From the author of Waterland and Ever After, Last Orders is a quiet but dazzling novel about a group of men, friends since the Second World War, whose lives revolve around work, family, the racetrack, and their favorite pub. When one of them dies, the survivors drive his ashes from London to a seaside town where they will be scattered, compelling them to take stock in who they are today, who they were before, and the shifting relationships in between. Both funny and moving, this won the Booker Prize in 1996.


From Publishers Weekly
On a bleak spring day, four men meet in their favorite pub in a working-class London neighborhood. They are about to begin a pilgrimage to scatter the ashes of a fifth man, Jack Dodds, friend since WWII of three of them, adoptive father to the fourth. By the time they reach the seaside town where Jack's "last orders" have sent them, the tangled relationship among the men, their wives and their children has obliquely been revealed. Swift's lean, suspenseful and ultimately quite moving narrative is propelled by vernacular dialogue and elliptical internal monologues. Through the men's richly differentiated voices, the reader gradually understands the bonds of friendship, loyalty and love, and the undercurrents of greed, adulterous betrayal, parental guilt, anger and resentment that run through their intertwined lives. Each of them, it turns out, has a guilty secret, and the ironies compound as the quiet dramas of their lives are revealed. Amy, Jack's widow, does not accompany the men; she chooses instead to visit her and Jack's profoundly handicapped daughter in an institution, as she has done twice a week for 50 years. Swift plumbs the existentialist questions of identity and the meaning of existence while remaining true to the vocabulary, social circumstances and point of view of his proletarian characters. Written with impeccable honesty and paced with unflagging momentum, the novel ends with a scene of transcendent understanding. Copyright 1996 Reed Business Information, Inc.


From Library Journal
In Swift's latest work, following Ever After (LJ 3/1/92), a group of men bound together by their experiences in World War II and their efforts to scrape by afterward join to take the ashes of friend Jack to Margate and toss them in the sea. In flashbacks, the intertwining stories of the men's lives are neatly unfolded, told staccato fashion in the intimate, slangy patois of working-class Britain. We learn that Jack and Amy's daughter was born defective, that they adopted Vince as a baby when his parents were killed by a German bomb, that Vince has twisted and resisted the family tie, and that the family struggled to better itself to no avail. This and more is told at times rather too elliptically, but the story is affecting. Big tragedies can make a grand show, but it is the little tragedies we can all relate to that break our hearts. Recommended for literary collections.Barbara Hoffert, "Library Journal"Copyright 1996 Reed Business Information, Inc.


Salman Rushdie
This is Graham Swift's finest work to date: beautifully written, gentle, funny, truthful, touching and profound.


The New York Times Book Review, Jay Parini
A novel of impeccable authenticity . . .


From The Boston Review
Friends and an adopted son drive to the sea to carry out Jack Dodds' wish to have his ashes cast upon the waves. Along the way, in alternating first-person narratives, the living disclose predictable surprises and ponder the big questions -- what's it all about, anyway? While Swift deserves credit for trying to capture the day-to-day life of his lower-middle-class characters, the result is banal. The first-person voices are unconvincing, the competing narratives cumulatively unrevealing, and the pearls of wisdom paste. In this demotic novel, Swift grants his narrators the depth and complexity of characters in a television mini-series. Copyright © 1996, Boston Review. All rights reserved.


From AudioFile
Jack Dodds and his three buddies, Ray, Vic, and Lenny, have spent a lifetime together in their London neighborhood. They love and hate each other and are safe in their intimate sparring until Jack suddenly dies of cancer and leaves them bereft. One autumn day, the three friends join with Jack's estranged son to toss Jack's ashes into the sea. As the four men drive, they review their collective history and create a memorable quartet about friendship and fate. Graham Swift tells his Booker Prize-winning novel in a fascinating layering of voices, which are wonderfully re-created by this audiobook's seven narrators. Many are stars of the audiobook world, and their skills are in evidence as they disappear into the range of voices and personalities in this wise tale. The only quibble is that the men's voices are similar enough that one doesn't always know which character is speaking. Somehow, though, that doesn't bother. This is a lovely listen. A.C.S. © AudioFile 2003, Portland, Maine-- Copyright © AudioFile, Portland, Maine


From Booklist
Ray, Lenny, Jack, and Vic are veterans of World War II and drinking mates at the Coach and Horses, a London pub. Like many longtime friends, they've been through a lot together. Now, on the occasion of Jack Dodds' death, the three survivors, along with Vince, Jack and Amy's adopted son, set off to Margate Pier to scatter Jack's ashes into the ocean, an opportunity for reflection, remembrance, and revelation. Swift, the author of the excellent Waterland (1992), has a sharp eye for the shared experiences that form deep bonds between people: love, war, marriage, children, business, the pub, and death--the ties that bind. He also has a keen ear for the distinctive voices of his characters, allowing seven different voices to share in the telling. The diminutive Ray, also known as Lucky, a gambler, carries the bulk of the narration. Recounting how he met Jack in North Africa, suffered the loss of his daughter to a bloke in Australia, his wife to one in England, and other sadnesses, he puts it nicely when he comments that "it don't help you much, having been at the battle of El Alamein." Swift packs the intensity of an English Cassavettes, revealing the intimacy, brutality, and exclusiveness of male love. Benjamin Segedin


From Kirkus Reviews
Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request--namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies--insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does--or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms--including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism--with, in all, the ring to it of the honest, human, and true. -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.


Midwest Book Review
Characters: Jack Arthur Dodds (deceased) - "Dodds and Son Family Butcher, since 1903"; Vince Dodds (Vincent Ian Pritchett) - "son" of Jack and Amy; Ray "Lucky" Johnson - ". . . if you want to put a bet on, he's your man"; Lenny Tate, Grocer - "Gunner Tate, middleweight. Always pissed. Always late"; Vic Tucker, Funeral Director - ". . . at your disposal"; Amy Dodds - Jack's wife, mother of June (mentally disabled). ". . . it was hop picking that started it. . It's all pickings. "; Mandy Black - wife of Vince. ". . . a lassie from Lancashire".


Review
“A profound, intricately stratified novel full of life, love lost and love enduring.” — The Globe and Mail

“Swift is surely one of England’s finest living novelists.... The tale he tells is as affecting as it is convincing.... Quietly, but with conviction, he seeks to reaffirm the values of decency, loyalty, love.” — The New York Review of Books


Review
?A profound, intricately stratified novel full of life, love lost and love enduring.? ? The Globe and Mail

?Swift is surely one of England?s finest living novelists.... The tale he tells is as affecting as it is convincing.... Quietly, but with conviction, he seeks to reaffirm the values of decency, loyalty, love.? ? The New York Review of Books


Book Description
Four men gather in a London pub. They have taken it upon themselves to carry out the last orders of Jack Dodds, master butcher, and deliver his ashes to the sea. As they drive towards the fulfillment of their mission, their errand becomes an extraordinary journey into their collective and individual pasts. Braiding these men's voices, and that of Jack's widow, into a choir of sorrow and resentment, passion and regret, Swift creates a testament to a changing England and to enduring mortality.

"Swift has involved us in real, lived lives...Quietly, but with conviction, he seeks to affirm the values of decency, loyalty, love."--New York Review of Books


"A beautiful book...a novel that speaks profoundly of human need and tenderness. Even the most cynical will be warmed by it."--San Francisco Chronicle


From the Inside Flap
Four men gather in a London pub. They have taken it upon themselves to carry out the last orders of Jack Dodds, master butcher, and deliver his ashes to the sea. As they drive towards the fulfillment of their mission, their errand becomes an extraordinary journey into their collective and individual pasts. Braiding these men's voices, and that of Jack's widow, into a choir of sorrow and resentment, passion and regret, Swift creates a testament to a changing England and to enduring mortality.



"Swift has involved us in real, lived lives...Quietly, but with conviction, he seeks to affirm the values of decency, loyalty, love."--New York Review of Books


"A beautiful book...a novel that speaks profoundly of human need and tenderness. Even the most cynical will be warmed by it."--San Francisco Chronicle

FROM THE PUBLISHER

Graham Swift's first novel since the highly acclaimed Ever After is a subtle yet deeply felt exploration of the ways in which friendship and love are shaped by the past and by fate. At its center is a group of men, friends since the Second World War, whose lives revolve around work, family, the racetrack, and their favorite pub. Now, the death of one of them, and the survivors' task of driving their friend's ashes from London to the seaside town where they'll be scattered, compels them to take stock. Through conversation and memory they trace the paths they have followed by choice and by accident: through war and its aftermath, through the dramas of their family lives and of their shifting relationships with one another. In brilliantly realized, richly humorous voices, Swift has created a narrative language that perfectly expresses not only the comforts of old habits and friendships but the profound emotional revelations this brief but far-reaching journey will bring them.

FROM THE CRITICS

Publishers Weekly

On a bleak spring day, four men meet in their favorite pub in a working-class London neighborhood. They are about to begin a pilgrimage to scatter the ashes of a fifth man, Jack Dodds, friend since WWII of three of them, adoptive father to the fourth. By the time they reach the seaside town where Jack's "last orders" have sent them, the tangled relationship among the men, their wives and their children has obliquely been revealed. Swift's lean, suspenseful and ultimately quite moving narrative is propelled by vernacular dialogue and elliptical internal monologues. Through the men's richly differentiated voices, the reader gradually understands the bonds of friendship, loyalty and love, and the undercurrents of greed, adulterous betrayal, parental guilt, anger and resentment that run through their intertwined lives. Each of them, it turns out, has a guilty secret, and the ironies compound as the quiet dramas of their lives are revealed. Amy, Jack's widow, does not accompany the men; she chooses instead to visit her and Jack's profoundly handicapped daughter in an institution, as she has done twice a week for 50 years. Swift plumbs the existentialist questions of identity and the meaning of existence while remaining true to the vocabulary, social circumstances and point of view of his proletarian characters. Written with impeccable honesty and paced with unflagging momentum, the novel ends with a scene of transcendent understanding. (Apr.)

Library Journal

In Swift's latest work, following Ever After (LJ 3/1/92), a group of men bound together by their experiences in World War II and their efforts to scrape by afterward join to take the ashes of friend Jack to Margate and toss them in the sea. In flashbacks, the intertwining stories of the men's lives are neatly unfolded, told staccato fashion in the intimate, slangy patois of working-class Britain. We learn that Jack and Amy's daughter was born defective, that they adopted Vince as a baby when his parents were killed by a German bomb, that Vince has twisted and resisted the family tie, and that the family struggled to better itself to no avail. This and more is told at times rather too elliptically, but the story is affecting. Big tragedies can make a grand show, but it is the little tragedies we can all relate to that break our hearts. Recommended for literary collections.-Barbara Hoffert, "Library Journal"

Kirkus Reviews

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II.

When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong.

Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.