictions that explore the social and psychic landscape of Victorian England. Set in a proper country house with undercurrents of brutality and at a seance where historical figures yearn for one another, these works remind us of Byatt's powers.
FROM THE PUBLISHER
These two fascinating novellas, like A. S. Byatt's Booker Prize-winning novel Possession, are set in the mid-nineteenth century, weaving fact and fiction, reality and romance. "Morpho Eugenia" is a lively Gothic fable of the Earthly Paradise, of the Victorian obsession with Darwinian theories of breeding and sexuality and the parallels between insect and human society - the capture and taming of nature, whether it be a young woman in a country house or a rare butterfly, gleaming in the forests of the Amazon. "The Conjugial Angel" concerns Tennyson's In Memoriam, published in 1850, mourning the death seventeen years before of his friend Arthur Henry Hallam, who was engaged to Tennyson's sister Emily. A philosophical ghost story, bizarre, comic, and moving, in which fictive mediums meet "real" characters, it explores the contemporary preoccupation with God and life after death. Resonant, magical, entirely original, this is A. S. Bryant at her best.
FROM THE CRITICS
Publishers Weekly
Byatt revisits the Victorian landscape of Possession in these two fluid and intricate novellas. (Apr.)
Library Journal
This work consists of two novellas set in the mid-19th century. The first, ``Morpho Eugenia,'' is a Gothic fable that explores the multiple themes of earthly paradise and Darwin's theories of breeding and sexuality. There is an implied parallel between insect and human society throughout. The hero, a poor, scholarly entomologist, is taken into a wealthy Victorian family. His life and loves, particularly for the daughter Eugenia and the eponymous species of butterfly, comprise this tale. The second novella, ``The Conjugal Angel,'' is reminiscent of Possession ( LJ 11/1/90), Byatt's 1990 Booker Prize winner for fiction, wherein poetry is woven into the narrative. Here, the poem is Tennyson's ``In Memoriam , '' written to mourn the death of Tennyson's friend Arthur Henry Hallam, who was engaged to the poet's sister Emily--a main character here. This is a philosophical ghost story, bizarre and comic, but since assorted mediums meet real characters, it is difficult to relate to any of them. These novellas will attract attention due to the fame of their author, but they will appeal to a very limited audience. Previewed in Prepub Alert, LJ 12/92.-- Patricia C. Heaney, Nassau Community Coll. Lib., Garden City, N.Y.
AudioFile - Preston Wilson
A.S. Byatt is not for the lazy reader, or listener, as the case may be. This work (two novellas) is a cornucopia of delvings into Darwinism, Romantic poetry, Platonism, mysticism and, of course, entomology, all woven creatively into the workings of the bookᄑs structure, characterizations and conflicts. Proven professional Nadia May (aka Donada Peters and Wanda McFadden) with her dry, raspish, British voice rises predictably to the challenge. Hers is a gifted storytellerᄑs voice, perfect for a tale of Victorian England, full of expectation and interest in the wonderments of what she has to say. Her characterizations of both males and females of varied social registers are excellent, as is her ability to transmit clearly the tonal subtexts of Byattᄑs clause-laden, gracefully qualified sentences. The pace of the narration, however, is too fast to be as enjoyable to the listener as it appears to have been to the narrator. Still, itᄑs a delightful performance for those willing to pay attention. P.W. ᄑAudioFile, Portland, Maine