From Publishers Weekly
McKinley brings to the Robin Hood legend a robustly romantic view. She renders it anew by fully developing the background and motive of each member of the merry band, from Robin's "crime" that sends him into the woods, to Marian's subterfuge as she straddles the worlds of the nobility and of the outlaws. Their habitations, foresting and thieving is explained, and McKinley, in a thoughtful afterword, reveals both her debt to and her differences with previous versions of the story. There is no reason, however, that readers of those stories might not enjoy this one as well. Although the author does fall into the politics indigenous only to the British isles, she presents a solid piece of tale-weaving, ingenious and ingenuous, causing readers to suspend belief willingly for a rousing good time. Ages 12-up. Copyright 1988 Reed Business Information, Inc.

From School Library Journal
Grade 9-12 Robin Hood is immortal, but in The Outlaws of Sherwood he doesn't quite come alive. McKinley's novelistic treatment expands the outlines of characters and episodes familiar to readers of Pyle. All is well in the Greenwood until the outlaws open their mouths: their speech and thoughts are a stiff, uneasy mix of ye-olde high seriousness and flip vernacular. McKinley's attempts to evoke the 12th-Century conflict with her wish to raise her characters' political and feminist consciousness do not work. The book moves slowly: there is action, but not enough for the sword-and-sorcery genre addicts; the romance between Robin and Marion hangs fire while he figures out that he can't tell her what to do; the dialogues are sometimes unwieldy and un-yeomanlike; the whole is unconvincing. Pyle's text may be stilted, but there are his wonderful pictures; even Roger Green's version (Penguin, 1984), albeit for a younger audience, has the merit of good pacing. Patricia Dooley, University of Washington, SeattleCopyright 1989 Reed Business Information, Inc.

Book Description
Robin Longbow is a sub-apprentice forester in Sherwood Forest, barely eking out a living-and barely able to control his temper when he is confronted by the taunts of the Chief Forester's favorite. One careless shot, and he has killed the man. From then on, Robin is on the run-but he is not alone. Joined first by his friends Much and Marian, then by more and more people who despise the Norman lords who tax them blind, Robin builds a community of Saxon outlaws deep in Sherwood who risk the gallows and the sword for the sake of justice and freedom.

"In the tradition of T. H. White's reincarnation of King Arthur, a novel that brings Robin Hood . . . delightfully to life!" (Kirkus Reviews)

Card catalog description
The author retells the adventures of Robin Hood and his band of outlaws who live in Sherwood Forest in twelfth-century England.

ANNOTATION

The author retells the adventures of Robin Hood and his band of outlaws who live in Sherwood Forest in twelfth-century England.

FROM THE PUBLISHER

A dazzling retelling of Robin Hood that incorporates traditional tales and familiar characters with exciting new adventures.

FROM THE CRITICS

Publishers Weekly

McKinley brings to the Robin Hood legend a robustly romantic view. She renders it anew by fully developing the background and motive of each member of the merry band, from Robin's ``crime'' that sends him into the woods, to Marian's subterfuge as she straddles the worlds of the nobility and of the outlaws. Their habitations, foresting and thieving is explained, and McKinley, in a thoughtful afterword, reveals both her debt to and her differences with previous versions of the story. There is no reason, however, that readers of those stories might not enjoy this one as well. Although the author does fall into the politics indigenous only to the British isles, she presents a solid piece of tale-weaving, ingenious and ingenuous, causing readers to suspend belief willingly for a rousing good time. Ages 12-up. (Sept.)

School Library Journal