From Publishers Weekly
Danticat's collection of stories detailing daily life under dictatorship in Haiti was a finalist for the National Book Award. Copyright 1996 Reed Business Information, Inc.


From School Library Journal
YA?Danticat, born under Haitian dictatorship, moved to the U.S. 12 years ago. Many of the stories in this moving collection reflect the misery she has observed from afar and leave readers with a deep sadness for her native country. Survivors at sea in a too-small, leaky boat endure any indignity for the chance at escape. Selections about those remaining in Haiti have a dreamlike quality. A woman must watch her mother rot in prison for political crimes. A young father longs so much to fly that he gives his life for a few moments in the air. A prostitute plies her trade while her son sleeps. "New York Day Women" shows what life might be like in the U.S. for immigrants without resources. Through unencumbered prose, the author explores the effects of politics on people and especially the consequences of oppression on women, the themes of which figure into each of these vignettes.?Ginny Ryder, Lee High School, Springfield, VACopyright 1995 Reed Business Information, Inc.


From Library Journal
This collection of previously published but interrelated short stories presents the harsh reality of daily Haitian life under a state-approved terrorist regime. Despite the harshness, Danticat beautifully balances the poverty, despair, and brutality her characters endure with magic and myth. For many characters, she also explores the inevitable clash between traditions of Haitian home life and a new American culture. Principally mothers and daughters confront each other in these cultural and intergenerational wars, wars that would be emotionally devastating were it not for the indomitable presence of love. This theme is treated best in the work's longest piece "Caroline's Wedding." krik? krak! is Danticat's second publishing venture and second triumph folowing her well-received first novel Breath, Eyes, Memory (LJ 3/15/94). Highly recommended.?Faye A. Chadwell, Univ. of Oregon, EugeneCopyright 1995 Reed Business Information, Inc.


From Booklist
Danticat, a young Haitian American writer, was widely praised for her debut novel, Breath, Eyes, Memory (1994), and her reputation will continue to grow with the publication of this steady-handed yet devastating set of short stories. Danticat writes about the violence and despair of Haiti with precision and directness. The collection's title comes from a Haitian storytelling tradition in which the "young ones will know what came before them. They ask Krik? We say Krak! Our stories are kept in our hearts." This passing of stories from one generation to the next, especially from mother to daughter, forges a life-sustaining chain across the awful abyss of Haiti's brutality. The treasuring of memories and legends is at the heart of each of Danticat's tales and is often the only legacy anyone can hold on to. In "Children of the Sea," a young couple is forced apart, threatened with death. About to die at sea, he wonders if she'll remember their "silly dreams." In Haiti, where politics are lethal and women are condemned to suffering and death by men who envy and fear their powers, hope does indeed seem ludicrous, but in Danticat's fiction, mind and spirit soar above the pain and horrors of life. Donna Seaman


Midwest Book Review
The Creole culture of Haiti and the African-American experience are at the heart of Edwidge Danticat's fiction. Here stories are intimate histories about the raw longing of people for some chance at peace and happiness for themselves and their imprisoned society, about existence contorted by forced separation, and of personal lives shot through with terror. They are stories of an ancient people, at once proselytized and bullied, who actually live their lives in the embrace of overriding mythic powers and rites of passage.


Book Description
When Haitians tell a story, they say "Krik?" and the eager listeners answer "Krak!" In Krik? Krak! In her second novel, Edwidge Danticat establishes herself as the latest heir to that narrative tradition with nine stories that encompass both the cruelties and the high ideals of Haitian life. They tell of women who continue loving behind prison walls and in the face of unfathomable loss; of a people who resist the brutality of their rulers through the powers of imagination. The result is a collection that outrages, saddens, and transports the reader with its sheer beauty.



From the Inside Flap
When Haitians tell a story, they say "Krik?" and the eager listeners answer "Krak!" In Krik? Krak! In her second novel, Edwidge Danticat establishes herself as the latest heir to that narrative tradition with nine stories that encompass both the cruelties and the high ideals of Haitian life. They tell of women who continue loving behind prison walls and in the face of unfathomable loss; of a people who resist the brutality of their rulers through the powers of imagination. The result is a collection that outrages, saddens, and transports the reader with its sheer beauty.


From the Back Cover
"Steeped in the myths and lore that sustained generations of Haitians, Krik? Krak! demonstrates the healing power of storytelling." --San Francisco Chronicle

"Virtually flawless. . . . If the news from Haiti is too painful to read, read this book instead and understand the place more deeply than you ever thought possible." --Washington Post Book World

"Spare, luminous stories that read like poems. . . . These. . . tales more than confirm the promise of her magical first novel. A silenced Haiti has once again found its literary voice." --Paule Marshall, author of Daughters

"The voices of Krik? Krak!. . . encapsulate whole lifetimes of experience. Harsh, passionate, lyrical." --Seattle Times


About the Author
Since the publication of her debut work Breath, Eyes, Memory in 1994, Edwidge Danticat has won praise as one of
America's brightest, most graceful and vibrant young writers.  In this novel, and in her National Book Award-nominated collection of stories, Krik? Krak!, Danticat evokes the powerful imagination and rich narrative tradition of her native Haiti, and in the process records the suffering, triumphs, and wisdom of its people.  Author Paule Marshall has said of Danticat, "A silenced Haiti has once again found its literary voice."



Born in Haiti in 1969, Danticat, like the protagonist of her novel Breath, Eyes, Memory, at the age of twelve left her
birthplace for New York to reunite with her parents.  She earned a degree in French Literature from Barnard College, where she won the 1995 Woman of Achievement Award, and later an MFA from Brown University.  More recently, she has received an ongoing grant from the Lila Wallace-Reader's Digest Foundation.



Critical acclaim and awards for her first novel included a Granta Regional Award for the Best Young American Novelists, a Pushcart Prize and fiction awards from Essence and Seventeen magazines.  She was chosen by Harper's Bazaar as one of 20 people in their twenties who will make a difference, and was featured in a New York Times Magazine article that named "30 Under 30" creative people to watch.  This winter, Jane magazine named her one of the "15 Gutsiest Women of the Year."



Danticat's second novel, The Farming of Bones, based upon the 1937 massacre of Haitians at the border of the
Dominican Republic, will be published in September 1998 by Soho Press.

ANNOTATION

A Haitian-American writer of subtle power and great beauty presents a collection of intimate stories about the raw longings of people for some chance at peace and happiness for themselves and their imprisoned society, about existences contorted by forced separation, and of personal lives shot through with terror.

FROM THE PUBLISHER

Nine powerful stories about life under Haiti's dictatorships: the terrorism of the Tonton Macoutes; the slaughtering of hope and the resiliency of love; about those who fled to America to give their children a better life and those who stayed behind in the villages; about the linkages of generations of women through the magical tradition of storytelling.

FROM THE CRITICS

Tina McElroy Ansa - Black College Today

What beautifully powerful language. What a brilliant storyteller. Edwidge Danticat is a writer of subtlety and grace. She writes with such honesty, beauty and truth. Her stories can be breathtaking, disturbing, moving, her language lyrical. A stunning collection.

Walter Mosley - Black College Today

Edwidge Danticat's strong and unique voice speaks in the language of hearts. She knows the dreams and hidden thoughts of her characters, and her readers. She takes us traveling down a river of blood. That river sings in our veins.

Publishers Weekly

Arriving one year after the Haitian-American's first novel (Breath, Eyes, Memory) alerted critics to her compelling voice, these 10 stories, some of which have appeared in small literary journals, confirm Danticat's reputation as a remarkably gifted writer. Examining the lives of ordinary Haitians, particularly those struggling to survive under the brutal Duvalier regime, Danticat illuminates the distance between people's desires and the stifling reality of their lives. A profound mix of Catholicism and voodoo spirituality informs the tales, bestowing a mythic importance on people described in the opening story, ``Children of the Sea,'' as those ``in this world whose names don't matter to anyone but themselves.'' The ceaseless grip of dictatorship often leads men to emotionally abandon their families-like the husband in ``A Wall of Fire Rising,'' who dreams of escaping in a neighbor's hot-air balloon. The women exhibit more resilience, largely because of their insistence on finding meaning and solidarity through storytelling; but Danticat portrays these bonds with an honesty that shows that sisterhood, too, has its power plays. In the book's final piece, ``Epilogue: Women Like Us,'' she writes: ``Are there women who both cook and write? Kitchen poets, they call them. They slip phrases into their stew and wrap meaning around their pork before frying it. They make narrative dumplings and stuff their daughter's mouths so they say nothing more.'' The stories inform and enrich one another, as the female characters reveal a common ancestry and ties to the fictional Ville Rose. In addition to the power of Danticat's themes, the book is enhanced by an element of suspense (we're never certain, for example, if a rickety boat packed with refugees introduced in the first tale will reach the Florida coast). Spare, elegant and moving, these stories cohere into a superb collection. (Apr.)

Library Journal

This collection of previously published but interrelated short stories presents the harsh reality of daily Haitian life under a state-approved terrorist regime. Despite the harshness, Danticat beautifully balances the poverty, despair, and brutality her characters endure with magic and myth. For many characters, she also explores the inevitable clash between traditions of Haitian home life and a new American culture. Principally mothers and daughters confront each other in these cultural and intergenerational wars, wars that would be emotionally devastating were it not for the indomitable presence of love. This theme is treated best in the work's longest piece "Caroline's Wedding." krik? krak! is Danticat's second publishing venture and second triumph folowing her well-received first novel Breath, Eyes, Memory (LJ 3/15/94). Highly recommended.-Faye A. Chadwell, Univ. of Oregon, Eugene

School Library Journal