The Snatch FROM THE PUBLISHER
Two girls are kidnapped for ransom by a pair of desperate builders. But the girls, who are just as anxious to leave home and begin their own lives, soon dominate the two men and set up a robbery of their own. But they cut across another gang, and get more than they bargained for.
FROM THE CRITICS
Publishers Weekly
Veteran Gerald Hammond (Dirty Dollar) delivers another diverting contemporary crime caper, The Snatch. Two amateur kidnappers find the tables turned when their victims, a couple of young girls, propose a robbery scheme of their own. Copyright 2003 Reed Business Information.
Library Journal
Two young construction workers who have fudged the dole and gotten caught kidnap two young women, Alice and Sarah, in hopes of raising enough ransom to leave town. Surprisingly, the women also want to get away from it all. The four become a team under Alice's direction, plotting a way of getting a stake big enough for them all. With one more easy recruit, they successfully rob a grocery store but find that they have unwittingly stolen millions in counterfeit Euro dollars. Hammond's (Grail for Sale) lively plot and light prose, both energized by frequent humor, make this a necessary purchase for most mystery collections. Copyright 2003 Reed Business Information.
Kirkus Reviews
A Scottish take on "The Ransom of Red Chief" with felonies obbligato. Veteran author Hammond ventures into territory far removed from his usual fishing/hunting backgrounds (Grail for Sale, 2002, etc.) in this tale of 20ish Alice Dunwoodie, who lives in a Scottish village with her mother and father, a self-described financial consultant. A bitter quarrel with her father over her lack of a job sends Alice storming out to the local bistro, where she meets her friend and neighbor Sarah McLeod, who rejoices in the relative perks of a temp. Walking home, theyᄑre confronted at gunpoint by a pair of shabby kidnappers, put in a van, and driven to a decrepit barn prepared for them. But the two putative victims are anything but helpless. Alice soon persuades Foxy Brett and Tod Bracken to move to her familyᄑs unused summer cottage. Once there, she and Sarah convince them of their familiesᄑ lack of big money and of their own willingness to help the clueless crooks find a haul elsewhere--for instance, the strongroom of the local supermarket, where Alice, exulting in her newfound powers, blackmails a worker into helping with the robbery. All seems to go smoothly, but the caperᄑs successful conclusion carries problems of its own. Working them out leads Alice to the shock of her life, a romance, and a return to a kind of normalcy. Feisty if uningratiating characters in a complex, imaginative, though not always convincing story.