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   Book Info

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The Friends of Freeland  
Author: Brad Leithauser
ISBN: 0736640037
Format: Handover
Publish Date: June, 2005
 
     
     
   Book Review


Frigidly tucked between Iceland and Greenland along a volcanic archipelago, fictitious Freeland is a tiny nation trying to maintain purity through isolation from the madness infecting the rest of the world--but with little effect. At least that's the situation according to Hannibal Hannibalsson, Freeland's 20-year president, renowned orator, and a hopeless drunk. Despite having promised to give up the office, he decides to run for another term after a vision calls him to fulfill his nationalistic duty. Without the support of the populace--or even his wife--Hannibalsson must rely on his old friend Eggert Oddason, Freeland's preeminent poet turned political guru. Together, they hire spin doctors from the United States to give Hannibal an electoral edge. Against this backdrop, The Friends of Freeland launches into a parody of the election process and its undesirable byproducts, as well as the aggressive enterprise of exporting materialism.

From Publishers Weekly
Two wildly idealistic main characters?Eggert Oddason and Hannibal Hannibalsson?propel this grand, sprawling, satiric novel (Leithauser's fourth, after Seaward). Eggert and Hannibal are, respectively, the ad hoc minister of culture and the president of the imaginary nation of Freeland, a lava-crusted, storm-lashed cluster of islands located between Greenland and Iceland ("what green is to Ireland, gray is to Freeland"). Rivals as schoolboys, the two now tilt their lances at the same windmill, namely the creeping modernization that threatens to reduce their fellow citizens from a nation of proudly self-sufficient Norsemen to a gaggle of Walkman-wearing milksops. As Hannibal tells his countrymen, Freeland is "the one true good hope of this troubled planet" where "madness reigns, ever more brutal wars are waged, and ever more destructive forms of leisure are conceived." To preserve their country's purity, the duo has tried everything from a ban on frozen waffles to strict quotas on American pop music, but time, and the patience of the electorate, is running out. Matters come to a head as an election looms between the aging Hannibal and the bland, modernizing Nonni Karlsson. But this novel's appeal lies mostly in the pleasure of watching Leithauser's extraordinarily rich imagination at play as he conjures an entire people out of the frigid waters of the North Atlantic, ranging from the furtive narrator Eggert to the handsome, larger-than-life Hannibal, who "in his straight-shouldered, red-gold-haired, strong-jawed splendidness... is as perfect a Viking as ever navigated by instinct up a rocky, fog-clamped fjord." Leithauser's is not a subtle portrait; nor is his prose always for the fainthearted. But the novel is such good, catty, generously proportioned fun that the persevering reader will be more than inclined to forgive its missteps. Copyright 1996 Reed Business Information, Inc.

The New York Times Book Review, Peter S. Prescott
Entertaining as it is to watch Polonius play his brief part in Hamlet, no one ever wished that Shakespeare had written more lines. Now imagine a 500-page novel with Polonius as narrator.

From Booklist
Leithauser's wonderful new novel combines exuberant storytelling with a poet's attention to the nuances of language. It is election time in Freeland, a perfectly realized imaginary island nation bearing more than a passing resemblance to Iceland. The narrator, cynical and worldly Eggert, spends his time advising his old friend Hannibal (campaigning, as the book opens, for an unprecedented fifth five-year presidential term) and writing (with 49 books to date). He is also constantly mounting a rear-guard action to preserve Freelandic culture against corrupting imports, such as rock music, drugs, political consultants, and such terms as in vitro fertilization and codependent, for which he has to find appropriate Freelandic words. Eggert's narrative moves back and forth in time, covering his miraculous recovery from tuberculosis, his sojourns in North America, his relationships with women, and his rewarding yet frustrating friendship with Hannibal, which culminates in the election itself. Witty, thought provoking, and unexpectedly poignant, this exhilarating novel belongs in all collections of literary fiction. Nancy Pearl

From Kirkus Reviews
A Northern Saga, longer than an Arctic shadow and tougher to swallow than frozen venison filet, from a gifted poet and novelist (Seaward, 1993, etc.) who seems to have had a lot of time on his hands. Freeland can't be found on any map. Close to Greenland and Iceland, it's a former Scandinavian colony that lies just below the Arctic Circle and gives shelter to some 60,000 souls scattered across four small islands. The Freelanders, like most island people, live by fishing and, like all good northerners, love to drink. Lately, however, their children have been fishing less and drinking more, and quite a few have taken up hard drugs. This is the social crisis that Hannibal Hannibalsson, the President of Freeland, has to address in his campaign for reelection. ``I believe now,'' Hannibal declares, ``as I have always believed, that Freeland is the true world-light and if we remain faithful to ourselves we're the one true good hope of this troubled planet--the one true good hope!'' Hannibal's childhood friend Eggert Oddason, our narrator, is somewhat more cynical, adhering to the duty developed ``over a literary career spanning three decades and forty-nine books, to rail against my country and countrymen.'' Like most political pundits, Eggert starts with public issues but is more interested in private lives, and we soon learn how Hannibal managed his climb to the top and just how much it cost him and his friends--Eggert not least of all--for him to get there. A record of women shared and stolen takes up much of the story, as does a weird mystical quest for the ``Freeland Saga''--the ancient Freelandic epic poem whose possession by Iceland is a constantly simmering provocation. But it is hard to find much surprise in such an obvious election-year allegory, and it is harder still to see why such epic treatment was required. Skillfully crafted and conceived, but far too long and obvious. -- Copyright ©1996, Kirkus Associates, LP. All rights reserved.

Review
"Whimsy, muscular good fun, and scarifying wisdom mark this spectacularly well told parable by one of America's most adventurous writers."

-- Thomas Keneally

"Readers in quest of civilized fun are advised to visit Freeland at once. Forget Shangri-La, Angria, Islandia, Graustark. Freeland has it all: a richly invented society, comical in its detail...romance wit, compelling description...and, strewn throughout this playful, wholehearted work, an array of subtly illuminating political metaphors."

-- Norman Rush

"Two wildly idealistic main characters propel this grand, sprawling, satiric novel...But its appeal lies mostly in the pleasure of watching Leithauser's extraordinarily rich imagination at play as he conjures an entire people out of the frigid waters of the North Atlantic."

-- Publishers Weekly


From the Hardcover edition.




The Friends of Freeland

FROM THE PUBLISHER

In this roomy, bawdy, exuberantly comic novel, Brad Leithauser takes us to an imaginary island-country, Freeland, during a crucial election year. The "friends" of the title are Hannibal, an expansive, lovable, unruly giant of a man who has been President of Freeland for twenty years, and Eggert, his shrewd, often prickly, always devious sidekick and adviser, who is Poet Laureate of Freeland and the book's narrator. As the book opens, Freeland - long happily isolated and stubbornly independent - is in trouble. The sins of the rest of the world have begun to wash up on its shores in the form of drugs, restless youth, and a polluted, fished-out ocean. And, to add to the complications, when Hannibal, who has promised to step down as president, decides to run again, the opposition imports three "electoral consultants" from the United States. As the story unfolds, the histories of the friends are revealed. While Hannibal is Fate's adored, Eggert travels perpetually under a cloud. Orphaned early, he must make his way by his wits. We follow him from his youth as he adventures Down Below (any place south of Freeland), collecting women, lovers, children, restlessly churning out fifty books in his search for love and admiration, returning home at last to raise a family and to serve his friend in his political hour of need.

FROM THE CRITICS

Publishers Weekly

Two wildly idealistic main characters-Eggert Oddason and Hannibal Hannibalsson-propel this grand, sprawling, satiric novel (Leithauser's fourth, after Seaward). Eggert and Hannibal are, respectively, the ad hoc minister of culture and the president of the imaginary nation of Freeland, a lava-crusted, storm-lashed cluster of islands located between Greenland and Iceland ("what green is to Ireland, gray is to Freeland"). Rivals as schoolboys, the two now tilt their lances at the same windmill, namely the creeping modernization that threatens to reduce their fellow citizens from a nation of proudly self-sufficient Norsemen to a gaggle of Walkman-wearing milksops. As Hannibal tells his countrymen, Freeland is "the one true good hope of this troubled planet" where "madness reigns, ever more brutal wars are waged, and ever more destructive forms of leisure are conceived." To preserve their country's purity, the duo has tried everything from a ban on frozen waffles to strict quotas on American pop music, but time, and the patience of the electorate, is running out. Matters come to a head as an election looms between the aging Hannibal and the bland, modernizing Nonni Karlsson. But this novel's appeal lies mostly in the pleasure of watching Leithauser's extraordinarily rich imagination at play as he conjures an entire people out of the frigid waters of the North Atlantic, ranging from the furtive narrator Eggert to the handsome, larger-than-life Hannibal, who "in his straight-shouldered, red-gold-haired, strong-jawed splendidness... is as perfect a Viking as ever navigated by instinct up a rocky, fog-clamped fjord." Leithauser's is not a subtle portrait; nor is his prose always for the fainthearted. But the novel is such good, catty, generously proportioned fun that the persevering reader will be more than inclined to forgive its missteps. (Jan.)

Kirkus Reviews

A Northern Saga, longer than an Arctic shadow and tougher to swallow than frozen venison filet, from a gifted poet and novelist (Seaward, 1993, etc.) who seems to have had a lot of time on his hands.

Freeland can't be found on any map. Close to Greenland and Iceland, it's a former Scandinavian colony that lies just below the Arctic Circle and gives shelter to some 60,000 souls scattered across four small islands. The Freelanders, like most island people, live by fishing and, like all good northerners, love to drink. Lately, however, their children have been fishing less and drinking more, and quite a few have taken up hard drugs. This is the social crisis that Hannibal Hannibalsson, the President of Freeland, has to address in his campaign for reelection. "I believe now," Hannibal declares, "as I have always believed, that Freeland is the true world-light and if we remain faithful to ourselves we're the one true good hope of this troubled planet—the one true good hope!" Hannibal's childhood friend Eggert Oddason, our narrator, is somewhat more cynical, adhering to the duty developed "over a literary career spanning three decades and forty-nine books, to rail against my country and countrymen." Like most political pundits, Eggert starts with public issues but is more interested in private lives, and we soon learn how Hannibal managed his climb to the top and just how much it cost him and his friends—Eggert not least of all—for him to get there. A record of women shared and stolen takes up much of the story, as does a weird mystical quest for the "Freeland Saga"—the ancient Freelandic epic poem whose possession by Iceland is a constantly simmering provocation. But it is hard to find much surprise in such an obvious election-year allegory, and it is harder still to see why such epic treatment was required.

Skillfully crafted and conceived, but far too long and obvious.



     



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